French director François Ozon doesn’t like to repeat himself. His last film, 8 Women, was a theatrical, rather campy piece of fluff starring the crème de la crème of contemporary Gallic actresses. Before that came Under the Sand, an unsettling drama about a woman (Charlotte Rampling, giving perhaps her finest…
The French government should officially proclaim actor Jean Rochefort a national treasure. A fixture of Gallic cinema for five decades, he is best known to American audiences for his comedic turns in such sex farces as Pardon Mon Affaire and The Closet, and, of course, his near-miss as Don Quixote…
An Academy Award winner for Best Foreign Language Film and winner of five Golden Lola Awards (the German Oscars), Nowhere in Africa recounts the true story of a Jewish family who fled Nazi Germany in 1938 and found refuge in Kenya. Although exquisitely shot and acted, the film is hampered…
If you have never heard of Lizzie McGuire, you are not a female child between the ages of six and fourteen, nor are you a parent with a female child between those ages. For the uninitiated, then, Lizzie is the eponymous heroine of the three-year-old, wildly popular Disney Channel TV…
Based on the true story of three young aboriginal girls who walked 1,500 miles across the Australian Outback to be reunited with their mothers, Rabbit-Proof Fence might well be subtitled True Grit in recognition of the courage and single-minded determination that drove the trio to undertake such a perilous journey…
The current TV ad campaign for the sleeper hit My Big Fat Greek Wedding plays cleverly on the film’s cross-cultural appeal by substituting the words “Italian,” “Jewish” and “Russian” for “Greek.” The implication: A person from any ethnic or religious background will relate to this story’s characters, drama and humor…
Good Lord, there hasn’t been this much yellow hair on screen since the Von Trapp children sang and danced their way across the Alps in The Sound of Music. The fact that these latest golden locks belong to the likes of Michelle Pfeiffer, Robin Wright Penn and Renée Zellweger suggests…
Iranian films that make it to American shores generally fall into two categories: sensitive dramas featuring young children, à la The White Balloon and Children of Heaven, or pointed political statements about the plight of women, such as The Circle and The Day I Became a Woman. Secret Ballot is…
Cell phones and silk saris, dot-coms and arranged marriages — Monsoon Wedding, the latest film from Indian-born director Mira Nair (Salaam Bombay!, Mississippi Masala) captures the heady mix of old and new, rich and poor, traditional and modern that defines contemporary India. A sort of Father of the Bride set…
To call a movie the most accessible film ever made by the Dogme 95 group is not merely damning with faint praise. It also threatens to alienate the two segments of the population who might consider going to see such a film in the first place: fans of the back-to-basics,…
It is difficult to imagine a more timely film than Focus; its message about intolerance resonates in a post-September 11 world in ways the filmmakers never anticipated. Adapted from Arthur Miller’s little-known 1945 novel of the same title, Focus looks at what happens to a society when basically decent people…
The Italian film Bread and Tulips is a first cousin once removed of the American comedy Home Alone. A tremendous hit in Italy (it won nine Donatello awards last year, the Italian equivalent of the Oscars), it concerns a woman who, on a bus holiday with her family, accidentally gets…
Only committed horticulturists and compulsive readers of the New York Times obituaries (this writer falls into the latter category) likely noticed the recent passing of Rosemary Verey, an aristocratic Englishwoman whose sophisticated but egalitarian approach to gardening took some of the stuffiness out of what previously had been a rather…
Even more than the recent Depression-era comedy O Brother, Where Art Thou?, the turn-of-the-century drama Songcatcher is an absolute treasure trove of old-timey, traditional folk music. Set in the Blue Ridge Mountains of Appalachia in the year 1907, the film follows city-bred musicologist Dr. Lily Penleric (Janet McTeer) as she…
One doesn’t watch Amores Perros (Love’s a Bitch) so much as absorb it — like a body blow. “I wanted to make a movie that smelled of filth,” Alejandro González Inárritu has said about his feature directorial debut. He has succeeded beyond perhaps even his wildest dreams. One of this…
On the day she turns nine years old, an Iranian girl must bid childhood farewell. Male playmates are banished; girlish dresses are exchanged for a loose-fitting chador to hide the curves the wearer will develop as her body matures, and a rigid segregation of the sexes is suddenly enforced. Increasingly,…
Watching Malena is like watching a donkey being beaten for ninety minutes, so egregiously is the title character treated and so powerless does she appear against her offenders. That the abuse is treated in a comedic fashion for a good part of the film makes it even more unacceptable. Perhaps…
Fascinating and engrossing on every level, the beautifully constructed Into the Arms of Strangers: Stories of the Kindertransport opens with the mournful sound of a train and images of toys and books sitting untouched in what was once a child’s bedroom. As the credit sequence ends, an elderly woman addresses…
Early in the stunning new film by Spanish director Carlos Saura, the great nineteenth-century painter Francisco de Goya wakes from a disturbing dream and rises to see an apparition of his lost love, the Duchess of Alba. Following her down a surrealistically white hallway, the 82-year-old protagonist suddenly finds himself…
Aimée & Jaguar tells the true story of a love affair between two women: one a Jew passing as a Gentile while working for the underground, the other a German housewife honored by the Third Reich as an “exemplar of Nazi motherhood.” Felice Schragenheim was a German Jew who, unlike…
The moody, feverish images that fill Running Free are so exquisite they almost make up for the film’s disastrous auditory misstep: the decision to cast Lukas Haas as the voice of Lucky, the chestnut foal that narrates this unusual adventure story. A cross between Nicholas Roeg’s Walkabout and Jean-Jacques Annaud’s…
Poor Kim Basinger! In her first role since bagging the 1998 Academy Award for Best Supporting Actress for L.A. Confidential (the film that should have won Best Picture and Best Director as well), the actress positively trembles with what seems to be fear. Notoriously insecure about appearing on camera, Basinger…
