Hard Living Can’t Diminish the Radiant Shine of Girlhood

Celine Sciamma’s pained, thrilling observational tale of growing up broke and black in slab-like Paris flats is no rebuke to Boyhood, but its besties-dancing-to-Rihanna rhapsody eats the lunch of that bit where Richard Linklater has Ethan Hawke drone on about Wings. They sing: “We’re beautiful like diamonds in the sky!”…

Merchants of Doubt Keenly Exposes Our Gullibility

The Amazing Randi insists that the public wants to be fooled, that it’s easier and more comforting for us not to see unromantic truths — you can see him proclaiming this, a little sadly, in Justin Weinstein and Tyler Measom’s doc An Honest Liar, which plays like a companion piece…

The Amazing Randi Debunks Again in the Sprightly An Honest Liar

“The public really doesn’t listen when they’re being told straightforward facts,” says the Amazing Randi. The magician, escape artist and tiny lion of principled skepticism, now north of eighty, leans forward in a black chair, all knees and elbows and Old Testament beard. If it weren’t for that sharp’s suit…

McFarland USA: Well-Crafted Fluff That’s Still Serious

American Sniper notwithstanding, the first fresh multiplex trend to emerge in 2015 is Old White Dudes Learning to Share Their World. First came Kevin Costner in the sour Black or White, playing a coot who discovers that black folks love their kids, too, even in South Los Angeles. Then, in…

Twists and Turns Keep Kingsman‘s Setups From Being Too Familiar

Those more devoted to the genre can debate whether Matthew Vaughn’s Kingsman: The Secret Service is the best comic-book movie of the last few years. What’s beyond argument, however, is that Vaughn has whipped up the most interesting one — and the only one to make ferocious, unsettling art out…

Jupiter Ascending Is a Grand, Gaudy, Fascinating Mess

“You ready for another miserable video game?” I heard one critic crack to another as I settled in for Jupiter Ascending. “Maybe in March we’ll see this year’s first good movie,” his pal said back, as if Girlhood, Hard to Be a God, Amira & Sam, Timbuktu, Joy of Man’s…

Matthew Vaughn Keeps the Craziness Coming in Kingsman

Those more devoted to the genre can debate whether Matthew Vaughn’s Kingsman: The Secret Service is the best comic-book movie of the last few years. What’s beyond argument, however, is that Vaughn has whipped up the most interesting one — and the only one to make ferocious, unsettling art out…

Black or White Stirs Up More Questions Than Answers About Racism

There are few hard-and-fast rules in screenwriting, but here’s one I think we can agree on: Something’s gone wrong if your crowd-pleasing family drama asks audiences to hope a child’s father proves to be a crackhead. That’s one baffling turn in Mike Binder’s Black or White, a movie about race…

Paddington Gives CGI Kid Movies a Good Name

Emerson argued that each flourish and tendril of a work of art has its exact corollary in the mind of the artist, that creative expression is always, in its way, a sort of autobiography: Want to know the person? Look at her works. But Ralph Waldo never lived to see…

Appropriate Behavior: Funny, Sad, Smart and Perfectly Detailed

Forget its generic title, its breakup setup and its indie-standard Brooklyn walk-and-talks: Writer/director Desiree Akhavan’s Appropriate Behavior is the freshest comedy of life and love since Obvious Child. Hilarious and heartbroken, Akhavan stars as Shirin, a bisexual Iranian-American video artist just bounced from her lover’s Gowanus apartment. (Relish the memory…

Rob Marshall Takes Into the Woods From Stage to Screen

Before worrying ourselves over its qualities as an adaptation or its findings as an experiment in just how much tumpety-tump parump-pa-bump the human mind can endure, let’s take a moment to marvel that Rob Marshall’s Into the Woods even exists — as a PG from Disney, no less! No matter…

The Babadook: Filmmaker Jennifer Kent Knows Her Horror

If we’re honest, most of us who relish a good horror film don’t actually hope to feel something like horror. Instead, the appeal is that of shock and surprise, all candied up, the crowd-pleasing bits staged with the kind of extended setup/payoff patience that the makers of comedies have long…

Peter Jackson’s Hobbit Project Reaches Its Spectacular End

The biggest laugh I heard from the audience at my screening of The Hobbit: The Battle of the Five Armies came from seven words in the end credits: “Based on the novel by J.R.R. Tolkien.” Just picture that tweedy Oxford philologist nodding in pleased approval at this adaptation of his…

Kristen Stewart’s Not Bad Taking on Gitmo in Camp X-Ray

Let’s get this out of the way now: Kristen Stewart is fine in Camp X-Ray, the tough-minded/soft-hearted drama that packs America’s sweetheart off to Guantánamo Bay. The fact that such casting seems unlikely might be part of why she succeeds. Tasked with patrolling a cell block of detainees for twelve…