SOUL SURVIVORS

Artists Who Are Indian, the year-long exhibit at the Denver Art Museum, showcases strong new works of art, some exploring vital spiritual issues and all produced by living Native Americans who reject artistic stereotypes for the freedom–and equality–of the cutting edge. The seventeen contemporary pieces assembled for the show’s second…

WASTED WORDS

The siren call of stellar artists including Ed Ruscha, Red Grooms and David Hockney makes WORD, an exhibit at the Boulder Art Center, hard to resist. But this large show of text-based works fails to thrill, displaying many noncurrent (if not aged) creations, some that have been seen more than…

SOCIAL FABRIC

So-called fine-art quilts are nothing new. Pop-art guru Robert Rauschenberg invented his famous “combine” series in 1955 by sloshing paint on a quilted bedspread. More recent high-art treatments of Granny’s handmade bed coverings include Judy Chicago’s ground-breaking feminist collaborative projects of the Seventies and the sad, enormous “AIDS Quilt.” Usually…

GUYS AND DOLLS

With about a zillion galleries in the West featuring Native American art, you’d think that many would have Native American owners or managers. Unfortunately, that isn’t the case. Certainly some legitimate galleries guard artists’ interests and the art’s authenticity, but just as many offer mass-produced goods that may or may…

PROMISES, PROMISES

In Latin America, la promesa is a sacred concept: in order for your prayers to be answered, you must promise to give something in return. This replenishing philosophy motivates much of the area’s folk art as objects of beauty are made to fulfill promises given to family, the community and…

LIFE’S A BEACH

Denver has no better showcase for sculpture than Artyard, the outdoor gallery on South Pearl Street. The landscaped, paved and fenced garden area is ideal for showing large, durable pieces, and each work gets ample room to make its statement, with only the sky to limit scale. And the intimate…

WORKING IN THE ABSTRACT

In the art world, representations of the human body commonly symbolize perfection and beauty, an ideal. But occasionally the form depicted is flawed, maimed–even erased. Such figures inhabit the abstract-flavored paintings, drawings and sculptures of Agnese Udinotti and Jeff Bertoncino, on display at Mackey Gallery. The two artists’ harmonious styles…

WOMEN’S RITES

The Fourth has come and gone, but the spirit of independence is amply demonstrated in three sparkling new art exhibitions by and about women. At Edge Gallery, solo shows by artists Cara Jaye and Gail Wagner each explore the idea of “a woman’s place” with revolutionary zest. Across town, photographer…

EVERY PICTURE TELLS A STORY

The old maxim that a picture is worth a thousand words takes on new significance when art incorporates text. The use of letters, words and meaningful phrases as visual elements in artwork is a fairly recent invention–the two media still are perceived by many as essential opposites. If not for…

SEEING IS BELIEVING

Although there are several Denver galleries that specialize in African-American art, oftentimes the work displayed is as safe and stereotypical as that of the most conservative Cherry Creek showroom. Few opportunities exist in the area for African-American artists on the cutting edge, those who don’t conform to the demands of…

SOMETHING OLD, SOMETHING NEW

Like a finely crafted poem, installation art must carefully balance its elements. In order to successfully fill an entire room (or at least a large space) with a single, multifaceted artwork, every object and idea within that space must contribute to the overall strength–and meaning–of the piece. Too many artists…

OF HUMAN BONDAGE

Dania Pettus uses the “principles” of black-and-white photography, assemblage and puppetry to construct the harrowing shadow boxes of Do It Until the Principles Are Burned Into Your Mind, at Edge Gallery. No problem there. Pettus’s searing images of disembowelment, dismemberment, piercing and bondage, though they involve anonymous paper-doll puppets, are…

MATERIAL WORLD

Fans of sophisticated contemporary sculpture will be delighted with the array of styles and media on display at Foothills Art Center. The 16th Annual North American Sculpture Exhibition fills the space with bronze, steel, wood, glass, ceramics and found objects, all material elements of 76 sculptural works from 66 artists…

FIGURES OF THE IMAGINATION

Human figures appear in representational art so frequently that new and exciting interpretations hardly seem possible. Even so, artists continue to render the figure, finding an inexhaustible source of inspiration in the body human. Three artists take over 1/1 Gallery with original, thought-provoking twists on the genre, infusing the well-worn…

THE SKY’S THE LIMIT

Landscape As Metaphor, a show originally intended as a celebration of site-specific art, opens Saturday at the Denver Art Museum after more than two years of planning and construction. Such international talents as Judy Pfaff, Ursula Von Rydingsvard and Ed Ruscha scouted out locations in and around the museum in…

TV OR NOT TV

Television’s pervasive influence on society and the deconstruction of domestic life provide the major themes for two very different installations at Spark Gallery. Annalee Schorr and Virginia Folkestad fill the Platte Street space with mixed-media paintings, minimal sculpture and topical humor. Schorr’s fascination with the sequential imagery of television flavors…

ALTERNATIVE VIEWPOINT

Mackey Gallery’s Annual Photo Show grows more popular with each passing year. The current, third edition displays the young artspace’s customarily astute selection of more or less traditional fine-art photos, this time augmented by adventurous photo collages, photograms and 3-D photo constructions, all by local artists. Nostalgia tints Patricia Barry-Levy’s…

PERSONAL BEST

The pungent smell of peeled onions welcomes viewers to a rambunctious exhibit of installation art at Edge Cooperative Gallery. Three artists turn the alternative space into separate and diverse environments, each defined by gallery walls. Since works constructed onsite like this are almost impossible to sell, the dedication and sacrifice…

SMART ART

Longtime CU art instructor Luis Eades’s extraordinary paintings at first resemble illustrations in children’s science books. His clean, expert representational style is technically flawless and viewer-friendly. But the paintings on display at Foothills Art Center are far from simplified schematics of difficult subjects. Instead, Eades attempts to portray complicated interconnections…

DREAM WEAVERS

Dreams and mythology are among the most common themes in art, yet no two artists see these related subjects in the same way. Even when dream/myth-based art shares archetypes and heroes, each piece tends to be highly personal and unique, just as dreams are. But as different as an artist’s…

CULTURAL EVOLUTION

If one word can sum up something as complex as Asian art, that word is “tradition.” The strictly observed methods of mixing and applying ink, the narrow range of acceptable subjects (trees, pagodas, mountains, birds), the consistently diagonal composition–all are painstakingly repeated by generation after generation of artists. But even…

REAL STILL LIFE

Daniel Sprick, master oil painter and key contributor to the annual Artists of America exhibition, conquers–and transcends–the stereotypes of that bastion of mainstream representational art. His exquisite but unsettling paintings are on display at Carol Siple Gallery through April 9. Sprick’s soulfully exact portrayals of quiet rooms filled with ordinary…