Review: Buntport’s The Book Handlers Is Cover-to-Cover Brilliance
The five Buntport artists often create a full theater work based on a single eccentric premise.
The five Buntport artists often create a full theater work based on a single eccentric premise.
The powerful cast is more than a match for Arthur Miller’s powerful play.
Real Women Have Curves focuses on immigration and the fear that immigrants live with daily.
Daniel Pearle’s A Kid Like Jake is getting its regional premiere as Benchmark Theatre’s opener for the fledgling company’s second season.
See the future of theater at the Colorado New Play Summit.
The Electric Baby goes from delight to dud in its regional premiere at the Arvada Center.
Rajiv Joseph’s Guards at the Taj, currently in a regional premiere with the Boulder Ensemble Theatre Company, is often compared both to Tom Stoppard’s work and to Beckett’s Waiting for Godot.
Beneath Fun Home’s lightness of touch, there’s profound emotional depth — and this beautiful production does every moment full justice.
“As a playwright, it’s my job to present a complex narrative and write about things that are complicated for me and the people who’ll see it,” she says.
Kate Hamill’s Sense and Sensibility, now at the Arvada Center’s Black Box Theatre, isn’t the Jane Austen you’re used to.
Hedwig and the Angry Inch, now at the Aurora Fox, is a defiant, ninety-minute mix of stage play and glam-rock concert.
The title alone should prepare you for sadness, fear and violence: Dominique Morisseau’s award-winning Detroit ’67, now in its regional premiere at Curious Theatre Company, is set during the uprising in that city 51 years ago that took the lives of 43 people, 33 of them black.
Michael Duran plans to serve some meaty fare at BTD Stage.
It’s been a fascinating time in Denver theater, a time of ferment, renewal, excitement, hope and loss. And through it all, the community has continued to produce first-rate art. Here are some of the noteworthy trends in 2017, as well as my picks for the best theatrical achievements of the year.
With the world premiere of Resolutions, Josh Hartwell and the Edge have delivered a swift, funny, clever, 85-minute holiday treat, skillfully acted and well-paced and directed by Missy Moore.
As we head into the holiday season, it’s grand to have a production with so much good singing, such perfectly Dickensian Christmas-card images, and all those wonderful children on stage in the Denver Center’s A Christmas Carol.
Joseph and the Amazing Technicolor Dreamcoat is a spectacular and generous-hearted holiday gift from the Arvada Center.
First Date is a perfect date for anyone wanting to slip off their shoes under the table, sip a cocktail and recover from a taxing day at work.
Chris Coleman, artistic director for Portland Center Stage for the past seventeen years, has been hired to lead the Denver Center for the Performing Arts Theatre Company.
Love Letters is a gentle play, thoughtfully presented, and with a moving, nostalgic undercurrent that reminds us of the power of the letter over the telephone as a means of communication.
Denver seethes with theatrical talent, even if local companies are often in flux. Here are ten shows to watch for this fall and winter, in chronological order.
The Body of an American, now receiving a regional premiere at Curious Theatre Company, isn’t large enough to hold its own ambitions.