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To the Max
A publicity-hungry student shows how easy it is to become a media darling -- with a little help from CU.
By Michael Roberts
Published: November 23, 2006The goal for me is just to get people to read my writing, and the newspapers definitely helped with that," says Max Karson, a University of Colorado at Boulder student who's recently received plenty of coverage thanks to The Yeti, a controversy-courting newsletter he publishes. "As far as any personal pleasure in making the administration look stupid, that wasn't high on my list of priorities. But it was amusing."
Simple, too. All Karson had to do was write a satirical essay about "the myth of the female orgasm" and then wait for people offended by it to complain to CU officials, which they did. University reps took it from there, inadvertently fueling a hullabaloo that played like a smaller-scale version of numerous public-relations blunders committed at CU in recent years. The events that followed were perfectly timed to handcuff the school's PR department, boiling to the surface during interim spokesman Barrie Hartman's last week on the job. Hartman's successor, Bronson Hilliard, eventually got things back under control, but not before Karson had parlayed the tiff into the sort of spotlight time that's sure to frost his detractors. "More people are hearing about The Yeti," he says. "And that's good."
Karson -- who'll host a public reading of The Yeti at 6 p.m. on November 29 at CU's Cristol Chemistry building, room 142 -- is an inveterate self-promoter with a taste for hyperbole. Yet some of his claims don't stand up to scrutiny. For instance, he maintained that a petition demanding his expulsion was being circulated by individuals associated with the Women's Resource Center at CU. But after hearing that Hilliard had investigated this assertion and found no evidence of its truth, he said he'd heard about the petition secondhand and admitted it might be nothing more than "a rumor." Nevertheless, there's enough of a paper trail to suggest that many of the entertaining tales he spins are grounded in reality.
An Amherst, Massachusetts, native, Karson started writing horror stories as a youngster, and his tradition of provocative prose continued at Amherst Regional High School, where he created and personally distributed a newsletter he called The Crux. The publication, whose entire run can be accessed online at www.greentara-redlayla.com/CruxIntro.html, hit its stride with a salvo inspired by the January 2002 resignation of principal Stephen Myers, who was alleged to have made sexually provocative comments to a male student. (By coincidence, Myers previously served as principal at P.S.1 charter school in Denver, and after he stepped down in Amherst, two former P.S.1 teachers interviewed in Westword accused him of inappropriate behavior here, too.) Karson's take on the incident was predictably off-kilter. "My response to Mr. Myers' controversial hobby of molesting children?" he asked in print. "I'm going to break up with him, and had I known he was a child molester, I never would have gone out with him in the first place."
Myers's administrative successors didn't get the joke, suspending Karson for a week. But this sentence was stricken from his permanent record thanks to lawyers affiliated with the American Civil Liberties Union of Western Massachusetts, who, according to Karson, learned about the matter from a friend of his. Karson says he was threatened with suspension three more times for subsequent Cruxes -- one in which he insisted he was "gayer than Big Bird" for his friend Matt, another that sang the praises of masturbation, and a third whose concluding phrase was "Fuck you, Mom." But with the ACLU's help, he escaped all but one day's worth of further punishment, and in October 2002, the Amherst Regional School Committee made its student free-expression policy less restrictive in direct response to the Crux affair.
Upon graduation, Karson moved to Colorado, where his father lives, and enrolled at Colorado State University. He lasted just a semester before heading back east again. Two years later, he returned to the state to attend CU, starting classes and The Yeti at roughly the same time. He handed out several hundred copies of each edition at the University Memorial Center, and he provides a slew of laudatory e-mails as evidence that more people liked his purposefully impolite offerings than didn't. "It's about 80 percent positive," he swears.
Even so, the remaining 20 percent of folks were mighty unhappy -- especially with issue three. Karson says he was trying to needle insensitive men who care only about their pleasure and want women to be nothing more than mute, submissive sex objects. Problem was, he took the chauvinism to ham-handed extremes, writing in the first person that the clitoris is functionless ("like an appendix"), breasts have no nerves and can therefore be squeezed as hard as possible, and the sex act should proceed without lubrication, "so they can really feel it."
Although Karson meant this as a comic description of unfathomably bad sex, some readers read it as misogyny and rape, and complaints soon reached the CU Board of Regents, as well as Ron Stump, the vice chancellor of student affairs. Stump could have reacted to these gripes by first sympathizing with those who were upset and then reminding them about a little thing called the First Amendment. But no: He decided to call Karson into his office, and at the October 19 meeting that ensued, he scolded the student over the Yeti's content. That's all the provocation Karson needed to interest the Colorado Daily in writing about the situation -- and Stump provided Karson with a bonus when he told Daily reporter Paula Pant that he was "reviewing whether or not The Yeti is protected free speech." This remark, published on November 5, seized the attention of scribes at the Boulder Daily Camera, the Daily's sister paper, which ran a piece two days later in which Stump compounded his gaffe. "We're looking into it from a legal perspective," he told Brittany Anas, who wrote that officials wanted to figure out if Karson "is breaking any 'student code of conduct' rules with his newsletter."
These phrases screamed out to Boulder ACLU head Judd Golden, who sent a letter to Stump expressing concern that "the University is taking action that unreasonably chills and represses free speech." The Rocky Mountain News used this concern as the cornerstone of a November 10 article that made CU look clueless, and while Stump tried to limit the damage by writing to Golden that "the newsletter distributed by Mr. Karson violates no law or University policy," he couldn't stop it entirely. On November 13, the Rocky published an editorial with the vivid headline "Busybody CU Bigwig Should Know Better," and the next day, Karson starred in a lengthy segment on Peter Boyles's KHOW radio program.
By then, Hilliard had taken Hartman's place and quickly established his voice as the only one at CU to talk about Karson. This wasn't pleasant news for yours truly; rather than agreeing to interview requests from Westword, Stump and Barbara Kulton, the director of the Women's Resource Center, who'd slagged The Yeti in the Daily, had Hilliard speak for them. Hilliard tried his best to make Stump's statements in the Daily and the Camera seem less moronic than they actually were, emphasizing that since the veep doesn't have a legal background, he wanted to be certain that Karson's words couldn't be interpreted in court as an exhortation to rape, which wouldn't have qualified as protected speech. The problem with that? Anyone in Stump's position should know that satire is protected, and even if he somehow missed that day in school, there were more than two weeks between his meeting with Karson and the first article about The Yeti when he could have asked a CU attorney to compensate for his ignorance. Instead, he attempted to look politically correct in the press, and everything blew up in his face.
Because Stump has gone to ground, there's no telling what he thinks of "Ron Stump," a hip-hop song Karson recorded as part of an album that can be accessed on his website, www.yetipaper.com. Musically, the tune is horrible, and Karson's vocals are on par with William Hung's. Lyrically, however, one couplet perfectly encapsulates this entire episode: "Hang on, Ron, I wanna make a confession/I like the attention -- now I got an erection."
And CU gave him a hand.











if max were arab, muslim, or black, and angry enough to kill 32 people, would his writings still be protected under u.s. freedom of speech? would the aclu still come to his defense? if he wrote satire or spoke so casually of say, 9-11 and new york, rather than the virginia tech case, or "asians," would you still find it appropriate? i'm not saying i don't appreciate sattire; i am a writer myself, but what about being responsible with our "freedoms"?
Comment by independentwriter — February 27, 2008 @ 12:53AM
I've heard so many unintelligent, automated sound bites on this issue, it sickens me.
Step on a lever, "Freedom of speech", insert applause
Step on a lever, "It's satire.", insert applause.
Step on a lever, "What race hasn't been attacked...", insert applause.
People don't read the news anymore, they memorize sound bites to make themselves sound clever. Journalists don't write news anymore, they just regurgitate and vomit a press release.
What happened on Campus Press is a microcosm of all that is wrong with mainstream media.
I expect Campus Press to produce stories that are well written and well articulated, rather than poorly written and barely though out. I expect Campus Press to care more about truth, accuracy and relevance than controversy, edginess, and publicity. I expect Campus Press to strive to produce A-list journalists instead of D-list wannabes.
Are they marketers, or journalists?
Comment by TokenBoy — March 1, 2008 @ 12:22AM
It doesn't matter if it's funny. It doesn't even matter that it's racist. Mein Kompf is racist, but at least Hitler articulated his point well.
The question is, is this good writing? Is this good journalism.
I am for free speech all across the board. But as a journalist and staff writer, as an operative of the fourth estate, Karson and crew have the RESPONSIBLITY to write well.
If it were a schmoe like me that wrote the article, it's one thing. He is a staff writer. He is a journalist (or at least he thinks he is one).
I fault Karson for not writing a BETTER piece.
I fautl the editor for not knowing the difference good writing and bad writing.
But I don't think anyone needs to be suspended or fired. If they voluntarily quit, however, I think that would put faith back into the Campus Press.
Comment by ExploitAsian — March 1, 2008 @ 12:24AM
MAX KARSON’S PET PROJECT: A SATIRE
written by a non-journalist
I was walking out of Illegal Pete’s the other day, when I happened to see Max Karson come out of the women’s restroom.
I didn’t say anything. I figured Max Karson has a right to do what he wants. It’s not like he’s violated an actual law. So I decided to do the stereotypical Asian thing, and just keep my opinion to myself.
“Hey, aren’t you Max Karson?” I asked.
“Wow, I’m so glad you recognized me. I’ve worked very hard to get recognized in public,” Max bragged.
“So…where ya headed Max?” Not that I actually cared. Just making polite conversation.
“Well, coincidentally, I’m off to buy a dog,” giving me a little nudge.
“What do you mean, ‘coincidentally’?” I nudged back.
“You’re people are experts on dog, no?”
I was about to say something, but then I decided he had a right to his opinion, and once again, I decided to do the stereotypical thing, and just keep my opinion to myself.
“Why are you getting a dog?” I diverted.
“Well, let me ask you this: do you think if I put peanut butter where the sun don't shine, and made the puppy lick me, would that be controversial?”
Did he really ask me that? I couldn’t have heard that correctly. How would one not know if that would be controversial?
“Sure,” I said in my most non-judgmental voice. After all, he’s only talking about it. It’s not like he’s actually going to do this, right? It’s just talk. So, he has the right to say what he is or is not going to do. So I said nothing.
“So you think it would get a lot of attention?” Max asked.
“Definitely. Especially with that recent Arvada dog case,” I said.
“What dog case?”
“You know. Rolo, the German shepherd that might get euthanized?”
It’s been all over the papers. I don’t even own a dog, and I know about it. Hmm. I guess we do know a lot about dogs.
Max just had a blank look on his face. Then his face lit up as if he had just reached enlightenment.
“That’s perfect!” he exclaimed, “I can say it’s a satire about putting animals down. And it’ll get a lot of press, which means more people will know about me,” he explained.
I was going to tell him that perhaps he should rethink his position, but that would be self-righteous of me, wouldn’t it? I mean, it’s just satire, right? It’s not like he actually DID anything. It’s just talk, right?
Max turned around and went back into the women’s restroom, “I need to talk to my editor.”
I wanted to stop him, but who am I to tell him what’s right and what’s wrong? He’s entitled to his opinion. It’s not like he actually DID anything. He’s just talking for now, right?
So I decided to do the stereotypical Asian thing, and just keep my opinion to myself.
Comment by Young B. Kim — March 1, 2008 @ 12:25AM
MAX KARSON THROUGH THE LOOKING GLASS
written by a non-journalist
As I walked out of the UMC, and let my eyes adjust to the light, someone from behind me slammed into me. It was Cassie Hewlings, the editor of the Campus Press, dressed like a Kittredge duckling
“I’m sorry, quack, quack,” she said. Her eyes focused away from me.
I turned around and there was a mob of Korean students running toward her. Well, they looked Korean anyway.
“I’M SORRY! Quack, quack.” she exclaimed as she ran off, “I’m sorry! Quack, quack. I’m sorry! Double-quack.”
The mob of Koreans chased after her, still holding their fingers in their ears. I stopped one of them. She pulled her fingers out of her ears.
“Why do you have fingers in your ears?” I asked.
“Because we don’t trust her words anymore,” she said, and then continued the chase.
I walk over to a newsstand, and noticed all the copies of the Campus Press newspapers were gone. I go to another stand. Gone. Then I noticed a large pile of Campus Press newspapers sitting in the recycling bin. There were several days’ worth in there, and none of them had been read.
I pulled one out, and I noticed there were no advertisements. On top of that, all the articles were about the same topic, but just different tones. They looked like they were all authored by different people, but then I just realized the names were just anagrams of the same name. The subject matter was closet space efficiency.
A Japanese-looking student walked by, and dumped more Campus Press newspapers into the bin.
“Why are you throwing these away?” I inquired.
“Because we don’t trust their words anymore,” she explained. That’s when I noticed a whole line of Japanese students who have come to recycle the trash. Gotta love Japanese efficiency.
I walked outside, and noticed a podium at the end of the UMC fountain, which happened to be filled with some kind of Kool-Aid. A bunch of Vietnamese students were standing in front of the podium with their ears duct taped. I don’t know how I knew they were Vietnamese considering their eyes were also covered in duct tape, but some how, I just knew. We always know.
Then I saw Max Karson go up to the podium. Karson admired his audience for a second, lowered the mic, and turned around. Karson bent over, and grabbed hold of his cheeks to spread them apart.
Everything then started to spin.
His anus began to speak:
"When I wrote my Pulitzer Prize winning satire, I was speaking for the Asian people because God knows they don't know enough English to speak for themselves. I know what it's like to be an Asian. Correction, Asian-American. I love pho, kung-fu movies, and Japanese bondage. I didn’t need to interview anyone. That would have made me a common journalist. I’m above that. I know what’s it’s like to be an Asian-American. I know their pain and suffering first hand. I grew up as an Asian-American. I AM ASIAN-AMERICA! So I don't owe Asian-Americans an apology. If anything, Asian-Americans owe me an apology…as soon as they pass their ESL classes.”
I got so dizzy, I had to take my fingers put them in my ears, and shut my eyes.
Comment by Young B. Kim — March 1, 2008 @ 12:26AM