Every child who’s thrown a tantrum, packed a bag and plotted to run away has shivered with the same vengeful thought: I wish I could see how sad they’ll be when I’m gone. The Left Behind franchise implies that evangelicals haven’t grown up. This new film version, the latest in…
Simon Pegg has always been more like a cartoon than a real boy. He’s one part Charlie Brown to two parts Tintin, a round-faced runt who can channel both childlike depression and old-fashioned cowlicked pluck. In Pegg’s new film, Hector and the Search for Happiness, director Peter Chelsom simply allows…
The Boxtrolls is a kiddie charmer that makes you laugh, cower, and think of Hitler. That’s an unusual trifecta, but then again, this is an unusual film. If the German expressionists had been skilled at stop-motion animation, they’d have already made it. This is cartoon Caligari, a fable set on…
In two minutes, the Beatles captured the empty life of sad singleton Eleanor Rigby. Director Ned Benson is devoting three films to her namesake — a New York divorcée (Jessica Chastain) — and this first entry, The Disappearance of Eleanor Rigby: Them, barely explains her at all. Wan and adrift,…
This summer, a prankster stole Kevin Smith’s Twitter account and tweeted, “Before this comes out I want to state that I am a gay proud man.” Ninety minutes later, Smith responded: “Not me. Been hacked. Proud to be bi-curious, not brave enough to commit.” But the Internet already knew that…
“I’ll always be anti-authoritarian, as long as I live,” says Terry Gilliam, the comic provocateur who’s been taking aim at the establishment for over four decades. The only thing that changes: his targets. In Life of Brian, it was religion. In Brazil, the government. And in his latest film, The…
Four years ago, comedian Bill Hader told his agent that he wanted to do a drama. It took a while. “I used to think typecasting wasn’t a thing, and it totally is,” Hader admits. “That’s an industry feeling: ‘How can I take that person seriously when I know they’re capable…
Forrest Gump has turned twenty and is celebrating its birthday with a week-long IMAX release. It’s a significant milestone for the six-time Academy Award winner. Today, 1994 is as far away from the present as the Vietnam War was from it. Forrest Gump was a fable without a moral, the…
The Identical is Elvis slash fiction that could have been written by a spinster church organist. Its premise is intriguing: What if Jesse Presley, Elvis’s twin brother, who was stillborn at birth, was in fact secretly given to a traveler minister (Ray Liotta) and his infertile wife (Ashley Judd)? What…
After The Princess Bride made Robin Wright a star, she shocked Hollywood by saying no. No to The Firm and Robin Hood: Prince of Thieves. No to Jurassic Park, Dirty Dancing, Born on the Fourth of July, and Batman Forever. She even said no to the cover of Vanity Fair…
Genius is hell, both for the blessed and for those stuck in the shadows, cursed to spend a lifetime smashing their heads against the glass. In its presence we find ourselves dwarfed and dumb, like moths. We know we’re before brilliance we can’t comprehend — and we know we’ll never…
Sin City, population unknown but dropping every minute, is a gorgeous place, but you wouldn’t want to live there. Even the shadows and broken glass are beautiful in this black-and-white world. Only the women — all gorgeous — give the streets a pop of color. That is, only the women…
The Giver is more simple and raw than the rest of today’s teen dystopias that try to cram in unnecessary backstory and love triangles. (Original author Lois Lowry published her novel in 1993, which makes it officially the cool aunt of Katniss and the kids.) The story picks up several…
Titles don’t get more ironic than The Expendables 3. The franchise claims to be about death-seeking mercenaries yet stars ’80s action heroes, who refuse to die. Three films in, everyone in the sprawling team is still alive and ass kicking, save for Bruce Willis, whose million-dollar-a-day asking salary has caused…
Before you buy that tiny box turtle in Chinatown, know that it can live for 100 years. Which means that among all the Mad Libs nonsense of the Teenage Mutant Ninja Turtles — a comic book-turned-media-phenomenon that’s always half-admitted it’s a goof — at least the teenage part is accurate…
Daniel Radcliffe’s first trip to Comic Con kicked off like the world’s cuddliest Nuremberg rally. This summer, just minutes after he walked into Hall H, the hangar-sized sardine can of 6,500 people sang “Happy Birthday” to him. It was an emotional moment for everyone. “The fact that I was turning…
In Calvary, Brendan Gleeson plays a Catholic priest who plods through a rustic Irish village that’s more brutal than beautiful. The beach is gray, the waves are choppy, and the wind whips his ankle-length black cassock as though every step were a fight against nature. In some ways, it is…
Land Ho! is essentially How Grandpa Got His Groove Back, a buddy road trip through Iceland, starring two divorced men with a combined age of 150 years. The writer-directors, Martha Stephens and Aaron Katz, are 30 and 34, respectively, young enough to be their leading men’s grandchildren but just old…
Mood Indigo is bitter candy, a heartbreaker that uses sugar as a trap. The director, Michel Gondry, has a brilliant, contradictory brain. He’s a swoony pessimist — a big-dreaming romantic who believes in love at first sight but never lets his films end with a kiss. Instead, his idea of…
“I forget that people think that I’m the girl with a ponytail and a briefcase,” says Anna Kendrick, perched on a couch in a T-shirt and jeans. Her career-launching role as a prim go-getter in Up in the Air is so far removed from her actual self that she’s still…
“It’s the secret films you have to watch out for,” jokes Richard Linklater of his new movie Boyhood, a furtive experiment that he kept quiet for more than a decade. In 2002, he chose a first-grader named Eller Coltrane, the six-year-old son of two Texas artists; cast Patricia Arquette and…
If a toddler tried to re-create the mystifying behavior of adults, it would look a lot like Paul Haggis’s Third Person, a drama where grownups scream and cry and kiss for reasons that are confounding even to those who understand speech. The film follows a handful of couples, or, really,…
