Odie Henderson

Despite being built based on Welles’s notes and the input of people who were in front of and behind the camera on set, this The Other Side of the Wind has a haphazard “well, he shot it, so we better include it” vibe

Acrimony establishes that Robert is a cheating, lowdown dog and that Melinda has anger management problems that make the Hulk seem docile

Agnieszka Smoczynska's The Lure is a cautionary tale of sisterhood, sexuality, and the sometimes self-destructive things people do for love. The film, which won the award for best debut at the Gdynia Film Festival, is also a diabolically wicked Polish-language musical about two beautiful mermaids who climb ashore in Warsaw...

Like Ava DuVernay’s 13th, Raoul Peck’s I Am Not Your Negro travels a straight, well-researched path from the darkest tragedies of American history to the ones that plague the country today. Both films filter African-American life through the prism of the societal construct called race, but while DuVernay’s dissertation focuses...