This performance was anything but melancholy, though, especially as prolific frontwoman Michelle Zauner strutted and shimmied across the stage with an infectious buoyancy, singing songs about aging, social challenges and ancient mythology from the recent album and others.

Japanese Breakfast is the project of Michelle Zauner, who started the band after her time in emo project Little Big League.
Photography By: Brandon Johnson (@bjohnsonxar)

Ginger Root is the project of Cameron Lew, who describes his sound as “aggressive elevator soul”
Photography By: Brandon Johnson (@bjohnsonxar)

Ginger Root blends city pop, indie soul, and funk with vintage aesthetics
Photography By: Brandon Johnson (@bjohnsonxar)
After a short break, Japanese Breakfast took the stage to a dreamy string intro in mostly total darkness, save for a lantern carried by Zauner. The nautical stage called back to the birth of the goddess Venus, with a giant pink clam in the center and large stage props painted to look like waves crashing around the outskirts of the stage, all in front of a massive, cloud-painted backdrop. As Zauner waltzed to perch on the front of the clam, the band opened with an impassioned live version of Melancholy opener, "Here is Someone."

Japanese Breakfast performed at the Mission Ballroom for her Melancholy Tour.
Photography By: Brandon Johnson (@bjohnsonxar)
The sound echoed through the hall with a graceful, reflective tone, backed by violinist and flautist Lauren Baba, saxophonist Adam Schatz, bassist Deven Craige, and drummer and backing vocalist Craig Hendrix.

Zauner studied creative production at Bryn Mawr College and created her own major.
Photography By: Brandon Johnson (@bjohnsonxar)
"Jubilee really put me at the forefront of, like, I suddenly really was looked at as a singer," Zauner said. "The lead single on that album kind of wasn't even really written for me. I had written it with the idea that I would sell it to a pop star or something. It was very hard for me to sing, and a lot of the songs on [Jubilee] required this kind of showmanship that was sort of difficult for me to put on, I think, over and over again."

She also received a Grammy nomination for Best New Artist in 2022.
Photography By: Brandon Johnson (@bjohnsonxar)
"Denver, I have a bias against you, to be honest, because I associate you with outdoor types, and as an indoor kid, I'm not sure about you," Zauner joked after "The Woman That Loves You." "But tonight has been lovely."
She went on to say that Denver residents seemed like they would appreciate the idea of "doing mushrooms in the woods," to which the audience collectively laughed and cheered. As she continued to introduce the next song, Zauner recounted a time she and her husband/bandmate Peter Bradley took mushrooms at an Airbnb in the woods, where they had expected to have more privacy. As a cavalcade of vehicles continued to pass, Zauner explains that Bradley had begun striking poses for cars to try to "act natural," serving as the inspiration for the upcoming tune.
With a spotlight fixed on her for much of the song, Zauner's soft vocals reverberated through the room on "Posing for Cars," singing:
And how could you ever conceive
How much I need you, how truly barren I can be?
They say that time, it is the only certainty,
But it's been one o'clock for hours,
Oh the day is long untangling
Midway through the song, the band joined in for a big dynamic boost, during which she and Bradley exchanged knowing glances and smiles around his lead guitar riffs. Japanese Breakfast then closed the initial set with the darkened-pop anthem "Posing in Bondage," before coming back out for a four-song encore with "Paprika," "Be Sweet," "Diving Woman," and "Everybody Wants To Love You" — the latter of which brought Lew back on-stage to deliver backing vocals.
The performance further solidified Japanese Breakfast as one of contemporary indie rock and indie pop's most important bands. The elaborate stage setup and performance not only showcased Zauner's cohesive vision as a songwriter and album world-builder, but it also revealed a mature band after years under the spotlight, melding DIY indie roots with a storytelling prowess that only comes along every so often.
Check out more photos from the show below:

Zauner is the author of the bestselling memoir Crying in H Mart, which began as a New Yorker essay.
Photography By: Brandon Johnson (@bjohnsonxar)

Japanese Breakfast's debut album Psychopomp (2016) was inspired by the loss of her mother and explores themes of grief.
Photography By: Brandon Johnson (@bjohnsonxar)

The band's music spans genres like dream pop, shoegaze, indie rock, and chamber pop.
Photography By: Brandon Johnson (@bjohnsonxar)

She directs most of her own music videos, including the X-Files-inspired “Be Sweet”.
Photography By: Brandon Johnson (@bjohnsonxar)

Her second album Soft Sounds from Another Planet (2017) blends sci-fi themes with emotional depth.
Photography By: Brandon Johnson (@bjohnsonxar)

Fans packed the Mission Ballroom for Japanese Breakfast.
Photography By: Brandon Johnson (@bjohnsonxar)

Japanese Breakfast's fourth album, For Melancholy Brunettes (and Sad Women), was released this year and features Jeff Bridges.
Photography By: Brandon Johnson (@bjohnsonxar)

Zauner is Korean-American, not Japanese, and often explores identity in her work.
Photography By: Brandon Johnson (@bjohnsonxar)

Jubilee (2021) was nominated for Best Alternative Music Album at the Grammys.
Photography By: Brandon Johnson (@bjohnsonxar)

A fan takes it all in as Japanese Breakfast performs at the Mission Ballroom.
Photography By: Brandon Johnson (@bjohnsonxar)