The Center for the Visual Arts in LoDo is currently hosting a large and important show. Tamarind: Forty Years documents some of the many accomplishments achieved over the decades by the legendary New Mexico-based printmaker. The title is somewhat misleading, since Tamarind was founded in 1960, making 2003 the 43rd…
It’s unusual for a juried show to have a coherent theme, because there’s no controlling what artists will submit. Yet Interior Spaces, a sculpture show in the North Gallery of the Lakewood Cultural Center (470 South Allison Parkway, Lakewood, 303-987-7844), was juried and is coherent. So how did artist-jurors Patricia…
One of the most hotly discussed contemporary shows of the year is the 2003 Colorado Biennial: 10 + 10, at Denver’s Museum of Contemporary Art. The controversial show is undeniably important, which is not unexpected. After all, it’s the state’s official biennial and the lone summer attraction at Denver’s official…
Many of the city’s most prominent women artists are brought together in the Ladyfest Out West Art Exhibition at Andenken Gallery (2110 Market Street, 303-292-3281). The show is the art component of the larger Ladyfest Out West, an event that includes concerts by acts with names like Vox Feminista and…
Surely one of the most appealing art-world attractions in Denver this spring is JUDY PFAFF: New Work, at Denver’s prestigious Robischon Gallery. It’s the kind of thing that’s unexpected in the off-season, but there’s a reason Denver audiences are being treated to such a big deal at this time of…
In the intimate and inviting Viewing Room in the back of the Robischon Gallery (1740 Wazee Street, 303-298-7788) is a wonderful show, Trine Bumiller: new paintings. The elegant Bumillers provide the perfect visual chaser to Judy Pfaff, which is on display up front (see review). True, the space in the…
For a while back in the ’80s and early ’90s, it looked like formalism — essentially non-objective abstraction — was on the ropes. Then about five years ago, it rose, Phoenix-like, from the ashes of neo-expressionism, on the one hand, and annoyingly personal conceptualism on the other, re-establishing itself as…
Surplus, at Studio Aiello (3563 Walnut Street, 303-297-8166), is the big-tent title connecting three unrelated solos — but just for good measure, each also has its own title. The show starts with Clare Cornell’s Dress Formal, which combines photo-based pieces and sculptures. The sculptures from Cornell’s “Lingual Discharge” series are…
Surely among the mega-art trends of the early 21st century is art based on popular culture — which makes quite a bit of sense, because it was also a mega-trend of the late twentieth. It seems that everywhere, there are shows highlighting the different approaches being embraced by artists who…
There’s a remarkable show, Shock/Awe, currently in the back room at the Spark Gallery, 1535 Platte Street, 303-455-4435. This sophisticated exhibit features photos of television coverage of the Iraq war taken by Annalee Schorr, who’s renowned for this kind of work. Though Schorr is serious in her negative appraisal of…
It’s hard to believe, especially considering the budget shortfalls the city is facing, that the Webb administration just committed $3 million to demolish Skyline Park and replace it with…another park! What makes this situation so incredible is it’s happening at the same time that city-employee furloughs and layoffs are being…
In the front room at Pirate: A Contemporary Art Oasis (3659 Navajo Street, 303-458-6058), Shovels, Brooms, Ladders And Rakes… features found-object installations created — or would that be assembled? — by Phil Bender. The literal personification of Denver’s alternative scene, Bender was one of Pirate’s founders, way back in the…
The signs of spring are everywhere: Flowers are blooming; the leaves are coming out on the trees, and the 2002-2003 art season is officially over. That means we now find ourselves plunged neck deep into the off-season. But don’t be misled by that designation; worthwhile exhibits will continue all the…
It was just last month, for the first time since it was founded in 1996, that the Vance Kirkland Museum formally opened its doors to the public. True, the hours are quite limited (Wednesday through Friday, from 1 to 5 p.m.), but it’s still a big improvement over the previous…
At approximately this time every year since the 1970s, the Foothills Art Center (809 15th Street, Golden, 303-279-3922) has presented the area’s most important ceramics group show. No surprise, then, that the current version, Colorado Clay Exhibition, 2003, is really great. The annual show is juried, and this year’s celebrity…
Spring is the traditional season opener for yardwork, since it’s the best time for planting trees, shrubs, flowers, vegetables and, of course, grass. But not this year, at least not in Denver. The drought and that unbelievable March blizzard has left most landscape enthusiasts not planting — not yet –…
The Orwellian times that we live in have piqued the interest of the Colorado art collective iMiNiMi, which is made up of Roger Rapp, Kent Smith, Rick Visser and the artist known as Bug. For the exhibit Panopticon 21: You Are Being Watched, now at the Cordell Taylor gallery (2350…
The morning of April 9 was absolutely flawless here in Denver, with the temperature hovering in the mid-sixties under a stunningly clear blue Colorado-brand sky. On that perfect day, several hundred people had gathered in the former parking lot at 13th Avenue and Acoma Street to witness a celebration of…
Further evidence of the widespread representational painting craze that is all the rage right now is The Price of Illusion, a duet that features works by Denver painter Wes Magyar and those of nationally known Arizona painter Beverly McIver. The exhibit is the main attraction at the enormous Judish Fine…
Surely the most persistent current in painting is the representation of recognizable things, particularly the figure. In one form or another, representational painting has been around for about 15,000 years, ever since the cave paintings in France and Spain were created. Things went along fine after that, with countless landscapes,…
Artists often encounter difficulties when they address politics in their work. Remember those severed ceramic penises that were stolen from a show at the Boulder Public Library last year? Their ostensible theme was violence against women, but those dismembered members didn’t actually say anything about that; they just illustrated the…
Contemporary art seems to be relentlessly rocked by fads. A craze for some novel thing usually starts in the art magazines, and then suddenly it seems like everyone is doing it. Remember when renditions of little archetypal houses were everywhere eight to ten years ago? Where are they now? Even…
