When Bertolt Brecht first staged his scathing The Threepenny Opera in Berlin in 1928, it not only delighted his middle- and upper-class audiences, it made him money for the first time in his theater life. Maybe it was the sheer naughtiness of its womanizing, murderous, thieving antihero, Macheath (aka Mack…
Different people, different points of view: That’s the modest message behind 10 Percent in Maple Grove–a collection of disconnected scenes about gay and straight interaction in a small Midwestern town. Playwright Mark Dunn’s world-premiere show at Jack’s Theater is not about sex, AIDS, hate or self-pity, but rather about understanding,…
Humphrey Bogart never actually said “Play it again, Sam” in Casablanca. But somehow the line has lived on and permeated the culture. It stands for the reckless, sophisticated tough guy Bogart usually played–the stuff of male role models for the last fifty-odd years. Woody Allen’s Play It Again, Sam brings…
Musicals tend to be shallow, sentimental fun–a day in the park. But once in a while, one rolls along that actually has a little something to say. Three musicals now on the boards in Denver offer something beyond a quick escape, rousing tunes and slick performances: a trace of social…
The Colorado Shakespeare Festival has been around a long time, but though a lot of people support the noble cause, many more do not. There are just too many agonies associated with attendance at CSF. Every year, those of us who do show up try to forget the grotesque discomfort…
Cult classic The Rocky Horror Show is just so Seventies. It must have seemed fiendishly outrageous when it came out in London in 1973 (the movie version, The Rocky Horror Picture Show, was released in 1975)–so new, so outlaw, so wild. Well, it’s still wild, but it now seems kind…
The movies did it better. “Women’s pictures” such as All About Eve, The Women and even The Bad Seed, for all their melodramatic silliness, at least presented complex and interesting female characters. But Ruthless! The Musical, which is supposed to be a sendup of those Hollywood classics, is about as…
Two million Jews and tens of thousands of other prisoners were tortured and killed at Auschwitz. Because the numbers are so staggering, it is excruciatingly difficult to absorb the fact that each of those millions died an individual death, that each was murdered and that for each murder, there was…
Robert Dubac is so lively, witty and inventive, it’s easy to forgive the mild chauvinism that runs through his riotous one-man show at the Vogue Theatre, The Male Intellect (An Oxymoron). With a title like this one, you might suppose the writer/actor would spend the evening male-bashing–and, indeed, there are…
Being a bear of very little brain, Winnie the Pooh could hardly be expected to figure out his problems for himself. And in Winnie the Pooh, playwright Kristin Sergel’s version of the children’s favorite, Pooh needs all his friends to help him. Sergel melds a number of A.A. Milne’s stories…
If it were television, it might be a soap opera; if it were an old movie, it might be what they used to call a “chick flick.” Joanna M. Glass’s Artichoke is all about a sensitive woman caught between a male world and an irrational morality that keeps her down…
Everyone on earth has a purpose, homeless Betty declares, and hers is to act as a mirror–the one you can’t get away from when you leave the bathroom. In her is reflected the whole human condition, and playwright Joe Turner Cantu wants us to gaze long and hard into that…
The Industrial Arts Theatre Company’s Goddesses is equal parts sense and nonsense. Written by company member Mary Guzzy-Siegel in collaboration with five other women in the company, it can be witty and charming at times and embarrassing and didactic at others. The liberties this feminist piece takes with history and…
Four women inhabit a mansion in hell (provincial France circa the 1930s), and the horror they experience there is as dark as it gets on earth. Wendy Kesselman’s relentless exploration of class hatred and oppression in My Sister in This House amounts to an important modern tragedy of almost mythic…
It doesn’t matter how sappy the music is, the kids are what sells Rodgers and Hammerstein’s classic The Sound of Music. The Country Dinner Playhouse’s revival features seven terrific kids, and every time they’re on stage, the whole production lifts a notch. Blatantly sentimental, the show has a few minor…
Louis Jordan was an ingenious saxophonist, vocalist and songwriter whose energetic music lit up radio airwaves in the 1940s and continued to delight audiences into the 1960s. Roll Jordan Roll, at the Denver Civic Theatre, celebrates the moment in Jordan’s life when he began to make it big with his…
Humorist and movie star Will Rogers made political satire a gentle art. The Oklahoma country boy once said he never met a man he didn’t like, and that kindly sentiment even governed the way he skewered politicians. The Will Rogers Follies celebrates Rogers’s show-business career in the brazen style of…
When a scumbag becomes a TV talk-show celebrity, the world is in trouble. And so English playwright Alan Ayckbourn skewers the cult of the celebrity, the mendacity of television and the public’s infinite appetite for manipulative trash in Man of the Moment. With a subject such as this, sparks ought…
Intense, ingenious and shocking, Steven Dietz’s God’s Country is also appallingly timely. After the Oklahoma bombing and all the recent press about so-called patriot militias, a powerful play about the murder of liberal Jewish radio talk-show host Alan Berg, along with a painful expose of the ideology behind that murder,…
What books would you bring to a desert island if, heaven forbid, you were condemned to one? What single luxury would you bring to ease the loneliness and discomfort of such an imprisonment? These are the questions asked by three captives in Someone Who’ll Watch Over Me, as they languish…
A lot of cultural pretensions are examined in David Ives’s hilarious collection of six playlets, All in the Timing–mostly in bursts of brilliant and sometimes surreal parody. Though none too deep, this offbeat offering is still right on, and the Germinal Stage Denver’s finely tuned production is as delightful as…
Just when you think it’s safe to go to the theater, Christopher Durang shows up somewhere and disturbs all your complacencies. Brilliant, amusing, incisive and ultimately humane, Durang’s caustic assessments of American life and Catholic upbringing manage to undermine even the most insistent optimism. Cattlecall Productions’ appallingly funny The Marriage…
