Film, TV & StreamingThe Betrayal of Dana Scully: The X-Files Has Been Terrible to Its Lead for a Generation By Inkoo Kang
Film, TV & StreamingSuperstore Expands TV’s Understanding of All That Asian-American Characters Can Be By Inkoo Kang
Film, TV & StreamingReturn of Top of the Lake is Only 2017’s Second-Best Wrenching Elisabeth Moss Drama By Inkoo Kang
Film, TV & StreamingAmazon’s The Last Tycoon Makes Fitzgerald’s Hollywood Into Standard TV By Inkoo Kang
Film, TV & StreamingInsecure Offers TV’s Sharpest Insights on Race but Refuses to Limit Itself to That Subject By Inkoo Kang
Film, TV & StreamingLike Its Characters, Tech Comedy Loaded Is a Little Too Listless for Greatness By Inkoo Kang
Film, TV & StreamingDon’t Expect Naomi Watts’ Gypsy To Be Your New Erotic-Drama Addiction By Inkoo Kang
Film, TV & StreamingNow’s the Time to Catch Up on Queen Sugar, the Soap Grappling With America’s Past and Present By Inkoo Kang
Film, TV & StreamingAgain With the Sad Clowns: The Missed Opportunities of I’m Dying Up Here By Inkoo Kang
Film, TV & StreamingTina Fey Keeps Up Her Kimmy Schmidt Laugh Streak — and Her Obstinacy By Inkoo Kang
Film, TV & StreamingHigher Learning: Dear White People Makes for a Thrillingly Frank and Funny Seminar By Inkoo Kang
Film, TV & StreamingPubes, Poops, Periods: How Broad City Takes Body Humor (and Feminism) to the Next Level By Inkoo Kang
Film, TV & StreamingAmerican Crime Story’s O.J. Retelling Is a Devastating Tale About Politicizing Justice By Inkoo Kang
Film, TV & StreamingThe X-Files Brings Back the Conspiracy-Industrial Complex — and Gets Better as It Goes By Inkoo Kang
Film, TV & StreamingAziz Ansari’s Master of None Is a Small Step for TV, a Giant Leap for Asian-American Progress By Inkoo Kang
Film, TV & StreamingPlease Like Me Is the Gay Comedy About Millennials and Mental Illness You Didn’t Know You Needed By Inkoo Kang