Not Fade Away‘s plot and period details maintain an authentic groove

Rock and roll proves the coming-of-age crucible in Not Fade Away, Sopranos creator David Chase’s semi-autobiographical feature debut of shaggy hair, shagadelic beauties, and the joy and sorrow wrought from chasing, and failing to achieve, one’s dreams. Chase’s tale of showbiz striving has, in its basic form, been told before:…

Ang Lee’s Life of Pi is ultimately a buzzkill

A stacked-deck theological inquiry filtered through a Titanic-by-way-of-Slumdog Millionaire narrative, Life of Pi manages occasional spiritual wonder through its 3-D visuals, but otherwise sinks like a stone. It’s no shock that Ang Lee brings to his high-seas adventure graceful and refined aesthetics devoid of any unique signature or pressing emotion,…

The multi-faceted Red Hook Summer stumbles toward maturity

Spike Lee returns to the Brooklyn neighborhoods of his most famous works — including his celebrated debut, Do the Right Thing — with Red Hook Summer, and an early, sustained single take, tracking his protagonists as they navigate a courtyard in the projects, suggests that this trip home has reinvigorated…

First Position favors formula over insight

The non-fiction formula pioneered by Spellbound leads to frustrating superficiality in First Position, a glossy documentary about a multicultural collection of young ballet dancers striving to secure awards, scholarships and job contracts at the prestigious annual Youth America Grand Prix. Director Bess Kargman adheres to a now-familiar template in which…

Loosies has colorful characters but very little character

Loosies has a bevy of colorful character actors — from Michael Madsen and William Forsythe to Vincent Gallo and Joe Pantoliano — but little character. The story of a pickpocket named Bobby (Peter Facinelli, also credited with the ungainly script) whose criminal career is complicated by the reappearance of former…

Harry Potter and the Deathly Hallows: Part 2 is a magnificent finale

After ten years, seven movies, six Defense Against the Dark Arts teachers, four directors, two dead parents, one grating house elf and incalculable amounts of CG wizardry, pubescent growing pains, budding romances and apocalyptic fire and brimstone, we’ve finally arrived: Bespectacled Harry Potter (Daniel Radcliffe) squares off against amphibian-faced Lord…

Mia and the Migoo feels too much like Princess Mononoke

A plucky young heroine, a mystical quest to save the environment (and a missing father) from callous corporate-military development, and a band of mysterious monsters who protect a gargantuan Tree of Life: You’d be forgiven for mistaking Mia and the Migoo for the latest animated effort by Hayao Miyazaki. Narratively…

The Pirates franchise is just about washed up

After sinking into self-important tedium with its prior two overstuffed installments, Pirates of the Caribbean seemed destined for burial at sea. And yet the soggy franchise and Johnny Depp’s foppish rapscallion return again for On Stranger Tides — to search for the fountain of youth, no less, a quest that…

Unknown cages the aggression of a badass Liam Neeson

To age brutishly is Liam Neeson’s apparent career goal — with Taken, Clash of the Titans, The A-Team and now Unknown, the actor continues to follow the Nicolas Cage path from respected thespian to big-budget ass-kicker. In this tepid thriller from Jaume Collet-Serra (Orphan), Neeson is Dr. Martin Harris, who,…

In Stone, Robert De Niro seems more awake than he’s been in years

Robert De Niro’s alarm must have finally gone off: In Stone, the actor seems more awake than he has been in years. De Niro is Jack, a prison corrections officer who, abandoning all professional and common sense, foolishly screws himself by screwing Lucetta (Milla Jovovich), the wife of the cornrowed…

Secretariat’s shmaltzy script cannot save it from the glue factory

Horses make lousy protagonists, what with their inability to speak, emote, or do much of anything other than run or stand around. No surprise, then, that Secretariat employs its subject as merely a vehicle for a human-victory-over-adversity story, which, in this based-on-real-events case, involves owner Penny Chenery (Diane Lane) triumphing…

Jake Gyllenhaal goes to the gym but cannot beef up The Sands of Time

Prince of Persia: The Sands of Time’s story hinges on a dagger that can rewind time, a narrative conceit that doubles as a taunt to those who endure this cacophonous, frivolous adaptation of Ubisoft’s Arabian Nights-themed video-game series. Bruckheimered to the hilt with the same rollicking period-piece cheesiness that typified…