TAKING THE DIRECTOR APPROACH

The relationship between great film directors and their actors can be perfunctory–Alfred Hitchcock showed open contempt for the succession of cool blonds ensnared in his thrillers, and entire casts quaked before the imperiousness of Erich Von Stroheim. But when kindred souls meet on the set, the bond can be mystical,…

SALUTING THE COLORS

Red is the final chapter of Krzysztof Kieslowski’s riveting “Three Colors Trilogy,” and if we can believe him, it’s also his swan song. But even if the Polish director of such art-house hits as The Double Life of Veronique and Red’s predecessors, Blue and White, doesn’t actually retire in his…

LOST IN BOROVNIA

The fevers of adolescence have fascinated moviemakers since Griffith discovered the Gish sisters, but the results have grown more predictable by the decade. Ruled even more strictly by fad and formula than other commercial genres, most Hollywood teen movies are dominated by raunchy schoolboy humor, sweet nostalgia for the verge…

SKETCHY AT BEST

Unless you want to feel dull and laughless over the holidays, beware the latest outbreak of Chevy Chase Syndrome. Trapped in Paradise purports to be a comedy about three small-time, big-city crooks stuck in a cutesy-poo hick town at Christmastime. But there’s never been much funny in the spectacle of…

STAR DRECK

This is how Captain James Tiberius Kirk dies: He jumps across a broken bridge to retrieve a device whose function is too complicated, and frankly, too unimportant, to describe in any detail. The bridge gives way, and he falls into a ravine. Yes, Captain Kirk–the man who cheated death a…

IT’S SURREAL THING

The third and fourth generations of “magical realist” writers and moviemakers may have strayed from the path lit long ago by Borges, Garcia Marquez and Bunuel, but there’s still a bizarre metaphor or two lurking out there in the darkness of Latin America. Witness I Don’t Want to Talk About…

DEADLY IS THE FEMALE

Bridget Gregory, the scheming vixen at the heart of John Dahl’s neo-noir thriller The Last Seduction, is already undergoing feminist scrutiny, and her credentials are said to have come up short in some quarters. I find this hilarious. For while those breakout queens of the road, Thelma and Louise, may…

WAR OF THE SEXISTS

To hear David Mamet tell it, his two-character play Oleanna is such a lightning rod that, all over the country, couples who come to it wind up shouting at each other in the lobby and often leave separately. Judging from the public-radio interview I heard recently, Mamet is quite taken…

SOMETHING TO SINK YOUR TEETH INTO

The new-wave ghouls who inhabit Anne Rice’s vampire novels don’t back off from the traditional threats. Wave a crucifix in the face of one of these doomed, androgynous wanderers and he’ll coldly laugh it off. Drive a stake into his heart and he’ll come right back at you, bloody in…

LEARNING CURVE

A fine paradox has risen in the Mother Country: Some of the most expressive British films now portray characters who are notably inexpressive, buttoned up and repressed. Last year, Anthony Hopkins’s stoic butler in The Remains of the Day, paralyzed by his devotion to Stiff Upper Lip, won hearts and…

MONSTER MISHMASH

That rumble you hear down in the laboratory is mad Dr. Branagh putting a charge into the tragic creature De Niro. Whether we need it or not, there’s a new Frankenstein afoot, and it’s a freak of nature. Kenneth Branagh, the British boy wonder who’s given us a pair of…

FIGHTING THE BAD FIGHT

Set a pack of Yankee filmmakers down amid the weeping willows and sultry heat of rural Mississippi and there’s no telling what they’ll come up with. In the case of The War, it’s a movie about poverty. And the relentless tug of family love. And coming of age. And post-traumatic…

HIGHLY IRREGULAR

Unrepentant beef eaters, contented non-joggers and connoisseurs of the dry martini will probably love it. So will earthly folk who don’t give a hoot about the alignment of the planets or the present whereabouts of Werner Erhard. In fact, virtually anyone who thinks that the humorless orthodoxies and freshly minted…

MASTER OF THE COMEBACK

Every time you start hoping Dr. Kevorkian will pay a house call on Woody Allen, the filmmaker miraculously returns to form and gets everybody laughing again. Witness Bullets Over Broadway, the third movie Allen has completed since The Troubles started. It’s a Runyonesque farce combining Roaring Twenties theater folk, potato-nosed…

WARNING: ON THE ERR

Radioland Murders is the kind of dippy, overheated show-biz fantasy that besmirches the good name of slapstick. It doesn’t do much for the long-cherished romance of radio, either. The operative cliche here–and it operates overtime–is the oldest one of all: The show must go on. The time is 1939. The…

MIAMI LICE

The first (and maybe the last) thing anyone will want to know about The Specialist is that an hour and a half passes before Sylvester Stallone and Sharon Stone pretend to copulate in the shower. Until then, what they do is model expensive sunglasses down in Miami and talk on…

PREDICTABLE NONSENSE

Bad scholarship, new-age fantasy and publishers’ avarice have collided to produce the current vogue for Nostradamus, the sixteenth-century French physician and astrologer who is said to have predicted everything from Nazi Germany to AIDS to the JFK assassination. What he didn’t predict is that a movie this awful would one…

KNOCK ON WOOD

The career (if you can call it that) of Edward G. Wood Jr. has become the stuff of cult legend because the man is widely acknowledged as the worst movie director of all time. In his 1950s heyday, such as it was, even Hollywood’s lowest shlockmeisters wouldn’t hire him. If…

HIT AFTER HIT

For my money, the savage and savagely funny crime films of Quentin Tarantino are a welcome antidote not only to those witless action heroes who give off baby talk as they tear up the joint, but also to Hollywood’s current wave of sweetness, its creeping Gumpmania. Let the self-appointed morals…

FOUL BALL

This autumn, baseball fans are getting too little World Series and too much Ken Burns. In all likelihood, the last thing the strike-stricken multitudes need right now is another gooey baseball movie that fields the usual lineup of sentimental caricatures. But that’s what The Scout is. Apparently, Hollywood hasn’t figured…

MOTHER ROWS BEST

Until now, no one has mistaken the fine-featured, sublimely gifted actress Meryl Streep for a regular on American Gladiators. But in The River Wild, there’s not only muscle in Streep’s performance, there’s plenty of it on her frame, too. In this rip-roaring adventure, the beefed-up star can shoot a set…

THE PLOT SICKENS

Boaz Yakin’s Fresh has its heart in the right place, but it takes a bewildering wrong turn. First, the acceptable news: Yakin again shows us the dangers and sorrows facing a good kid on the streets of the ghetto. Twelve-year-old Fresh (Sean Nelson) lives with his aunt and eleven cousins…