Dragon-boat racing originated some 2,000 years ago in China. But here in the United States, it's an up-and-coming sport in which anyone who's willing (and has a strong constitution) can participate. All that you and your twenty-person team have to do is paddle like hell and hope you can maneuver your dragon-headed, canoe-shaped vessel faster than the other teams. Denver joined a growing list of race-sponsoring communities across the nation last summer, and you couldn't ask for a better debut: The inaugural event drew thousands out into the sweltering heat of August to enjoy pan-Asian culture and food while cheering on the sixteen teams who competed. In the end, the Colorado Mongolian Project's team took top honors -- quite a feat, apparently, since Mongolians tend to lack sea legs.
Introduced on the City of Denver's Web site in February, Denver's Beat Poetry Driving Tour and Denver's Literary Landmarks were designed to give both visitors to and residents of the Mile High City a little lesson in local literary lions. The first tour focuses on Beat Generation legends Jack Kerouac and Neal Cassady, who spent some time in the area in the 1940s, as well as Allen Ginsberg, who later moved to Boulder and taught at the Naropa Institute until his death in 1997; it includes descriptions of (and driving instructions to) six local Beat poetry landmarks. The second driving tour highlights seven places associated with well-known writers, including editor and poet Eugene Field, who penned "Wynken, Blynken, and Nod," and Katherine Porter, author of Pale Horse, Pale Rider. What you'll find on these tours may surprise or inspire you, and will surely makes for an a-muse-ing day.
Back in the '50s, a group of Denver journalists and authors would gather at local watering holes to trade wet witticisms about writing. The Evil Companions, they called themselves -- and not without reason. A decade ago, this admirable tradition was resurrected in the form of the Evil Companions Literary Award, an honor presented to poets and writers living in, writing about, or having ties to the West. Sponsored by the Colorado Review, Colorado State University's literary journal, the Tattered Cover Book Store and the Oxford Hotel, the annual ceremony -- held at the Oxford, a classic in its own writes -- has honored writers ranging from Tom McGuane to Annie Proulx, the 2001 winner. This year's deserving recipient, Kent Haruf, is the author of the lyrical Plainsong.
Eleanor Gehres, who spent 25 years as head of the Denver Public Library's Western History/Genealogy Department and made it the institution it is today, is gone -- but very far from forgotten. Before her death from cancer last year, she had almost finished a massive mission: determining the "best" fiction of the twentieth century. Golden-based Fulcrum Publishing finished the job for her. The result, The Best American Novels of the Twentieth Century, Still Readable Today, is itself eminently readable, an impressive lineup of 150 terrific books, complete with Gehres's assessments and profiles of authors ranging from John Steinbeck to Jane Smiley. Read alert!
How much do we love the Tattered Cover? We don't have enough time to count the ways. And now this Denver institution has given us yet another reason to give thanks. Not content with bringing in an impressive lineup of national authors for readings and signings on an almost-daily (and often thrice-daily) basis to its LoDo and Cherry Creek locations, the bookstore has also started the Rocky Mountain Land Series. Working in conjunction with the Rocky Mountain Land Library, the series features authors whose works are devoted to Western issues, and it covers a lot of literary territory. This land is your land, this land is my land.

Best Place to See Big-Budget, Big-Picture Flicks

Continental Theatre

When an epic like The Lord of the Rings: The Fellowship of the Ring comes to town, a typical suburban-style multiplex simply won't do. Most movie buffs are going to want a wide screen with a booming sound system in order to appreciate Gandalf in all his wizardly splendor. In that regard, the Continental Theatre delivers. With 875 seats and a screen measuring 85 feet by 39 feet, this movie house has been the most satisfying place to see a blockbuster for more than three decades. A 1996 renovation added several smaller auditoriums, technically turning the place into a multiplex, but the main auditorium was left intact -- and the addition of a huge lobby with abundant concessions made the place even better. So for watching a formation of orcs swoop down over Frodo and company, there's no spot more terrifying than a seat near the front of the Continental's main theater.
Featuring six screens and a policy of booking foreign, independent and classic films 365 days a year, the new Starz FilmCenter in the old Tivoli Theaters on the Auraria campus represents a major advance in Denver's cultural life. Operated by the Denver Film Society, which produces the Denver International Film Festival each October, and Dallas- and New York-based Magnolia Pictures, the city's first cinématheque will also screen retrospectives, Saturday-morning children's programs and experimental works, providing a valuable supplement to Denver's major art-house chain, Landmark Theaters. Now, let's all go to the movies.
Since 1941, cinephiles have been showing classics and contemporary art films on the Boulder campus, and the schedule in Muenzinger Auditorium this spring is as strong as ever, ranging from Takashi Miike's Audition, which addresses marriage and sexuality in contemporary Japan, to Together, a smart ensemble comedy that won four major Swedish film awards when it was released last year, to the controversial works of young Darren Aronofsky, Pi and Requiem for a Dream. On Sunday nights, the Stan Brakhage Film Forum shows selections from the experimental filmmaker's personal collection, and director Ken Jacobs (Un Petit Train de Plaisir, Crystal Palace) will appear in person. For the whole dish, log on to the series' Web site.
For those who missed the Coen Brothers' The Man Who Wasn't There the first time around or who feel the urge to watch Mulholland Drive again on the big screen to try and figure out what the hell happened and sort out who all those women really are, Tiffany Plaza Movies 6 is the second-run multiplex for you. Daytime tickets go for a dollar; after 6 p.m. they're $1.50. Trying to squeeze by on a student budget? Hit the Tiff on Tuesdays: All shows are just fifty cents, popcorn not included. Projection and sound quality in the six houses are good, and the seats are reasonably comfortable -- just the place to catch up on your movie-going without breaking the bank.
Let's go to the cine! These days in Colorado, you can rent lots of movies with Spanish subtitles or voice-overs. But finding a Spanish-language movie theater is rare. In Aurora, though, you need look no further than the King Soopers shopping center at 6th and Peoria, where Cinema Latino offers Spanish-only movies, English-language movies with Spanish subtitles, and Spanish-language movies with English subtitles. Cinema Latino shows current and popular films, including kids' movies, "chica" flicks, and adult-themed drama and action films. And with reasonably priced tickets, you can take the whole familia!

Best Of Denver®

Best Of