The museum will open to the public with a ribbon-cutting ceremony at 11 a.m. on Saturday, March 10.

Cleon Peterson, Diego Rodriguez-Warner and Arthur Jafa cover a lot of conceptual and aesthetic ground, but they have one thing in common: Each has a knockout solo at MCA Denver.

Bobbi Walker’s new approach at her eponymous gallery pays off with Uncanny, the exhibit on view through March 10, 2018.

Five very different artists all linked by Americana add up to one big show at Robischon Gallery.

The William Havu Gallery is hosting four solos that add up to one big start for 2018.

Laura Merage’s dream of founding an “art incubator” has been realized beyond even her own wildest expectations.

There are only a dozen pieces in her show, but they dominate Rule Gallery.

While we’re only in the first month of 2018, this salute to Carlos Frésquez is certain to be one of the most significant shows of the year.

Moved by Denver’s artists who’ve been artists displaced by gentrification, Katharine McGuinness and Leo Franco conceived of the The New Underground, the current exhibit at Spark Gallery.

Zach Reini’s solo now on view at Gildar Gallery, Zach Reini: A Leaden Stride to Nowhere, might sound like a bummer, but the overall thrust is uplifting.

In its new Lakewood home, Pirate’s shows have set a very high standard. Two more opened January 5.

It must have been just a handful of hours before the groundbreaking at the Denver Art Museum’s iconic Gio Ponti building on Wednesday morning that some idiot got inside the protective construction fence surrounding the landmark, and vandalized with idiotic graffiti the west side of the building.

Following several years of preparation and planning, and three months after the world-famous Gio Ponti-designed Denver Art Museum tower was closed, the DAM held a ceremonial ground-breaking on January 10, signaling the start of a three-year rehabilitation project.

Michael Warren Contemporary often shows artists associated with Colorado who do not live in Denver, and that’s the case with two solos currently on display in the gallery.

Over the past few years, women artists have finally been given their due. The Denver Art Museum has been a leader in the effort to right this wrong: Last year it presented Women of Abstract Expressionism, which rewrote the history of American art in the 1950s, and now it’s hosting the blockbuster Her Paris: Women Artists in the Age of Impressionism.

The current offering at William Havu Gallery, Transmutations, brings together three abstractionists — a sculptor, a painter, and an artist who uses smoke on paper to create drawings — for solo shows that masquerade as a group effort. Occupying the floor space are sculptures by well-known Denver artist Michael Clapper,…

Pirate Contemporary Art, the city’s flagship artists’ cooperative, found a new home outside of Denver, in Lakewood. These are the wages of gentrification: The city’s alternative art infrastructure is being off-shored to the inner suburbs.

With all the hurly burly of construction in the Golden Triangle (including the dismantling of “Lao Tzu” outside the Denver Art Museum), it’s a relief to see the new shows at the nearby Goodwin Fine Art and the new display by Linda Herritt at Rule on Santa Fe Drive.

Spark Gallery, Denver’s oldest artists’ co-op, is hosting three solos that work well together.

Sculptors Charles Parson and Collin Parson are father and son, and they prove that art is relative at Counterpoints: Charles Parson + Collin Parson at the Museum of Outdoor Arts.

Ania Gola-Kumor is one of Colorado’s best abstract painters, but she is inexplicably also one of the most underappreciated. Her latest efforts are on view in Moving Paint II: Ania Gola-Kumor, a handsome and tight solo now at the Sandra Phillips Gallery.

An unusual fine-art venue just opened at 1412 Wazee Street; Abend, Gallery 1261 and the new K Contemporary have joined forces in a co-op of galleries.