Why I Wasn't Quite Ready for My Favorite Band to Make A Comeback

There's something about carrying a torch for art that no one else seems to give a fuck about — when you love a band or a record or an artist so deeply but goes unnoticed by the general populace it starts to feel like it's your own special secret to keep. Not to say that the rest of the world didn't care about the Red Aunts' existence in the mid '90s, but I was, until recently, hard pressed to find anyone else who liked the band as much as I did, let alone knew who they were (present company of my fellow Westword contributor and Red Aunts fan Tom Murphy excluded.)

Earlier this month after a long time away, the Long Beach band released Come Up For A Closer Look, a greatest hits compilation of sorts. At first, when I saw that Noisey was streaming the album, I was excited. And then my covetous self appeared — oh, so now people care about my favorite band that no one gave a shit about in 1995 or 2005 or even 2013? Of course, I loved that the Red Aunts were maybe back in action, but I was mad. I wanted them to stay mine.

See also: Seeing Red: The Red Aunts Have No Relation to Punk Cliches

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Bree Davies is a multimedia journalist, artist advocate and community organizer born and raised in Denver. Rooted in the world of Do-It-Yourself arts and music, Davies co-founded Titwrench experimental music festival, is host of the local music and comedy show Sounds on 29th on CPT12 Colorado Public Television and is creator and host of the civic and social issue-focused podcast, Hello? Denver? Are You Still There? Her work is centered on a passionate advocacy for all ages, accessible, inclusive, non-commercial and autonomous DIY art spaces and music venues in Denver.
Contact: Bree Davies