A sample from the 1940 film Colorado, starring Roy Rogers, opens this album before it warps off into the distance, replaced by a song that sounds like it's borrowed liberally from modern hip-hop and an oddly Frank Zappa-inspired psychedelic funk — like '70s-era Kool & the Gang riding high on DMT and weed. By the time it kicks into "Intro to Adro," though, this group makes good on its name with some electro dub exercises reminiscent of the more accessible moments in the Muslimgauze catalogue. It's still the inventively broken rhythm thing, but smoothed out for dance-floor consumption. Rife with Denver references, stylistically the album runs the gamut of hip-hop, funk and dub, but the core of it is a streak of experimentation that blurs the lines between those discrete genres.
Keep Westword Free... Since we started Westword, it has been defined as the free, independent voice of Denver, and we would like to keep it that way. Offering our readers free access to incisive coverage of local news, food and culture. Producing stories on everything from political scandals to the hottest new bands, with gutsy reporting, stylish writing, and staffers who've won everything from the Society of Professional Journalists' Sigma Delta Chi feature-writing award to the Casey Medal for Meritorious Journalism. But with local journalism's existence under siege and advertising revenue setbacks having a larger impact, it is important now more than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" membership program, allowing us to keep covering Denver with no paywalls.