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In A Lovely Sunday for Creve Coeur, set during the Depression years, Tennessee Williams was exploring less poetic lives than in his earlier work. He used caricature, slapstick, even diarrhea jokes, and maintained a fine balance between humor and his customary melancholy. He also gave us moments of grace in which the characters overcame their essential separateness to minister to one another. Williams’s later work has often been dismissed as a thin echo of his powerful early plays, but it’s clear from this lovely piece that he continued to develop as an artist. Director Laird Williamson and an excellent cast delivered a fine production of Williams’s script; Kathleen M. Brady, whose warmth and humor were on full display, was especially riveting as the loud, sweaty and excessive Bodey. The Denver Center Theatre Company deserves kudos for unearthing the play.