All Leather

Justin Pearson has made a career out of being annoying — but it's a brutal, funny, sublime, uncompromising and at times even groundbreaking kind of annoying. With his main band of the past fifteen years, the mighty cyber-grind outfit the Locust, on an apparently indefinite hiatus, Pearson has poured his...

By Jason Heller

April 22, 2010

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Justin Pearson has made a career out of being annoying — but it's a brutal, funny, sublime, uncompromising and at times even groundbreaking kind of annoying. With his main band of the past fifteen years, the mighty cyber-grind outfit the Locust, on an apparently indefinite hiatus, Pearson has poured his efforts into a new trio, All Leather. The band's full-length, When I Grow Up I Wanna Fuck Like a Girl, delivers on the promise of its debut EP, Hung Like a Horse: Both exude a cold, spastic sexuality that's manufactured in a contraption consisting of pneumatic beats, trashy yet tightly controlled synths and Pearson's distorted, monotone marching orders. Invariably, those orders point toward the dance floor. Disobeying is not an option.

Jason Heller is a staff writer at Westword. He's the author of the book Strange Stars: David Bowie, Pop Music, and the Decade Sci-Fi Exploded (Melville House/Penguin Random House), and has contributed to the New Yorker, The Atlantic, Rolling Stone, Pitchfork and NPR.org. His work has won a Hugo Award and a Colorado Press Association Award.

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