There’s a dizzying array of notable photography shows in Denver right now. And while photographs are always on display somewhere in town, it’s hard to recall an autumn with so many photo and photo-based shows as season openers. There are a number of reasons for this. During the past thirty…
There’s a very smart-looking solo exhibit called Amorphous Unifiers at the Edge Gallery (3658 Navajo Street, 303-477-7173). Made up of a series of closely associated works by longtime Edge member Dania Pettus, the show is installed in the co-op’s front room. Pettus calls her pieces “photographs,” but that’s not really…
During the past four or five seasons, a legion of exhibitions have been presented in the area that explore the rich topic of abstract art in Colorado. These shows, of both modern and contemporary stripes, have revealed the presence of an indigenous Front Range modernist scene — dating back over…
Richard Colvin and Katherine Temple are longtime members of the Pirate co-op (3659 Navajo Street, 303-458-6058), and every year since 1993, they have presented collaborative, site-specific installations at the well-known alternative space. This year’s piece, Remote Echoes of a Premature Past, is a re-creation of their debut installation, which was…
Discreet shifts have been taking place at 30th and Vallejo streets over the past couple of months. I’m referring to behind-the-scenes negotiations at the Judish gallery, located on the ground floor of the historic Asbury Methodist Church, a landmark in every sense of the word. Here’s what has happened: The…
Nearly two weeks ago, Studio Aiello Gallery opened its doors with a juried exhibition straightforwardly titled the Grand Opening Group Show. Studio Aiello is the first phase of an ambitious project called the Aiello Center for Contemporary Art. Located in a lightly rehabbed 1940s commercial building in a former industrial…
One of the new sculptures in the Civic Center has made quite a splash, winding up on the front page of the Denver Post even before it was unveiled. The untitled sculpture, by nationally famous artist Larry Kirkland, is one of several new pieces adorning the new, nearly completed Wellington…
On the first floor of the Denver Art Museum, there always seems to be some kind of blockbuster exhibition. People complain about these shows, but it makes sense that the museum would do them: The DAM needs to crank up its attendance — and not just to collect more money…
There’s an elegant solo exhibit at Edge Gallery that’s definitely worth seeing. Installed in the middle space at the co-op, Intersections features the latest work on paper by well-respected Denver artist Susan Goldstein. The meaning of the show’s title is hard to pinpoint. As Goldstein herself suggests in the statement…
The art season runs from September to May, roughly paralleling the academic year. There is even a corollary to summer school, in the form of the art world’s light summer season, which is just now winding down. It’s September, the kids are back in school, and a new season is…
For almost twenty years, the Curtis Arts & Humanities Center (2349 East Orchard Road, Greenwood Village, 303-797-1779) has sponsored an annual exhibition open to all artists in Colorado. The process goes like this: Artists deliver original works (not slides), and a celebrity juror goes through the hundreds of entries and…
For the past few years, one of Denver’s most urbane public spaces — Skyline Park, by world-renowned landscape architect Lawrence Halprin — has been continually endangered by various remodeling plans, some of which include the threat of demolition. Let’s put it this way: To even discuss the destruction of Skyline…
The Andenken Gallery (2110 Market Street, 303-292-3281) is currently hosting Force Future 2002, the second effort of the ISM art collective. ISM’s goal is to bring worthy emerging artists to the fore, and that’s surely what the first Force Future accomplished. The likes of Karen McClanahan, John Morrison, Jonathan Stiles…
Here at the beginning of the 21st century, it seems strange that so many artists persist in their attempts to render external reality with paint and brushes. Didn’t abstraction (on the one hand) and photography (on the other) vanquish the old warhorse of representational painting over a hundred years ago?…
Veterans of Clay, in the North Gallery at the Lakewood Cultural Center (470 South Allison Parkway, Lakewood, 303-987-7800), is a small show, but it’s filled with work by artists with big reputations — and that was the idea. The exhibit takes an economical look at a small group of Colorado…
The history of art in Colorado has yet to be written, so those of us with an interest in the topic have to get our information in dribs and drabs, chiefly through exhibitions. Of course, that’s only one of the reasons to see Colorado Collections II. Others include the incredible…
Renowned sculptor George Rickey died last month at the age of 95. Born in America, Rickey became interested in art in England in the 1930s, when he attended Oxford University and the Ruskin School of Art. After graduating from Oxford, he went on to Paris, where he became friends with…
The spectacular blockbuster exhibit An American Century of Photography: From Dry Plate to Digital, which highlights the photo collection of Hallmark Cards, is a third of the way through its three-month run at the Denver Art Museum. Denver is the seventh and last stop for the traveling show. Hallmark, the…
A group of paintings by Warren Kelly have been brought together in a marvelous little show called panoramic: h. warren kelly, now on display in the associates’ space at Pirate (3659 Navajo Street, 303-458-6058). Kelly, who’s lived in Denver for the last of couple years, is from Taos, and it’s…
Taking in Set in Motion: Tim Prentice at the Robischon Gallery in LoDo is a good way to escape the heat wave. Prentice’s kinetic scupltures are pretty cool, but they’re made even cooler (literally) by the multitude of fans the gallery has installed to get them to move. Between the…
The Wells Fargo Center (entrance at Sherman and 16th streets) is the masterful Philip Johnson complex downtown that’s been affectionately nicknamed “the cash-register building.” It is surely one of the very finest works of architecture in Denver. Recently, CommonWealth Partners, which owns the center, has redecorated the main Sherman Street…
Oh, I know, there’s that horrible hour-long drive. And not only that, but it’s been so darn hot. Well, too bad, because you’re going to want to make the trip to the Loveland Museum and Gallery anyway to see the sweeping Vance Kirkland Retrospective. But get moving, because this stunning…
