Best Hip-Hop Mixtape 2009 | The Pirate Signal, Of Gods and Gangsters, Vol. 1 | Best of Denver® | Best Restaurants, Bars, Clubs, Music and Stores in Denver | Westword
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For the fans who've played out the Pirate Signal's EP from 2006 like it was the only CD they owned, the duo's mixtape Of Gods and Gangsters, Vol. 1 was a breath of fresh air. The tape, entirely mixed by DJ A-What!, features Yonnas spittin' over original beats as well as beats used by M.I.A., 50 Cent and Kanye West, but rocked with a pure Pirate Signal energy. Yonnas and A-What! had been performing selections from the mixtape at their shows, so for the fans to finally get their hands on a copy to listen to in their cars and iPods was a good thing.
He's produced tracks for the likes of KRS-One, Dilated Peoples, Braille and Killah Priest, but that's not why people are talking about Es-Nine. His group, 3 the Hardway, recently released its debut album, Set in Stone, which was entirely produced by Es-Nine and features some of the hardest head-nodding beats to come out of Colorado in some time. But it doesn't stop there: Es is also working on his own solo album as well as projects with Mane Rok and a new solo album from A.I.V.U.S.
Back in 1908, the Democrats trucked in piles of snow to amuse delegates to the Democratic National Convention. A century later, the best entertainment inspired by the 2008 Democratic National Convention may leave a more permanent legacy. Celebrate 1908 was a two-day, multimedia festival of political and historical flashbacks that brought the issues and arguments of 1908 back to the Tivoli Turnhalle on the Auraria campus in late July. Technically a benefit for Auraria Casa Mayan Heritage, an organization that commemorates the Latino community that centered on the Casa Mayan restaurant, Celebrate 1908 was a true celebration of the people who've contributed to the melting pot of Denver over the past century.
If you've listened to any hip-hop radio station in any major city recently, chances are you've heard some of Frank E's music — that's how big he's getting. He was the man behind the hit records "Please Excuse My Hands," from Plies featuring Jamie Foxx and the Dream; "Me & U," from Flo Rida; and a DJ Khaled/T-Pain mixtape joint called "Superman." He also co-produced one of the most played records so far this year, "Right Round," from Flo Rida; that cut was even used to promote the new season of Dancing With the Stars. And Frank E isn't done yet. He just finished creating joints for T.I., Gym Class Heroes, Sean Kingston and some other major urban artists that he can't discuss quite yet. Be proud, Denver!
A few years ago, the Old Curtis St. Bar had terrible sound and a nearly sub-dive vibe. But it's steadily become a better place to play. There is now a small stage — outfitted with gear from the 15th St. Tavern  — and a rudimentary sound system that provides for decent vocals and kick-drum sound. With Joe Ramirez, Andy Wild and Steve Lawson doing their best with the sound levels, Old Curtis St. has gone from a bottom-of-the-barrel venue to a viable one.
MCA Denver
Wouldn't it be nice to step inside the thoughts and inspirations of your favorite artists? You can do just that at MCA Denver's Open Shelf Library. Composed of books, digital works, found objects, games, journals, models, movies, music and sculpture contributed by MCA artists, the shelves are a physical catalogue of the artifacts used to shape their realities. Computerized information allows museum-goers to dive even deeper into the minds of the artists. The museum also hosts an Open Shelf Book Club for members and weekly Open Shelf Films from late fall to early spring. Maybe you can't be John Malkovich, but the Open Shelf is the next best thing.
Mark Payler
After twelve years, Dazzle has definitively proved that it has what it takes to make a successful jazz club. Whether it's bringing in a steady stream of outstanding local jazz talent like Ron Miles and Kenny Walker (or the blues of the Shuffletones on Saturdays) and nationally recognized players like organ ace Joey DeFrancesco, Schoolhouse Rock composer Bob Dorough or alto saxophonist Richie Cole, you're sure to hear stellar music most nights of the week. Sundays are the ideal time to hear big bands like the 9th & Lincoln Orchestra, the Chie Imaizumi Jazz Orchestra and Elevenet. Not only is the music world-class, but the food swings, too: The $5 happy-hour menu alone is reason to check the place out.
Mark Payler
Dan Schwindt definitely knows a few things about jazz guitar and improvisation, and he's performed with a ton of the region's heavier players. He's also carved out Tuesdays from his schedule for the past few years to head up the jazz jams in Dazzle's Dizzy room. One of the best ways to learn is through playing with other cats, and these jams give younger students a chance to hone their chops in a live setting and to learn the language of jazz. Schwindt offers a low-pressure, casual atmosphere, and instrumentalists and vocalists alike find the sessions quite comfortable.
Like the place itself, the 3 Kings jukebox has a distinctly personalized feel. From homemade mix CDs to the other handpicked music selections, there's a little something for everybody: new and old punk (the Clash and X to Against Me!), some classic rock (ZZ Top and AC/DC), a little soul (James Brown and Stevie Wonder), as well as a bastion of local releases including discs from Git Some, Cephalic Carnage, Warlock Pinchers, King Rat, Black Lamb, Slim Cessna's Auto Club, To Be Eaten and Get Three Coffins Ready. You won't find a stronger, more eclectic or satisfying selection than this one.

Best Jukebox for Old-School R&B, Soul, Jazz and Country

The Skylark

Mason Craig
The Skylark's penchant for mid-twentieth-century pop culture is clear in its jukebox collection, a diverse catalogue that spotlights giants from a wealth of genres. But the musical selection doesn't exist in a vacuum; rather, it adds a degree of authenticity to the 'Lark's collection of kitschy posters and nostalgic decor. Cuts from soul giants such as Etta James and Otis Redding, jazz progenitors like Louis Prima and Ella Fitzgerald and country heavyweights like Johnny Cash and Bob Wills complement the 1950s film posters that line the walls. The old-school inventory isn't limited to greatest-hits anthologies, either. For the distinguishing Louis Armstrong fan, for example, there's an album devoted solely to his early Hot Five and Hot Seven output, recordings that are as impassioned as they are raw. It's the perfect soundtrack for a cold Pabst and a game of pool.

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