On ditties such as "Good Girl" and "Love Tonight," Felisa comes across as a fairly standard chanteuse, albeit one who thankfully resists the temptation to over-sing. But the stronger the material, the better she sounds. Take "Padre Padre," which juxtaposes Spanish guitar, wooden flute and clattering beats against her dulcet tones, and "Sacrificios," in which her subtly impassioned singing is capable of boiling testosterone at thirty paces.
If it's getting hot in here, Felisa deserves the blame. And the credit.