Jacob Lemanski's Otherworldly Ant Space Art

Engineer-biker-artist Jacob Lemanski surrounded by his Ant Space art in his Boulder basement gallery.
Engineer-biker-artist Jacob Lemanski surrounded by his Ant Space art in his Boulder basement gallery. Courtesy Jacob Lemanski
There are more than 1,000 ants in the Boulder basement art gallery where Jacob Lemanski sits cross-legged, explaining how he got from biking across continents to building ant farms. All four walls of the room host what Lemanski calls Ant Spaces: thin layers of soil and brightly-hued sand set between glass and illuminated by LEDs that change color. The ants tunnel through the soil, creating slowly-shifting patterns in the dirt to reveal the background image of the Carina Nebula. In a word, it's mesmerizing.

Lemanski, who has degrees in aerospace engineering and mechanical engineering from West Virginia University, started making ant spaces as a personal project after returning from a series of bike journeys that crisscrossed the globe. Now that he's made 22 models, refining prototype after prototype, he's launched a Kickstarter that serves as a purchasing platform.

Courtesy Jacob Lemanski

Ant Spaces are not Lemanski's first out-of-the-box undertaking. In 2013, at age 27, he left his job as an engineer at the Boulder Airport to bike from the Atlantic to the Pacific, starting in Portugal and ending, nine months later, in China. Before packing his panniers for the trip, he had never been out of the United States. But Lemanski wasn't done bike voyaging. Next, he biked from Fairbanks, Alaska, to Ushuaia, Argentina, the southernmost city in the world, sleeping in a glass pyramid at 17,000 feet in Bolivia along the way. And despite the change in location, the 467-day trip was much the same: His blog recounts welcoming and curious locals, night after night spent in a hammock, journaling, long miles passing in a near-meditative state. His final bike journey kicked off in New Zealand and took him through Africa to Tanzania, where he finally felt biked out. Having biked an estimated 38,000 miles and visited 41 countries, "returning to society was the fearful thing," Lemanski says.

In all his pedaling across the globe, the one possession Lemanksi remembers missing was the ant farm he'd constructed on a whim. In a diary entry from Siberia he rediscovered once he was back in the U.S., he'd written that he wanted to build "bigger better ant farms." Post-trip, returning to a nine-to-five job or even setting an alarm didn't make sense. After efforts to build a carbon-fiber bicycle proved unfruitful, Lemanski turned to building ant spaces. "I didn't build it for anyone else," Lemanski says, because after so much time spent alone, he'd lost touch with and interest in how others might view the art.

click to enlarge A close-up of one of Lemanski's ant spaces. For this background, he fed a hi-res image of the Carina Nebula into Google's DeepDream program, which imitates the neural network and visual cortex. - COURTESY JACOB LEMANSKI
A close-up of one of Lemanski's ant spaces. For this background, he fed a hi-res image of the Carina Nebula into Google's DeepDream program, which imitates the neural network and visual cortex.
Courtesy Jacob Lemanski
Now, Lemanski can make an ant space a day, often listening to "space music" by artists like Nils Frahm and Nick Cave. Once the wood frame is assembled, LED lights installed and colored sand trickled in from above, Lemanski adds in the ants, which he buys online (a tube of thirty costs $6). He drops in water and a pinch of sugar for nourishment. Because ants dig where the organic potting soil is moist, the artist can subtly direct where the tunnels grow like "a paintbrush stroke, revealed over days," as he puts it. But, Lemanski insists, "the real artwork is done by the ants; it's by nature."

click to enlarge Ants carved out these patterns in the dirt. - COURTESY JACOB LEMANSKI
Ants carved out these patterns in the dirt.
Courtesy Jacob Lemanski
Some things about these artistic ant habitats — like adding tiny plant seeds or setting the colors of the LEDs, which Lemanksi controls from a dial on a mobile app — are within his control. Others, like the tiny ant graveyard that he points out, or the ways in which the colored sand streaks as the insects tunnel, are not.

Asked how his living art has ties to his bike odysseys, Lemanski explains that in both endeavors, he was drawn to push himself to the limit. For biking, it was an exercise in extreme endurance. The ant spaces, meanwhile, have grown in magnitude; the largest one Lemanski has made measures eight feet across.

In his "highest vision," Lemanski says, he dreams of ant spaces becoming as prevalent as fish tanks, a fixture in homes across America. He mentions future hopes of his largest piece taking residence in a museum or owning a social-consumption pot cafe lined with ever-changing ant spaces. Now, he says, "it's time to find out if I'm just a crazy guy with a weird hobby," or if the Kickstarter will show that his work resonates with others.

You can see one of Lemanski's ant spaces in the virtual-reality arcade and maker space Reality Garage, 1320 Pearl Street, #101, in Boulder. The project will also be on temporary display from 6 to 9 p.m. on Friday, September 1, at Hoi Polloi Workshop, 4939 North Broadway in Boulder. And to get an ant space of your own, you can contribute to the Kickstarter, which ends September 7 and has a goal of $10,000.
KEEP WESTWORD FREE... Since we started Westword, it has been defined as the free, independent voice of Denver, and we'd like to keep it that way. With local media under siege, it's more important than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" program, allowing us to keep offering readers access to our incisive coverage of local news, food and culture with no paywalls.
Lila Thulin recently graduated from Stanford University, where she earned a Human Biology degree with a minor in Creative Writing (she also learned to bike no-handed). She’s an aficionado of libraries, bagels and art in all forms; she covers the latter as a Westword intern.
Contact: Lila Thulin