Amazing Bloom

My reaction to Germinal Stage’s “Circe” — Chapter Fifteen was a lot like my reaction to James Joyce’s Ulysses in general. It began with impatience and drifting attention. Then I found myself fascinated and riveted as the play evoked a stream of ideas and emotions that flowed by faster than…

Shades of Meaning

Racism is a common topic in theater, but before attending Dael Orlandersmith’s lacerating Yellowman, I had never seen a play that explored racism within the black community itself — that is, the contempt felt by some lighter-skinned African-Americans toward their darker-skinned brethren and the reciprocal rage it engenders. Some analysts…

Intellect Connects

Robert Dubac is currently workshopping Inside the Male Intellect (TV. 10.0) at Rattlebrain Theater because he’s about to tape it for cable. This show is an updated version of The Male Intellect: An Oxymoron, an engaging monologue that began in Denver almost a decade ago and has since traveled the…

No Small Change

I used to evoke a lot of laughter and derision from erudite friends and from my writing students by telling them about my passion for Buffy the Vampire Slayer, but there was a lot more to the show than met the eye. The ghouls, monsters and vampires Buffy faced almost…

Soar Points

Again and again, Cirque du Soleil’s Varekai puts you in that state of enjoyment where you’re not even capable of thought; you’re just watching, breath suspended, wanting what you’re seeing to go on forever. Everything one associates with Cirque du Soleil is here — the artful settings and costumes, the…

High School Confidential

I was worried as I settled down to watch Born to Be Loud. I’d invited a 26-year-old friend along, and I couldn’t help noticing that the audience was rather, well, elderly. On weekends, the Heritage Square Music Hall audience includes people of many types and ages — young couples, families…

Woman Power

I enjoyed Tracy Shaffer Witherspoon’s Saints and Hysterics, currently being presented by the Paragon Theatre Company; I found myself for the most part interested and sometimes moved. But I’m not sure it holds together as a play. Genuinely original images alternate with a lot of picked-over feminist ideas, and the…

Rock On

Some people think of critics as the artistic equivalent of meat inspectors; they see our job as going from place to place stamping performances as prime, choice, select or — heaven forbid — cutter. We’re the arbiters of taste who will tell them what to miss and what’s worth attending…

Off-the-Cuff Stuff

I guess basements and comedy go together like beer and nuts or toddlers and sandboxes. The cellar of the Wynkoop Brewing Co., where Impulse Theater performs, is crowded, loud and energetic. Impulse does no prepared skits, nothing but pure improv — which means that what you see changes every night,…

Touchless Touching

My reaction to a Harold Pinter play often follows a predictable pattern. For the first few minutes, the dialogue strikes me as ordinary, the contradictions and obscurities willful and self-conscious. I find myself questioning whether the playwright is really as brilliant as decades of reviews say he is. Yet by…

Somewhat Forgettable

The program notes for Nat King Cole & Me include an interview with author and performer Gregory Porter. He describes his mother, who, he says, was dedicated to helping others. One Thanksgiving, she made a sumptuous meal of ham, turkey and sweet-potato pie, and took it to the mission for…

Rooms of Doom

Federico García Lorca’s The House of Bernarda Alba is a difficult play to carry off. The plot concerns a group of five daughters confined within the walls of their house for an eight-year mourning period by the iron will of their bitter, violent, widowed mother. Marriage is the only possible…

Mugging the Mayor

Rattlebrain Theater Company consists of a group of highly talented and appealing actors with loads of stage presence. Director Dave Shirley, who also writes much of the material, keeps things buzzing along and utilizes music and video clips to great effect. In It’s Hickenlooper’s World, the troupe’s target is Denver…

Hard to Swallow

Triple Espresso is like the first few minutes of a dinner-theater production. You know, the part where the emcee comes out and congratulates the people in the audience who are celebrating birthdays or anniversaries, jokes with a pretty girl, gets impudent with an older couple and asks how many people…

Jewish Identity

As Rose opens, an ailing woman in her eighties sits shiva on a public bench. We don’t know whose death she is mourning, though she tells us early on that her own daughter was killed by the Nazis at age nine. The character, Rose, then takes us on a tour…

Cutting Edge

Now that Buntport Theater has come of age and is attracting reliably positive reviews and large, enthusiastic audiences, the six company members have revived one of their earlier works, an evening of one-acts titled 2 in 1. The first piece, “This is My Significant Bother,” is a dramatization of nine…

Plain Frayn

Michael Frayn has to be one of the cleverest writers alive. He’s responsible for the brain-teasing profundity of Copenhagen, a play that examines the race for the atom bomb during World War II in the context of a visit by Werner Heisenberg, then working for the Germans, to his mentor,…

Badly Dated

I’m absolutely mystified by the weakness of this script. Playwright Rebecca Gilman has won awards and been praised in all the right places. Although it had problems, I rather liked her Spinning Into Butter, which was produced at the Denver Center a couple of years ago. But Boy Gets Girl…

Small Town Downer

I’ve been a fan of Lanford Wilson’s work ever since I saw one of his early one-acts at the legendary Caffe Cino in New York in the mid-1960s. It might have been This Is the Rill Speaking, and I think it played in tandem with Sam Shepard’s Icarus’s Mother. I…

Masterpiece Theater

Steven Dietz’s Inventing van Gogh unleashes a torrent of ideas about art, possibly enough for a dozen plays. The words are so evocative and so many, the set and lighting so lusciously colored and the acting so selfless that the experience of watching the play becomes all-encompassing. I felt engulfed…

Turning Tables

Marivaux’s The Triumph of Love is an eighteenth-century play, but it contains elements reminiscent of Shakespeare’s work, which was written more than a century earlier: the spunky heroine who dresses as a man in order to pursue her beloved; the haven of learning and philosophy whose inhabitants discover, like the…

Time Travel

As Communicating Doors opens, a leather-clad prostitute called Poopay enters a hotel room for an assignation and discovers that her customer, Reece, is a dying old man who doesn’t require her usual services. Instead, he wants her to witness his confession. In the course of his business dealings and the…