LIGHTING IT UP

Wayne Wang’s astonishing little film Smoke sneaks up on the viewer in wonderful ways. Superficially, it’s a “slice of life”–half a dozen related slices, actually–about the people who frequent a Brooklyn cigar store in 1990. But just underneath a deceptively simple surface, we come upon serious matters: the need to…

THE WAY THE CRUMB CRUMBLES

Devotees–and detractors–of the underground comics pioneer R. Crumb may be startled to learn that this trafficker in headless female sex objects, anxiety-ridden male outcasts and pornographic kitty cats was probably the happiest member of his family. That’s just one of the things we learn in the course of Terry Zwigoff’s…

KILMER AT THE BAT

What can you say? Apparently, that’s a hundred million dollars’ worth of darting laser ray, jet-powered car and black rubber suit up there, and if the whole shebang goes in one eye and out the other before you even get back to the parking lot, that’s too bad. They probably…

THE COLOR BLACK

Steven Soderbergh’s directing career has hit a couple of snags since he enlivened the independent filmmaking scene five years ago with a cool-tempered study of yuppie obsession called sex, lies & videotape. Since then, Soderbergh’s gloomy Kafka has probably played best in Prague, and his beautifully wrought adaptation of A.E…

COLLECTIVE GUILT

For now, citizens of the New Russia have more important things to do than revitalize their creaky old movie industry. Like keeping the St. Petersburg mafia at bay. Getting the telephones to work. Importing millions of hair dryers, brassieres and car alarms that play the lambada, usually from the United…

THE NAKED APE

If the star of your summer fantasy/adventure movie happens to be a gorilla–or rather, a gorilla suit with a tiny actress stuffed inside–you naturally get a little stingy with the rest of the casting. That’s what the makers of Congo have done. The bogus primate is called Amy, and she…

A PRO’S AMATEUR

Hal Hartley’s Amateur flirts with pretension, but Hartley always pulls its head out of the clouds with dark humor. Consider: A French ex-nun named Isabelle (Isabelle Huppert), who believes the Virgin Mary has appeared to her, is now living in New York, writing pornographic sketches for a skin magazine. A…

STAR DRECK (THE NEXT GENERATION)

Trying to squeeze the goo out of Robert James Waller’s romantic bestseller, The Bridges of Madison County, must have been like cleaning up the Exxon Valdez oil spill. Wherever you look, there’s another mess. Clint Eastwood, a man of few words, and screenwriter Richard LaGravenese, a man of patience, have…

YOUTH WANT TO KNOW

What does it say about Hollywood that it has taken a British writer, Paula Milne, and a British director, Antonia Bird, to come up with the most provocative movie in years about American first love and American teenage anxiety? Mad Love is a little rough around the edges, but there’s…

KILT IN ACTION

If we are to believe Mel Gibson’s version of thirteenth-century history–and there’s not much evidence that we should–the ragtag army led by Scottish patriot William Wallace gloried in goring onrushing Englishmen with deer antlers, in bludgeoning, spearing, crushing and dismembering them. But first they mooned them. Braveheart, Gibson’s bloody (and…

BLOWN OUT OF PROPORTION

The guards probably won’t be piping Die Hard With a Vengeance into Timothy McVeigh’s jail cell, but it might look awfully familiar to him if they did. As you might expect, the third installment of the Bruce Willis action series has but one dramatic goal–to blow things up–and even though…

FORGET CRYSTAL

Once they become “celebrities,” some Hollywood types like to hang around race-car drivers. Others prefer tennis players. Or boxers. Billy Crystal claims to have played a little hoop back in high school on Long Island, so the jocks he sniffs from one end of Tinseltown to the other are NBA…

SWEET AS JAM

Try to pick the moment when jazz reached its apogee in America, and the summer of 1958 is not a bad choice. In New York’s smokey Five Spot Cafe, pianist Thelonious Monk and his quartet were in the middle of an extended, overreaching engagement that would revolutionize the music forever…

LACK OF DEPTH

The crux of Crimson Tide is a mutiny aboard a U.S. nuclear submarine at the height of an international crisis–the stuff that huge underwater explosions and tiny ruminations on the future of the planet are made of. This is also standard naval-war movie material. If you let your attention wander…

OH, WHAT A LOVELY WAR

The Indian-born, Harvard-educated director Mira Nair knows a thing or two about culture shock, bigotry and the immigrant’s burdens of adjustment–three of melodrama’s classic subjects. But she is never content with merely yanking at our heartstrings. Unlike more straight-faced, straitlaced filmmakers, this independent thinker also has a healthy grasp of…

GO WEST, YOUNG MAN

The roughhouse political slapstick in Yuri Mamin’s Window to Paris makes for perfect counterpoint to the sweetness of its plea for cross-cultural exchange. The Russian peasant in Mamin is willing to wreck a government phone booth or overturn a snob’s piano to get a laugh, but beyond the mayhem, the…

SLICE OF LIFE

Ouch! Four centuries before Lorena Bobbitt fetched her paring knife from the kitchen drawer, the Italians began carving up assorted choirboys in the name of Art. Whether we like it or not, Gerard Corbiau’s Farinelli now tells the bittersweet tale of one Carlo Broschi, supposedly the most renowned of Italy’s…

FATAL DISTRACTION

If you choose to imagine that a woman can get pregnant by dreaming about it, or that the god of good fortune is really Quentin Tarantino and he lives on the bottom of the swimming pool at a fleabag motel in Las Vegas, then Destiny Turns on the Radio may…

SHOOTING AND MISSING

We probably have William S. Burroughs to thank for the unlikely inflation of heroin use into an American literary credential. Drug vogues come and go, but ever since Burroughs sanctified smack in Naked Lunch, the wannabes of tragic hipdom have been quick to embrace anyone who owns a ballpoint pen…

DOUBTFUL THOMAS

If you’re looking for a spark of life in Team Merchant-Ivory’s fatal collision with American history, Jefferson in Paris, skip right past the hotly disputed moment at which the author of the Declaration of Independence beds a fourteen-year-old slave girl from Old Virginny. That’s this straight-faced movie’s lone comic moment–and…

THE HELL OF ST. MARY’S

The unholy furor that assorted Roman Catholics and sundry conservatives are raising over Priest should be just enough to ensure its success at the box office. But no infusion of scandal can deliver it from TV-movie mediocrity. British director Antonia Bird, who’s making her feature-film debut, and writer Jimmy McGovern,…

THE BEST OF BERTOLUCCI

The son of a poet, Bernardo Bertolucci was a prize-winning poet himself by the age of 21. Then came a turn in the road, and he spent the next two decades making a powerful case that, to use his words, “cinema is the true poetic language.” In 1961 he dropped…