CRITIC'S CHOICE

Brutal Juice, with Neurosis and GWAR, Sunday, November 19, at the Ogden Theatre, is not what you'd call a good date band: The name of the quintet's debut for the Interscope imprint--Mutilation Makes Identification Difficult--provides a fairly accurate indication of their not-so-tender sensibilities. The disc is filled with secretion-spattered lyrics...

By Michael Roberts

November 15, 1995

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Brutal Juice, with Neurosis and GWAR, Sunday, November 19, at the Ogden Theatre, is not what you'd call a good date band: The name of the quintet's debut for the Interscope imprint--Mutilation Makes Identification Difficult--provides a fairly accurate indication of their not-so-tender sensibilities. The disc is filled with secretion-spattered lyrics that, depending upon your worldview, will either amuse or repulse you. Its sound, however, is less open to interpretation: The tunes are hard, loud and nasty in roughly equal measure. Those of you who believe that noise annoys are advised to stay away.

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Michael Roberts began his career with Westword in 1990 as music editor. In 1999, he took on a new role, full-time media reporter, as author of a column called The Message. In 2008, he became the lead writer for Westword's news blog, The Latest Word, a position he held until January 2023. Michael continues to freelance for Westword, covering everything from business to sports and the media; he also contributes to Jazziz, a national music magazine. He holds a bachelor's degree from what is now Colorado Mesa University and master's degrees from the University of California, Los Angeles, and Northwestern University.

Contact: Michael Roberts

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