A Good Buzz

The first time through, you might dismiss Coffee and Cigarettes as a filmmaker’s recess — playtime before the serious business of making a real feature. Jim Jarmusch never intended this new movie — a collection of eleven shorts made over the last two decades — to be a movie at…

Nice Puss

The first few minutes of Shrek 2 are cluttered with more references to the movies than David Thomson’s thick, rich history text New Biographical Dictionary of Film. Watching it is like sitting next to an ADD patient with access to a remote control and a hundred premium cable channels; you…

McRibbing

What becomes of Morgan Spurlock’s body after a month of eating and drinking nothing but McDonald’s assembly-line foodstuffs is not surprising. He bloats up, gaining nearly thirty pounds in thirty days. His sex drive peters out, among the myriad disappointments visited upon Spurlock’s vegan/chef girlfriend, who’s only too happy to…

Bar Code

Laws of Attraction is the kind of film you might mistake for “cute” or “charming” at first glance. Maybe you will open the paper and spot the ad with Pierce Brosnan and Julianne Moore canoodling and think to yourself how nice it would be to see James Bond defrosting indie…

Big Deal

I am going to give 13 Going on 30 too much credit, though it’s hardly worth the effort. Lord knows the filmmakers didn’t put much into it. It’s a shame, as far as these things go, because what could have been an engaging, maybe even enlightening story about the unfairly…

On the Flip Side

The six-month intermission is over; those of you left in the lobby wondering if Uma Thurman ever did kill Bill, may now return to your seats, unbuckle your belts and resume your gorging. Rest assured that Kill Bill Vol. 2, the final half of Quentin Tarantino’s fifth movie, offers just…

Messin’ With Texas

It is, to those of us born and raised in Texas, the Greatest Story Ever Told and Retold; who can forget the Alamo when it’s on every Texas history-class final exam? At 5 a.m. on March 6, 1836, some 189 Texan soldiers and volunteers were slaughtered while trying to protect…

What the Devil?

The Golden Age of the Comic Book Movie has turned the color of tarnished copper. But there’s no going back, not when comic shops have become movie studios’ research-and-development labs. There’s no moving forward, either; the comic-book movie has become a cinematic smudge once more, each blurring into the next…

Southern Discomfort

The Ladykillers is the second film in as many years made by Joel and Ethan Coen to fill space between pet projects that seem to run off the leash; it’s a time-killer, if you will. But even their recent paychecks reflect the brothers’ restlessness: Their movies have grown more manic…

No More Wussies

Tom Hanks is who Tom Hanks is today because of something he did about 14 years ago. One afternoon, Hanks walked into his agent’s office and told the man who takes 10 percent, “I don’t want to play pussies anymore.” He had spent the better part of the 1980s being…

Forget Me Not

Eternal Sunshine of the Spotless Mind, in which a man has recollections of a soured relationship erased from his brain, may be the most romantic movie in recent memory, if you will pardon the unforgivable pun. Written by Charlie Kaufman and directed by Michel Gondry, it’s about many things –…

Hutch Ado About Nothing

Maybe the most amazing thing about the big-screen version of Starsky & Hutch is how much smaller it feels than its predecessor, the William Blinn-created, Aaron Spelling-produced cop series that ran on ABC from 1975 to ’79. Everything about this cineplex variation feels rinky-dink, like some extended variety-show skit that…

Suffer Unto Mel

This Jew has spent several hours in the past week reading all four Gospels, as well as various supplementary (and often inflammatory) texts, upon which Mel Gibson based The Passion of the Christ. I’ve read the interpretations of scholars, the apologias of popes and the damnations of zealots. I’ve read…

Hack, Man

Seldom over the course of a relatively storied career has Gene Hackman garnered sustained laughter in films billed as comedies. He’s wonderous at playing virtuous or wicked, paternal or pissed off, but never quite comfortable in the role of comedian. He may be an actor of uncommon range, able to…

Fab Film

Albert Maysles, with brother David, made two different films about two different rock-and-roll bands five years apart, but to this day he can’t think of one without immediately thinking of the other. The first he was shooting 40 years ago this very day, more or less: The Beatles were on…

The Hard Sell

It was only a few days ago that Shane Carruth, software engineer-turned-filmmaker, was ready to walk away from the money on the table and keep his movie–78 minutes’ worth of cheapo celluloid that had, in a Utah instant, become as valuable as strands of gold. He had stopped answering his…

Kung Fu’d

Two years ago, Harvey Weinstein, who runs Miramax Films with an iron fist that no doubt smells of cigarettes and meat, bought a Hong Kong-made movie called Hero for $20 million. That is an extraordinary amount of money for a foreign-language film made by a director, Zhang Yimou, relatively unknown…

A Fan’s Notes

This being the end of the year, and since none of the people I wanted to write about this week felt it necessary to return any of my calls, from the leftover heap comes this collection of random topics I considered tackling this year but lost interest in after 200…

Dance This Mess Around

Honey is one of those movies you will see, swear you’ve seen before in several other guises and incarnations, then immediately forget you ever saw to begin with. Its story, about a would-be dancer trying to plot her escape from mean streets (or mean movie sets and back lots), has…

Comics From the Front

Maybe you know the feeling. Maybe it struck you one morning as you stared in the mirror before trundling off to the job you hate, or maybe it hit you so hard one night it woke you from your sleep like a prowler in the bedroom. It’s that feeling of:…

Indian Giver

In director Ron Howard’s The Missing, Samuel Jones (Tommy Lee Jones) takes his place among the oldest archetypes in the Western genre — the white man who has lived among the Indians so long he has at last become one. This plot device, used in Hombre, Nevada Smith and myriad…

The “S” Word

Bad Santa, in which Billy Bob Thornton plays a drunken department-store Santa who repeatedly swears at children, pisses himself publicly, chain-smokes like an industrial plant and cracks safes on Christmas Eve, is the least sentimental holiday release ever made. No one is redeemed; no one comes to believe in the…