One of the few seemingly spontaneous bursts of energy at the recent Oscars ceremony was provided by motor-mouthing Dutch director Mike van Diem, who seemed genuinely surprised to have won the award for best foreign film for his debut feature, Character. If the commercial popularity and Oscar sweep for Titanic…

Chinese Box arrives with one of the weirdest hybrid pedigrees in living memory. The writing credits include–in addition to the film’s director Wayne Wang–Jean-Claude Carriere, who worked on most of the best films of Luis Bunuel’s late period (Discreet Charm of the Bourgeoisie, Phantom of Liberty, Belle de Jour); classy…

The American reissues of Jackie Chan films have met with declining box-office success since Chan burst onto the scene in 1996 with Rumble in the Bronx. With any luck, the latest Chan opus to be recut and redubbed for Americans, the year-old Mr. Nice Guy, should reverse the trend. No…

How do you make a sequel to a film whose plot simply will not yield a logical successor? You can bet your bottom dollar that somewhere in Hollywood right now–hopefully not in the office of James Cameron–someone connected with Titanic is working on that question right now. Some things are…

The science-fiction works of the late, great Philip K. Dick haven’t been served particularly well on screen. The most recent adaptation, Screamers, was junk; Total Recall had its moments but was less ingenious by half than the short story it was based upon. Blade Runner, of course, was brilliant, but…

John Woo has generated plenty of American disciples in the decade since his Hong Kong action films began playing film festivals in the West. Even before he began his Hollywood career with 1993’s Hard Target, bits of his action shtick started showing up in the work of savvy young filmmakers,…

Kevin Costner’s last outing as director/star, Dances With Wolves, nabbed Oscars for Best Picture, Best Director and Best Screenplay, but his post-apocalyptic followup, The Postman, is too standard-issue to impress even the resolutely middlebrow minds of Academy voters. Nor is it likely to please audiences. Call it what you will–Waterworld…

Now that the Japanese Tora-san series–with fifty-some entries in thirty years–has presumably drawn to a close following the death of star Kiyoshi Atsumi last year, the James Bond films constitute the longest-running continuous series around. They’ve had their ups and downs, but something about the Bond formula has proved enduring…

Wes Craven’s Scream, which opened almost exactly a year ago, was the surprise hit of an overcrowded Christmas season. In part, the success was a triumph of counter-programming: In the midst of a glut of classy Oscar contenders, Scream was the only teen horror film. And it was helped by…

Disney Studios has had a near-monopoly on feature animation for almost sixty years now, and near-monopolies are almost as destructive as full-on monopolies. Twentieth Century Fox is to be applauded for going up against the giant mouse; one only wishes that its first effort were itself more to crow about…

In 1756, Voltaire wittily observed that “this agglomeration which…calls itself the Holy Roman Empire is neither holy, nor Roman, nor an empire.” Likewise, of Nick and Jane it might well be said that this abomination which calls itself a charming romantic comedy is neither charming, nor romantic, nor a comedy…

The true-life incident of the Cottingley fairies is so full of possibilities, so thought-provoking and hilarious at once, that it’s amazing it’s never been filmed before. Making up for lost time, the story has suddenly appeared (on its eightieth anniversary) simultaneously as the basis for two films. Photographing Fairies, with…

The Seventies were so awash in Fifties nostalgia that it’s surprising that Dan Wakefield’s 1970 bestseller Going All the Way is only now turning up in big-screen form. Of course, not all Fifties coming-of-age stories are the same: Unlike The Last Picture Show and American Graffiti–which pretty much dominated the…

Every film adaptation of a pre-existing work has its own unique set of problems; in the case of Jocelyn Moorhouse’s A Thousand Acres, the problem is compounded. Not only was Jane Smiley’s 1991 novel a Pulitzer Prize-winning best-seller with a large number of (presumably) devoted fans, but the book was…

Time has a way of slipping by when you’re not looking, but don’t worry. While you’re distracted, studio executives are keeping their usual keen eyes on the calendar, tabulating the simple economic arithmetic of boomer nostalgia. Hmmm…1997 minus 1957 equals 40 years. Forty years of nostalgic forgetfulness multiplied by the…

It’s no secret that the “new” Jackie Chan releases in the U.S. aren’t really new at all. In fact, they’re not even showing up in chronological order: While New Line is issuing Jackie’s more current stuff in order, Miramax is putting out the star’s relatively recent back catalogue out of…

It wouldn’t be completely fair to say that the string of hits produced by Don Simpson and Jerry Bruckheimer from 1983 through 1996 are stylistically interchangeable. But it wouldn’t be so awfully unfair, either: A homogeneous, auteurial touch runs from Flashdance (1983) through Top Gun (1986), Beverly Hills Cop II…

Here are the Joys of Summer…and the Oys of Summer, the nearly 100 movies scheduled to open between now and the end of August. Many of them may even make it to Denver. They’re listed in the order of their L.A. release: May 30 Drunks. Peter Cohn’s look at the…

Nobody is going to seriously accuse writer-director Alexander Payne of being chicken. For his first feature, the hilarious Citizen Ruth, not only has he chosen the number-one issue a filmmaker is likely to get killed over–abortion and a woman’s right to make a personal decision on the subject–but he’s made…

Over the past five years, action star Jean-Claude Van Damme has become one of America’s leading importers of foreign talent. In 1993 he hired Hong Kong action ace John Woo to direct Hard Target. For last year’s Maximum Risk, he brought over Ringo Lam. And now he has used a…

January and February are good times for taking a vacation–very good times. Not because the airfares are low or because the weather sucks, but because what a movie critic must endure at the beginning of the year is so grim. It is almost impossible to maintain any semblance of optimism…

“In the constant struggle of man against nature,” the press notes inform us, “it is the most devastating adversary of all–a force… which suddenly explodes to wreak havoc and destruction on an unsuspecting population.” The notes are, of course, referring to a volcano. But…wait! Didn’t I read the same thing…