
The Vivir Sin Aire tour (2025–2026) supports Latina entrepreneurs through the Latinas Luchonas initiative.
Photography by: Brandon Johnson (@bjohnsonxar)

The band officially became Maná in 1986, inspired by the Polynesian word for “positive energy.”
Photography by: Brandon Johnson (@bjohnsonxar)
"t's a great privilege to be in this sacred place. Truly, you have no idea how it makes us feel to be here. Tonight, we're going all out," Olvera said in Spanish, as he soaked in the ecstatic crowd. "For the history of Maná, this place is memorable, so we're going to do it again awesome."

Their breakthrough album ¿Dónde Jugarán los Niños? (1992) sold over 10 million copies worldwide.
Photography by: Brandon Johnson (@bjohnsonxar)
Not only did "De Pies a Cabaza" have colorful visuals that aided the vast selection of instruments, but had the entire venue singing along and screaming their hearts out. Such songs as "Eres Mi Religión" and "El Reloj Cucú" provided emotional moments of gratitude and commemoration for mothers and fathers that sacrificed their livelihoods in order to provide for their households, which are the key inspirations for both tracks.
Maná's ability to seamlessly blend progressive rock, Latin pop and reggae, amongst other genres, into its four-to-five-minute songs is impressive. The use of personal experiences, collaboration and commitment to discussing global and political issues amplifies the band's emotionally charged storytelling throughout its discography.

Maná has won four Grammy Awards and eight Latin Grammy Awards.
Photography by: Brandon Johnson (@bjohnsonxar)
After an outfit change, Olvera sang a cover of Vicente Fernández's 1969 classic track. "El Rey," which had many Mexicanos, like myself, swelling with pride for their heritage. As he returned to the band's own work, Olvera's powerful vocals echoed clearly across Red Rocks, with many touched by his commitment to performing heartfelt songs authentically. "En el mule de San Blás" was supposed to be the final song of the night, but after the crowd's chanting of "otra" ("another one" in Spanish), Maná came out to perform "Labios Compartidos."

The band’s lineup includes Fher Olvera (vocals), Alex González (drums), Sergio Vallín (guitar), and Juan Calleros (bass).
Photography by: Brandon Johnson (@bjohnsonxar)
Regardless if you know the lyrics or not, Maná is a powerful force that unites many together with its groovy rhythms, powerful lyricism and a fearlessness of being proud of its Latin American origin, which is needed more than ever.
See more photos from the show below:

Their song “Rayando el Sol” is considered one of the most iconic Latin rock anthems.
Photography by: Brandon Johnson (@bjohnsonxar)

Maná was the first Latin band to sell out the Staples Center in Los Angeles for seven consecutive nights.
Photography by: Brandon Johnson (@bjohnsonxar)

Maná’s Amar es Combatir (2006) debuted at #4 on the Billboard 200, a rare feat for a Spanish-language album.
Photography by: Brandon Johnson (@bjohnsonxar)

They’ve collaborated with artists like Shakira, Santana, and Juanes.
Photography by: Brandon Johnson (@bjohnsonxar)

The band’s music blends rock, pop, reggae, ska, and Latin rhythms.
Photography by: Brandon Johnson (@bjohnsonxar)

Their 2002 album Revolución de Amor featured political and social themes, including indigenous rights.
Photography by: Brandon Johnson (@bjohnsonxar)

Maná was inducted into the Latin Grammy Hall of Fame in 2018.
Photography by: Brandon Johnson (@bjohnsonxar)

The band founded the Selva Negra Foundation to support environmental causes.
Photography by: Brandon Johnson (@bjohnsonxar)