Adults in 2016 know not to feed the trolls. If you have to, though, you need to come on hard and strong, publicly glutting them on so much truth that they just curl up and die under their bridges/in their comment threads. So it goes in Mick Jackson’s patient, heartening…
Here’s what matters most: You will laugh. Kevin Hart on a stage before thousands, yapping for more than an hour? I don’t care what kind of miserable killjoy you are, you’re going to laugh. There are two reasons you might be offended — you may find the material either too…
There’s plenty of time to wonder, as J.K. Simmons narrates page after page of backstory, whether the creators of The Accountant realized that their dutifully twisty R-rated thriller was actually another superhero story. Yes, it’s got trappings of psychology and adult thoughtfulness, speeches about the mysteries of the brain and…
Forgiveness is tricky and personal, and you can’t be blamed for not offering it. Buying a ticket to Nate Parker’s slave-revolt drama The Birth of a Nation demands at least some measure of it. As you’ve probably heard, while a student at Penn State, Parker — the film’s star, director…
You might have let yourself act surprised as the waters have risen and the floods have come. But you can’t anymore, not after 13th, Ava DuVernay’s miraculous cine-history of the criminalization of American blackness. Few films shake and astonish like this one, even though nothing in it should be a…
Set aside all human decency and imagine, for a moment, that you’re Kim Jong-il. Imagine it’s 1978, and you’re pushing 40, still Great Leader’s son rather than the future Dear Leader. You have yearned for years to create a truly great North Korean cinema, one whose films would be celebrated…
The first moments of Luke Cage offer much that the previous 38 or so hours of Marvel superhero Netflix drama haven’t: laughter. Warmth. A sense that the New York City that Daredevil and Jessica Jones mope and brawl through might be more than just a place to save — it…
In this age of billion-dollar, candy-colored, fully digital child-distraction movie-making, the new chatty-animal adventure comedy Storks wouldn’t have to be good in any way to be wildly profitable. It often is good, though, hilariously so, its too-familiar misfits-become-a-family storyline enlivened by flights of lavish comic invention. Its set pieces, especially…
Look, if you’re not stirred by the sight of Denzel Washington, clad in head-to-toe black, riding a black stallion over dunes and bluffs and right up to the saloon of some two-bit frontier town — well, then maybe the movies just aren’t for you. Washington, of course, strides right into…
To show all that he can do, to show something of what life’s actually like, Donald Glover first has to break your heart. Glover – the star, creator, and often writer of FX’s tense, downwardly mobile hangout comedy Atlanta – is best known, still, as a handsome clown on NBC’s Community, Dan…
Matt Johnson’s prankish Operation Avalanche boasts a strong half hour of footage that’s fully engaged with this question: Could a couple of bright, Kubrick-obsessed A.V. geeks have faked the moon landing in 1969? Like the best speculative fiction, these scenes concern the practicalities. We see the gang’s hidden-camera peek at…
Still and silent, Jerry Lewis slumps there like old furniture in the lifeless house in which the first half of Daniel Noah’s coming-of-old-age drama Max Rose molders. The film is a fiction, a tidy and improbable one, but these scenes have documentary power. Lewis’ Max Rose, recently bereaved, sits and…
Here’s a gorgeous and audacious slice of East Bay life that’s dreamily attentive to Northern California sun and concrete, to the shambled beauty of a street couch under a BART station, to the slow thump of cruising stoned with hip hop bumping, to the way suburb-city edges into city-city and…
Christian Carion’s refugees-on-the-march World War II drama Come What May is the kind of old-fashioned war movie that’s crafted not just to emphasize history’s horror and brutality. Yes, Carion stages the occasional slaughter with heartsick brio, and sometimes can’t resist taking pleasure when the violence goes against the bad guys,…
Cities, like young people, are forever becoming something new. The latest tender charmer from Ira Sachs chronicles the growing pains of teens and Brooklyn with the wry sensitivity and eye for economic reality that distinguished Sachs’ Love Is Strange (2014) and Keep the Lights On (2012), which began a sort…
Barbara Kopple’s Miss Sharon Jones! tells the kind of true story that makes you want to kick creation itself square in the crotch. Here’s that firecracker soul singer, nearing her 60s, her boogie still majestic, her band still a tight retro marvel, her wail still the southern end of a northbound…
Natalie Portman proves herself a filmmaker of intelligence, ambition and inventiveness in her debut as a director and writer — just not one who is always certain as a storyteller. A Tale of Love and Darkness adapts, with a passionate somberness, several threads from Amos Oz’s autobiographical novel of the…
Critics often dismiss blockbuster entertainments with the vague, half-assed complaint that they resemble “video games.” Movies like Fede Alvarez’s Don’t Breathe reveal games’ actual influence — for the better. The breakthrough with studio horror films in recent years, since the found-footage boom, is a welcome environmental immersiveness. It’s a testament…
Anna Gunn actually gets to do things in Meera Menon’s expansive high-finance drama Equity, which is almost reason enough to recommend it right there. The Breaking Bad co-star tears into the role of a rainmaking banker taking a Silicon Valley company public. For once it’s Gunn whose character gets to…
Nuts!, a marvelous, mostly animated doc/drama hybrid, couldn’t have come along at a better time. Director Penny Lane (Our Nixon) showcases, with wit and suspense, the undoing of one of the 20th century’s great flimflam artists, a huckster who seized then-new communication technologies — and the trappings of Christian divinity…
Do we call Anthropoid a thriller? Sean Ellis’ earnest, day-ruining WWII bullet-a-thon is rooted in fact but comes on like pulp fiction in its first reels, hitting secret-mission story beats old enough to have served in the big war. As freedom fighters Josef (Jamie Dornan) and Jan (Cillian Murphy) skulk…
Mike Birbiglia’s Don’t Think Twice stands as the best, most revealing film about comedy people and one of the best about artistic collaboration. It’s a boisterous and sensitive work of many facets: tender group portraiture, bang-on media satire, low-key romance, evenhanded inquiry into the ethics of selling out. Above all…
