The album was recorded in Nashville with guitarist Steve Cropper and a slew of veteran studio pros, and the sound they arrive at is clean and casual. Black's excitement at being in their presence is tangible, yet instead of responding with self-consciousness, he radiates an unruffled confidence that brings out the best in an excellent gaggle of covers ("Song of the Shrimp") and rootsy originals ("Selkie Bride"). As for the concluding number, its lyrical grimness is balanced by the thrill of performance referenced in its title: "Sing For Joy."
Black will make a lot more bread by rendering old Pixies numbers than he will from this disc. But Honeycomb tastes a lot sweeter.