Only you can decide if the strange, sweet Wrong is right for you

If real life were like Wrong, Quentin Dupieux’s sweetly unnerving experiment in ambient fucked-uppedness, your phone would ring before you’ve finished this sentence, and the words you haven’t gotten to yet would be read aloud to you by a voice you’ve never heard before. Then, while you’re at lunch someplace,…

The truth (maybe) behind The Shining

Like the blood that gushes forth from the elevators of the Overlook Hotel, brilliant/ridiculous theories of what Stanley Kubrick’s The Shining is really about have for years surged madly and memorably — especially online, where the Internet’s dead-ends, blind links and back-where-you-started arguments just might be another part of the…

In Top of the Lake, Peggy Olson goes to hell

Elisabeth Moss’s face is far from the only reason to savor Top of the Lake, Jane Campion’s smart, bracing, hugely enjoyable mystery rural noir Top of the Lake, which premieres on the Sundance Channel on Monday, March 18. But that pale-to-radiant instrument of hers — a mouth that suggests her…

The Incredible Burt Wonderstone has charm but no comedy magic

Steve Carell’s gift is for men who might drown in their own obliviousness. Like his Daily Show reporter, or The Office’s Michael Scott, his forty-year-old virgin lived in terror that someone might catch on to the fact that he knows nothing about subjects he purports to have mastered. When his…

Other Ozzes great and (mostly) terrible

Twenty minutes into the first full-length movie based on L. Frank Baum’s most beloved novel, a duck pukes into the face of Larry Semon, the star and director. Semon’s 1925 flop, titled The Wizard of Oz, opens and closes with a Geppetto-esque toymaker reading to his granddaughter from a well-loved…

Oz the Great and Powerful tilts toward the mawkish

It’s a bad omen when, early on in Oz the Great and Powerful, we learn that the full given name of its wizard is Oscar — also the name of the ceremony that star James Franco once presided over as calamitously as he does this sagging Disney tent pole, a…

West of Memphis is more a work of advocacy than of journalism

The murder of the children should be the most disturbing thing. But for many viewers, that isn’t the case in the four films chronicling the arrest, conviction, and eighteen-year incarceration of Damien Echols, Jessie Misskelley and Jason Baldwin for a crime they didn’t commit. The crime-scene photos of three young…

Happy People: A Year in the Taiga

In the spare yet grand Happy People: A Year in the Taiga, co-director and tour guide Werner Herzog talks us through one season cycle in the life of a not-of-this-century trapper in the Siberian town of Bakhta, population 300. We follow Anatoly Soloviev through the forested vastness and puttering over…

The magical Beautiful Creatures is under the spell of abstinence

Here’s a question you can spit back next time someone complains that our popular culture is top-to-bottom depraved: “Then why are our high-school witches, vampires and superheroes so passionate about their abstinence?” That glitter-pored Twilight hunk and Andrew Garfield’s Spider-Man have won tween hearts and Hollywood billions by cavalierly refusing…

The confused, shaggy Identity Thief is a comedic shambles

Just a week or so after the Pentagon reversed its ban on allowing female soldiers into combat, here’s another breakthrough, of a sort: The funniest scenes in the confused and shaggy comedy Identity Thief are of Melissa McCarthy and Jason Bateman beating the hell out of each other. McCarthy —…

Tchoupitoulas

Although they almost certainly have plans for striking new projects that expand our understanding of what documentaries can be, Bill and Turner Ross — the co-directors, -producers, -camera operators and -troublemakers behind Tchoupitoulas — could do posterity a service if they simply resigned themselves to replicating this one-night-in-New Orleans documentary…

Tchoupitoulas explores the marvels of New Orleans in one night out

Although they almost certainly have plans for striking new projects that expand our understanding of what documentaries can be, Bill and Turner Ross — the co-directors, -producers, -camera operators and -troublemakers behind Tchoupitoulas — could do posterity a service if they simply resigned themselves to replicating this one-night-in-New Orleans documentary…

Judd Apatow ponders modern marriage in This Is 40

Sadly, country songwriters stand as nearly the only entertainers in our popular culture who craft memorable art on the subject of marriage, the state in which just fewer than half of Americans spend the majority of their lives. A few years back, Brad Paisley, one of Nashville’s best, wrote and…

See Hyde Park on Hudson for Bill Murray’s performance

It’s dispiriting that a film about the romantic life of Franklin D. Roosevelt, who cultivated a small coterie of mistresses, should exhibit so little interest in what so engaged its hero: the women’s individual hearts and minds. Instead, Hyde Park on Hudson quickly introduces us (and FDR) to the president’s…

Lincoln takes the good Spielberg with the bad

The first few minutes of Lincoln play out like a parody of the expectations of Steven Spielberg’s detractors. The Great Emancipator rests like a humble Solomon upon a hard wooden chair, surrounded by freely mixing black and white soldiers of that great war of his. One black soldier dares to…

Seven Psychopaths is both violent and pacifist…and somehow life-affirming

Perhaps you’ve lost faith in movies about amusingly digressive criminals. Maybe you believe it’s no longer possible to be pleasurably jolted by inventive swearing, from-no-place head shots, and post-everything structural flourishes. Certainly you have no reason to expect blood-splattered poetry or throat-clearing laughter from yet another movie in which Los…