What’s left to be said about Ben Harper, the genre-blending, Grammy-winning,
Oakland L. Childers: You’ve come a long way in popularity since we saw you playing alone outside Albums on the Hill in Boulder years ago. How do you think your music has evolved over that same time frame?
Ben Harper: Music evolves through experiencing life full-on — accepting, understanding and forgiving who you’ve been to better know who you are and who you can become. Life has always had a way of informing me through sound rhythm and melody. Also, since the Andy [Schneidkraut] / Albums on the Hill days, I have had the chance to write songs and play with extraordinary artists ranging from Solomon Burke, Taj Mahal, Ringo Starr, Rickie Lee Jones, Natalie Maines and Charlie Musselwhite, just to name a few, and that has also played an immeasurable role in the evolution of my own music.
Along those same lines, it’s a big change from standing on the street with a guitar to selling out Red Rocks. How do you approach playing live differently now that you are so popular?
It’s actually the exact same thing as out in front of Albums on the Hill, but a few more people and a bit louder.
You’ve been doing a lot of collaborative work in the last few years, including working with your mom. Considering your trajectory, starting out working essentially alone, is that something you’ve always wanted for your music, or is it just something that happened randomly?
I think the collaborations I have been a part of
You’ve done a number of different styles of music from folk to driving rock and
I’d like to be my own genre … but then again, who wouldn’t?
You get a lot of love here in Colorado. Does this area hold any special feelings for you?
Colorado has always been one of the favorite places for myself and the Innocent Criminals to play. Whether it’s on the sidewalk in front of Albums on the Hill, Wheeler Opera House in Aspen, Fox Theatre in Boulder, or Red Rocks, it’s an all-around incredible state for live music.
Is there anything special folks can expect from the Red Rocks show (aside from the fact that it’s just a rad place to see a great musician)?
Keep Westword Free... Since we started Westword, it has been defined as the free, independent voice of Denver, and we would like to keep it that way. Offering our readers free access to incisive coverage of local news, food and culture. Producing stories on everything from political scandals to the hottest new bands, with gutsy reporting, stylish writing, and staffers who've won everything from the Society of Professional Journalists' Sigma Delta Chi feature-writing award to the Casey Medal for Meritorious Journalism. But with local journalism's existence under siege and advertising revenue setbacks having a larger impact, it is important now more than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" membership program, allowing us to keep covering Denver with no paywalls.