Music Platform Color Red Is Chronicling Denver’s Jam Scene
Color Red isn’t your average record label.
Color Red isn’t your average record label.
Cherry Glazerr frontwoman Clementine Creevy does not need another music book.
Sharon Van Etten has a lot going on.
Frontwoman Teresa Suárez Cosío is willing to take on anything you throw at her.
The local chicha fusion outfit takes advantage of the Peruvian genre’s unexpected renaissance (with a little help from Dad).
Sommer Browning and Esteban Peralta have opened art galleries in their garages.
Newly thirty, the Nashville garage rocker looks inward with a wink.
Mothers frontwoman Kristine Leschper was like most fifteen-year-olds in America: She just wanted to be cool.
Four years after he met Lou Reed, Ezra Furman formed his first band. He called it the Harpoons. He was nineteen and had zero expectations.
The indie folk-rock outfit has officially returned from the brink.
For her first tattoo, then-nineteen-year-old Jessica Hernandez inked a line of verse from Cuban poet José Martí onto her skin. It reads, “Y antes de morirme yo quiero/Echar mis versos del alma,” which translates to, “And before I die I want/to share the verses of my soul.”
In order to understand Flint Eastwood, you must first understand Detroit. And not the crumbling and derelict caricature of Detroit splattered across the national news, but the real Detroit.
It’s been a long day for L.A. Witch. It’s the first day of the band’s new tour — but without a gig to show for it. Having flown north from Orange County on a mid-April afternoon, the bandmembers are waiting at the San Francisco airport for a flight to Toronto, where they’ll play the first of 25 scheduled dates.
Just because Methyl Ethel was perhaps the only band in the universe not to have descended upon Austin for South By Southwest last month doesn’t mean the trio hasn’t been plenty busy.
Since forming in 2008 and releasing a self-titled debut in 2012, the quartet the Allah-Las have become a constant presence in the United States’ psychedelic-rock circuit.
Sydney Koke finds it peculiar that it took several shoegaze-obsessed teenage boys in the Incandescents to lure her into playing in a band. “My three guy friends were like, ‘We need a girl to sing soft lyrics in our My Bloody Valentine band,’” Koke, who now plays bass in the…
From the outside, Melina Duterte who plays under the name Jay Som appears to be an overnight success. At just 22, she has already positioned herself as indie rock’s newest critical darling.
Having recently ditched the quaint academic haven of western Massachusetts for the sunny shores of southern California, the members of Potty Mouth are in a transitional phase.
Angel Olsen wants you to know that the shiny silver wig she wears in her videos has no deep meaning. It’s not a tribute to Bowie, an homage to her mother, a symbol indicating her involvement in some secret society or an obscure feminist statement. There is no hidden significance, period.
If you’re looking to open and run a DIY venue in Denver, now is probably not the best time.
Prior to November 8, Sadie Dupuis figured she would release Slugger, her first album as Sad13 (pronounced “Sad Thirteen”), to an America celebrating the election of its first female president. Like most people, she hadn’t planned to go to bed on Tuesday night coming to grips with the startling new reality of President-elect Trump, and she certainly didn’t plan to release her album three days later still reeling from the news.
Interview with the Lemon Twigs.