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Best Place to Express Yourself

make. workshops at PlatteForum

We plop down our dollars to drink wine while creating identical paintings, but deep down inside, don't we know that's not really art we're making? PlatteForum's make.workshops go the extra mile by pairing creative drinkers with storied members of the art community to create projects of lasting value. Past instructors have included painters, sculptors, fiber artists and more, leading such projects as jewelry making, sun printing, poetry writing, felting and collage. Fees benefit PlatteForum's real reason for being: programs pairing underserved youth with artist-mentors.

Best Place to See New Bands

Seventh Circle Music Collective

Anthony Camera

When Aaron Saye took over the space formerly known as Blast-O-Mat in August of 2012 and renamed it the Seventh Circle Music Collective, he had some impressive boots to fill. Fortunately, the gregarious filmmaker and music fan had organizational skills honed during his years of tour managing, and he competently took on the challenge of helming a DIY venue. Saye brought together an invested group of volunteers and established a booking policy that welcomes all styles of music. As a result, most shows feature solid bands that are still below the public radar, and young people who have yet to navigate the realm of bars or other commercial outlets have become regulars here. For these reasons and more, Seventh Circle offers an essential resource in a thriving music community.

Best Present for Theater-Loving Friends

Curious Theatre Company season pass

You can't go wrong with season tickets for Curious Theatre Company: Give them to friends, and they'll be thinking about you with gratitude several times over the course of the year. Curious brings the best and most-talked-about contemporary work to Denver — plays you've read about with interest but assumed you'd never get to see — and stages them with skill, artistry and integrity. The price for a five-play season ranges from $115 (for seniors) to $210, and there are added perks, like getting a discount on the second ticket if you bring a friend and — if you buy the expensive package — opening-night parties where you can mingle with the actors.

Best Public Art at DIA

"Balustrade," by Betty Woodman

The extensive art collection at Denver International Airport has paid for itself in publicity alone. There's "Mustang," the all-but-fire-breathing stallion by Luis Jiménez that still inspires fear in the timid, and the enigmatic Leo Tanguma murals that have spawned a thousand conspiracy theories. But there are also works with a quieter presence, like Betty Woodman's sumptuous "Balustrade," which many travelers miss because it's on level six of Jeppesen Terminal. Woodman has taken the baluster shape and put her own signature spin on it, creating rows of them out of expressively worked ceramics.

Best Reason for the Biennial of the Americas to Return

Denver Night

The Biennial of the Americas returned this past summer, an odd three years after its debut, and Denver Night alone was reason to welcome it back. Masterminded by the MCA's Adam Lerner and sound artist Chris Kallmyer in the spirit of blurring the edges between art and fun, the climactic gathering, which qualified as a "happening" of major dimensions, included an opera for dogs, an interactive light installation by Boulder artist Jen Lewin, Viviane Le Courtois's welcoming Human Grazing Experiment and, most notably, a fine finale to Nick Cave's stay in Denver — HEARD•DAM, which let loose an army of Cave's flowing horse Soundsuits into the park, to the delight of all. It was a world-class evening for a world-class town.

Best Repertory Cinema

International Film Series

Pablo Kjolseth of the International Film Series is more than a curator: He's a man with a mission who juggles a mixture of new and old art-film and pop-culture oddities, current sleepers and cult favorites on IFS screens every fall and spring semester at CU-Boulder. And the series has only gotten better over time: With new digital equipment, Kjolseth can present the contemporary films everyone's talking about while still offering the celluloid classics and archival prints that have always been the backbone of the series. Kjolseth loves film, and it shows in every knowledgeably sculpted schedule. Long love the IFS!

Best Reunion Show

40th Day

Jeff Davis

After singer Shawn Strub left 40th Day in 1993, the band struggled on for another couple of years before splitting. And while its influence could be heard in bands like Space Team Electra, 40th Day faded into almost complete obscurity. Then, in 2012, bassist James Nasi and guitarist Neil Satterfield played a show with a set list that included a handful of 40th Day songs, and from there, the plucky Nasi contacted the remaining members from the band's heyday, finding all but original drummer Sid Davis available to relive the Denver classics found on albums like Lovely Like a Snake. With Davis's blessing, the group got together with Sympathy F's Tony Morales on drums and made 40th Day's hard-edged yet ethereal music feel anything but dated.

Best Sculpture Show — Group

Catalyst

There's no better place for a sculpture show than at the Denver Botanic Gardens, what with all those curving walkways, clearings and water features. And exhibitions director Lisa Eldred has used the grounds to her advantage, mounting one great exhibit after another. The most recent one was Catalyst, devoted to pieces by some of the top contemporary sculptors in Colorado, including James Surls, Linda Fleming and Robert Mangold, along with mid-career masters Emmett Culligan, Kim Dickey, Nancy Lovendahl, Terry Maker, Andy Miller, Patrick Marold, Pard Morrison, Carl Reed and Yoshitomo Saito. All were working in abstract and/or conceptual modes, with nary a bronze cowboy or marble ballerina in sight.

Best Sculpture Show — Solo

Patrick Marold: Strata

Conceptual artist Patrick Marold hit the big leagues last year when he was awarded a $1.5 million commission to create a work that will occupy the under-construction "valley" where the rail line will meet the new station and hotel at DIA. But even though Marold is adept at orchestrating massive works like these, he's also good on a more intimate scale, as he proved in Patrick Marold: Strata. Marold likes to use simple repeated shapes, like the cluster of metal rods that were used to create a standing sculpture, its shiny surfaces reflecting the room around it; or the rusted rods that were stacked precariously into a leaning pyramid. But he also uses ideas, which explains why his pieces are so smart.

Best Show About Colorado's Modern Tradition

Perception: Color/Line/Pattern

Over the past seventy years, Colorado has built a strong tradition in hard-edged abstraction and pattern painting that flourishes even today in the work of some of the most advanced artists in the state. That's doubtless why Collin Parson, the Arvada Center's visual-art director, decided to put together Perception: Color/Line/Pattern. The expansive exhibit included some mid-twentieth-century works by the likes of Charles Bunnell, Vance Kirkland, Bev Rosen and others, moved on to those from the late twentieth century, including Clark Richert and David Yust, and finished up with younger artists working now with patterns, shapes and lines, among them Jaime Correjo, Adam Holloway, Wendi Harford, Emilio Lobato and Lewis McInnis.

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