Year of the Dog (Paramount Vantage) It’s just about the First Commandment of Hollywood: Don’t kill the dog. So it’s a testament to the clout of writer-director Mike White (School of Rock) that killing off the dog is the first of many rules broken in this weird-ass movie. Folks fooled…

The Lives of Others (Sony) Florian Henckel von Donnersmarck’s film, easily the best of last year, exists on many levels: as tragedy, dark comedy, and love story — not between a man and a woman, but between two seemingly opposite men bound by the same damnation. On the one hand…

Taxi Driver: Collector’s Edition (Sony) “Listen, you fuckers, you screwheads: Here is a man who would not take it anymore.” Martin Scorsese’s 1976 vision of hell as city-of-night New York rips through the reverential treatment on this special edition like a hunter’s blade through deerskin. A second disc of eight…

It’s impossible to write about David Wain’s The Ten without first making passing reference to Krzysztof Kieslowski’s Dekalog and Monty Python’s The Meaning of Life. The former, originally made for Polish TV twenty years ago and first shown in the United States in 2000, offered a modern-day take on the…

Stardust is less an adaptation of Neil Gaiman’s 1999 novel than of its dust-jacket synopsis. That will come as disconcerting news to fans of the author, who thus far has avoided the fate of fellow fantasy writers and comics creators who’ve had their works mangled by the studios’ clumsy assembly…

Hot Fuzz (Universal) The second feature from writer-director Edgar Wright and writer-star Simon Pegg (Shaun of the Dead) has been available on home video for decades: Hot Fuzz is, after all, a witty and wisecracking montage of clips from some hundred-plus A-list and bargain-bin action films, chief among them Lethal…

Sadly, No Reservations is not the big-screen adaptation of Anthony Bourdain’s snack-gulping, risk-taking Travel Channel show; you’ll find no monkey brains here, nor any attempts to party down in Beirut while Hezbollah and Israel blow each other to smithereens. This is just more of the same from the franchise factory…

Red Dawn: Collector’s Edition (MGM) John Milius’s 1984 war pic was a mighty bonkers release even back then; not since the 1950s had something come down the pike so rife with Commie paranoia. Russian and Cuban forces invade the U.S. with tanks and choppers and the whole shebang, only to…

You’re Gonna Miss Me(Palm) A hit at the South by Southwest Film Festival two years ago, Keven McAlester’s doc about the Papa of Psychedelia, Roky Erickson, at long last gets its proper release. But time has done McAlester a tremendous favor: Had he shot the film too soon, he would…

George Ratliff’s Joshua debuted at the Sundance Film Festival to raves from a particular breed of audience member: parents. Because, see, no matter how hard Fox Searchlight is trying to sell this movie as a horror picture — Rosemary’s Baby meets The Omen on the way to The Exorcist’s for…

It takes Bruce Willis a while to get warmed up. He’s always just a bit below room temperature — a cool brother, dig, dating back to his Moonlighting days as a private dick belting out “Tighten Up” while going undercover as a man of the cloth in Wayfarer shades. He’s…

Mike Enslin, the travel writer played by John Cusack in 1408, could use a better travel agent. Every hotel room in which he finds himself booked is said to be occupied by the ghost of some suicidal creep or a murderous goon who left behind a pile of bodies in…

Evan Almighty, the followup to Bruce Almighty, is the work of an angry God. At 89 minutes that last a lifetime, it’s a sanctimonious sitcom dolled up as the most expensive comedy ever made — $175 mil, so they say, no doubt choking — and marks an unfortunate low point…

Glastonbury (THINKFilm) Only a Julien Temple concert doc would get the R rating — for nudity (male, mostly, and not terribly flattering at that), drug use (weed, mostly — yawn), language, and sexual content. Also dig the overwrought BBC narration, in which Glastonbury is described as a former refuge for…

The Sergio Leone Anthology (MGM) Sergio Leone made Westerns like Wagner made ditties. This essential boxed set — four films with four discs of supplemental material, much of it scholarly and insightful — shows the Italian director supplanting the elegiac Monument Valley iconography of John Ford with a darker, ruder,…

Hannibal Rising (Weinstein) Pointless beyond belief, Hannibal Rising serves more as cautionary tale than horror story. Made for $50 mil, the movie pocketed half that during its U.S. run and likely wound up in the red — an appropriate adios for a franchise starring a peripheral character better served by…

Once, written and directed by John Carney, is a deceptively simple movie — a narrative strung together by pop songs, but without the sheen (or arrogance) of most cinematic musicals. By day, a Dublin busker (Glen Hansard) sings Van Morrison on a street corner for spare change, which, on occasion,…

Mr. Brooks — in which Kevin Costner plays a respectable Seattle businessman who kills for thrills, thanks to the goading of an imaginary friend who looks a lot like William Hurt — is stunningly tepid, neither the clever and poignant metaphor for addiction it strives to be nor the darkly…

A few friends of mine who adored Judd Apatow’s Knocked Up at early screenings have nonetheless voiced a similar complaint: There’s no way pin-up-pretty Katherine Heigl would end up with soaked-in-bongwater Seth Rogen, not even while drunk on a gallon of Everclear and stoned on a field of your finest…

Porky’s: The Ultimate Collection (Fox) When writer-director Bob Clark was killed by a drunk driver in April, the obits trumpeted his holiday classic A Christmas Story . . . but were somewhat reluctant to mention that, oh, yeah, he also wrote and directed Porky’s. But there’s no question which is…

Pan’s Labyrinth (New Line) Guillermo Del Toro has made a career of mixing slam-bang special effects (Hellboy, Blade II) with creepy atmospheres (Cronos, The Devil’s Backbone). But with Pan’s Labyrinth, he’s used his entire palette for what will likely be remembered as his masterpiece. Mixing Franco’s Spain with fairy tales,…

To Catch a Thief: Special Collector’s Edition (Paramount) Starring Cary Grant as a cat burglar and Grace Kelly as a hot-to-trot heiress, this is easily one of Alfred Hitchcock’s slightest films, especially coming on the heels of Rear Window; indeed, its idyllic setting on the French Riviera suggests it was…