Westword: For the release of your poetry book, is it safe to assume you'll be doing a reading from the material?
Robert Rutherford: [It's] kind of a reading. There's a handful of them that I've turned into songs with friends, a couple of the guys from Rabbit is a Sphere. So rather than read, we're going to perform them.
Did you sit down to write these poems as a cohesive collection, or was it just a matter of having written a bunch of poems you liked so you decided to put them together as a book?
They are related. The lion's share of them came from a little challenge I gave myself last year when I was spending a couple of months in Seattle. That was just to write a poem a day. So many of them are interrelated and there are lots of themes that repeat themselves. To be honest, when I gave myself this challenge, I was at this point where I was sort of really hating my writing and I thought that if I gave myself a challenge like that, and I knew that I was going to have plenty of time because I was there working and I had no money and only a handful of friends -- but mainly no money -- so I wasn't really doing a lot other than doing my research at the museum and riding public transportation and reading Game of Thrones. I thought that seeing as I would have a lot of time on my hands, I could, if I gave myself this challenge and just said. "I'm not going to judge them. I'm not going to think about it too much. I'm not going to edit them right now,. I'm just going to do it just to stay on my practice." So that's what I did.
I didn't pay too much attention to whether or not I was repeating myself or covering ground that I thought I might have already covered. I was just doing it, and not judging it too much while I was in the process. What ended up happening was I had sixty poems and when I got back to Denver I edited out the ones that really were honestly crap. Then I sent out the batch to a whole bunch of other artist friends, because I thought it might be fun just to use them as a way to launch some collaborations. I was reaching out to fine artists, filmmakers, comedians, musicians, other writers to see if it sparked anything. It did, and some of those collaborations came to fruition, like the music ones, and some of the fine art ones. I have some friends who just drew -- I don't want to call them responses, but they would read them and something struck something in them and they would draw.
My intent was to keep working on that and eventually put together a show that was all of these things, and more if other collaborations grew from that. Artists... they're so flaky. Time just kept passing and some of these things just sort of dragged out and weren't happening, so I said. "fuck it, I want to put it out and it will just be what it is." If any collaborations continue out of it, those will just be their own thing, but I thought it would be fun to just put it out.
Will any of that be on display at the release?
The music thing -- I'm playing with Al Scholl and Christopher Nelsen, and both of them have their own pieces that they wrote or improvised from this body of poetry, so they'll be doing their own thing also, [as well as] the pieces we created together that we'll perform.
Do you want to talk about any of the themes or motifs that we'll find in the collection?
Sure. The place where i stayed for the first half of my trip was right on Lake Washington. It was like a block away, so I spent a lot of mornings walking down around Lake Washington bird=watching and running and enjoying the cool weather. A lot of themes -- the most prevalent themes, that repeat themselves throughout the book -- are birds. Crows, osprey: There were some nesting osprey just south of where I was staying and I would see them all of the time -- gulls, owls. The poems themselves aren't necessarily about birds, but birds as metaphors and the imagery of birds plays heavily. Those are the most prevalent ones.
I was also riding the bus a lot, waiting for the bus a lot. You still do public transportation, don't you?