Heather Donahue on The Blair Witch Project, marijuana, and her new book

When Heather Donahue couldn't get acting work after starring in iconic horror flick The Blair Witch Project, she decided to start growing marijuana. But the story is more involved than that, as she details in her new book, Growgirl, about moving to the California (and a town she refers to as Nuggettown) and growing pot.

Donahue will be at the Tattered Cover Colfax at 7:30 p.m. tonight to read from Growgirl; we caught up with the insightful Donahue in advance of her signing and talked about life after Blair Witch, writing a book and, of course, weed.

Westword: What made you want to write Growgirl?

Heather Donahue: Oh god, there were so many things that made me want to write the book. When I first moved up to Nuggettown I thought I might write about this idea of a city mouse-becomes-country mouse kind of story and pretty much halfway through the year foxes ended up eating my chickens and deer ate my whole veggie garden so I didn't think that was gonna work out quite so well. And by the time the year really wrapped up, I realized that the much more compelling story was of this industry that so many people touch but don't really know about. What do you hope happens with the government in relation to the marijuana industry?

I'd like to see legalization happen, but I would like to see legalization happen with some consideration to the people who've built up the business. I would hate to see it become completely corporatized and have the people who've created this business so successfully become sharecroppers. I think that would be incredibly unfortunate, because right now the marijuana business is one of the few sectors of our economy that'd be supporting a thriving middle class. It's really the only multi-billion-dollar business that's non-corporate.

In the book you talk about gender dynamic in the growing business. Why do you think the industry is so male-dominated?

I think when I first started out it was because women tend to have a stronger self-preservation instinct [laughs]. So I'm not even sure that there weren't as many women growing, they just certainly were not as visible. It's a tough job from the emotional and psychological point of view, because you can't really be friends with your neighbors, you can't really let people know what you're doing even when you're staying legal because it's a federal issue. So it is kind of isolating. The community that you're a part of is limited to people who do what you do, so it does become a little bit incestuous, in a way. I think, not to be a gender essentialist, guys have a slightly easier time with that. I really missed not getting to know my neighbors or not being able to invite my neighbors over for dinner. For me it was hard to have my parents worried about me all the time. I felt bad about that. And also at a certain point you want to make something that you can share widely. I did, anyway. It was an incredibly satisfying job, and I often miss it a lot, but I also really love writing and I've really enjoyed touring and being able to share my work with people.

What do you miss about the job?

I miss, sometimes, the solitude. I miss the silence. I miss the people that lived in the town that I lived in. I miss the plants themselves. I miss the satisfaction of growing something and watching it get a little bigger, advance each day. That was incredibly satisfying. So many things in our lives, in our jobs have gotten really abstract, and I really enjoy doing something so tangible.

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Robin Edwards
Contact: Robin Edwards

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