WIM AND VIGOR

Given the gruesome effects of German mysticism on the twentieth century, it’s wise to regard any new form of it with suspicion. That includes the films of Wim Wenders, a thoroughly postwar German who seems to embrace both pacifist Euro-modernism and traditional Catholic theology. To be a German filmmaker in…

CHARMED LIVES

The limousine liberals John Guare satirized in his Broadway hit Six Degrees of Separation are the same kind of New Yorkers Woody Allen seems so genuinely fond of…and so profoundly incapable of understanding. Installed in lavish Park Avenue apartments, these posers have a passing acquaintance with both intellectual fashions and…

LEAP BEFORE YOU LOOK

John Madden’s Golden Gate, a romantic soap opera badly disguised as a fable of McCarthyite bigotry and good-guy guilt, features Matt Dillon as an eager-beaver FBI agent assigned to root out supposed communists in San Francisco’s Chinatown in 1952, and Joan Chen as the beautiful daughter of an innocent Chinese…

THE ROCKY CLINTON HORROR SHOW

The messages you get from the presidential campaign documentary The War Room are multiplying at an alarming rate. Clearly, the husband and wife team of D.A. Pennebaker (Don’t Look Back, Monterey Pop) and Chris Hegedus meant it as a valentine to the efforts of candidate Bill Clinton’s smart-mouthed chief handler,…

THE EYES HAVE IT

Director Michael Apted has range. He’s made two dozen films for British television, the political documentary Incident at Oglala and five installments of his continuing 7 Up series, which has followed a group of disparate children, at seven-year intervals, to adulthood. Apted has also ventured into Hollywood features–notably the 1980…

AND JUSTICE FOR NONE

Civil liberties remain in short supply for the beleaguered Catholics of Northern Ireland, but filmmaker Jim Sheridan has taken the liberty of vividly dramatizing one of the most notorious instances of recent British tyranny. Let’s hope Prime Minister John Major and Parliament are watching–red-faced and thoughtful. With a passion reminiscent…

THE OLD COUPLE

In the seniors division of the Buddy Movie Sweepstakes, you could scarcely ask for a classier pair of contenders than Robert Duvall and Richard Harris. Their resumes would daunt Moses, their pride in craft has never been more evident and in Wrestling Ernest Hemingway they both look like they’ve been…

Opening the Closet

They sport red ribbons from the costume department and pass the hat at parties, but Hollywood’s glitterati know where their bread is buttered, and otherwise avoid the explosive AIDS issue. Even the studio advertising campaign for Jonathan Demme’s Philadelphia is discreet and noncommital: You must read between the lines to…

Pure Hopkins

Despite a director with a case of the shouts and a hopelessly miscast leading lady, that prince of players, Anthony Hopkins, can still make magic. Richard Attenborough’s Shadowlands, a well-mannered tearjerker set at well-mannered Oxford in 1952, aspires to romantic tragedy and to the kind of Merchant/Ivory polish that keeps…

Cultural Evolution

The intense love triangle at the heart of Chen Kaige’s sumptuous epic Farewell My Concubine could be the least of its concerns, but it’s not. As Rick Blaine told us, “the problems of three little people don’t amount to a hill of beans in this crazy world,” and it’s difficult…

A Hit As Good As a Myth

Ever ready with a new theory, the social psychologists are saying that Western movies are making their current comeback because beleaguered Americans have a revived desire for law and order. Pin a star on an upright, fearless sheriff, let him clean the bad guys out of the local saloons, and…