With The Best Man Holiday, Malcolm D. Lee makes up for lost time

From the mid-1990s to somewhere around 2006, Hollywood bankrolled a number of romantic entertainments targeted to — though not made exclusively for — black audiences. Pictures like Love Jones, Brown Sugar, How Stella Got Her Groove Back, and Something New provided a showcase for actors of color, a refreshing change…

Matthew McConaughey gets physical in Dallas Buyers Club

Weight-loss and weight-gain performances are tricky things. Robert De Niro’s heavily mannered turn in Raging Bull just has to be great — he gained sixty pounds for it, didn’t he? For his role in The Machinist, Christian Bale dropped to a sub-skeletal 122 pounds — he looked like a walking,…

Free Birds makes the case for a kinder, gentler holiday

Attention, children! Thanksgiving will soon be upon us, and unless the cook in your household provides a vegetarian option, that means turkey — a bird that has been raised to be axed, packaged, and raced to your grocer’s freezer, ultimately to wing its way onto your family’s table. There it…

Gravity connects with viewers and pulls them in

Some movies are so tense and deeply affecting that they shave years off your life as you’re watching, only to give back that lost time, and more, at the end. Alfonso Cuarón’s Gravity is one of those movies. Sandra Bullock and George Clooney play astronauts — one a medical engineer,…

The swingin’ ’70s set the stage for Rush

It was 1976, a year when all the groovy girls were traipsing around in tiny suede skirts and all the cool guys had Badfinger hair. One of those guys was English racing driver James Hunt, the charismatic rapscallion who won that year’s Formula One World Championship. (The embroidered badge on…

Don Jon: a comedy with a sense of purpose

To paraphrase the Bee Gees, Joseph Gordon-Levitt should be dancing. He’s already done it in (500) Days of Summer, where he led an exuberant ensemble routine that out-Dr Peppered any Dr Pepper commercial. Then there was his smashing Saturday Night Live re-creation of Donald O’Connor’s “Make ‘Em Laugh” — like…

Talent abounds in the understated Enough Said

James Gandolfini’s charisma wasn’t something turned on at will, but rather a vibe that radiated from deep within: It’s in the timbre of his voice, his rolling carriage, the way he’s always just one flirtatious millisecond behind the beat. Part of what Gandolfini does in Nicole Holofcener’s Enough Said is…

Flick Pick: The Grandmaster

The Weinstein Company’s 108-minute cut of The Grandmaster may not be the epic Wong Kar-Wai originally intended, but it’s fleet and silvery in its own right. In the late 1930s, an aging martial-arts master from Northern China, Gong Yutian (Wang Qingxiang), treks to the South to find its best fighter…

Flick Pick: In a World…

In the world of In a World…, the directing debut of preternaturally understated comic actress Lake Bell, voiceover work — specifically, the authoritative yet anonymous man-speak heard in movie trailers — is a field in which women aren’t welcome. Bell, who also wrote the script, plays Carol, an underemployed vocal…

Actress Lake Bell takes on a Hollywood boys’ club

In the world of In a World…, the directing debut of preternaturally understated comic actress Lake Bell, voiceover work — specifically, the authoritative yet anonymous man-speak heard in movie trailers — is a field in which women aren’t welcome. Bell, who also wrote the script, plays Carol, an underemployed vocal…

British comedy The World’s End has a bittersweet edge

The laddish pleasures of The World’s End, Edgar Wright’s comedy about a group of middle-aged guys drinking beer and facing mortality, come with a bittersweet edge. In the old days, the lead character, Gary King, used to be the coolest kid in school, at least in the outlaw sense: He’d…

Matt Damon seems weighed down in Elysium

Movie stars shouldn’t be subject to the rules of gravity, as we mere mortals are. One of the great pleasures of watching actors is to see them move, and when yesterday’s youngsters start creaking, we feel it in our joints. That’s not to say actors can’t age gracefully, or that…

2 Guns is a here-today-gone-tomorrow trifle

All you need for a movie are two guys and two guns. Unless that movie is 2 Guns, in which case you probably need a good deal more. The problem with so many current action movies, this one included, is that once you’ve seen one, you can’t help feeling you’ve…

Too Bad The Wolverine Isn’t as Interesting as Hugh Jackman

As summer comic-book blockbusters go, The Wolverine is not as elephantine as it could have been. It’s more, well, wolverine—bony, loping, a little shaggy—and, blessedly, director James Mangold doesn’t get bogged down in mythology. You don’t need to diagram the convoluted relationships between Stan Lee and Jack Kirby’s X-Men characters…