Best Recurring Classic Film Series 2016 | Scream Screen | Best of Denver® | Best Restaurants, Bars, Clubs, Music and Stores in Denver | Westword

Last year's Best Bloodthirsty Host, Theresa Mercado, entered her reign without a horror series to call her own and a question mark as to when she would be able to once again affect the nightmares of Denver movie fans. To that end, Mercado met with the minds at the Denver Film Society and birthed Scream Screen, a quarterly film series that takes a stab at the deep cuts that make horror hurt more, including (to date) salutes to the giallo cuts of filmmaker Dario Argento, the blood-red side of French horror, and the subset of films known as "When Animals Attack." Mercado has stepped up her hosting duties, as well, with amazing full costumes and interactive bloody good fun with the audience.

With the arrival of the Denver Film Society's CineLatino Film Festival, Denver's celebration of one of its largest subsets exploded in new and creative ways. By its second edition, the fest had hit a solid stride and showed an impressive array of diverse programming — touching down in Mexico, Spain, Paraguay, Peru, Brazil and beyond. The experience was so great that the fest's co-founder, JoAnna Cintrón, was chosen as the 2015 Coors Light Leader of the Year. Along with the award, Cintrón and the Film Society received $25,000 to help take the festival to even greater heights. ¡Qué bueno!

For 38 years, the Denver Film Festival has been the strongest brick in the wall of Colorado film fests, and for very good reason. The Denver Film Society has always been intensely proactive in seeking out the very best movies from around the world, and pulls in over 250 of them for audiences to pick and choose from over a span of twelve days. In addition, almost equal numbers of filmmakers and actors come here to celebrate those works along with viewers, creating a world-class experience right here in the Queen City. Here's looking forward to the 39th edition and beyond.

Readers' choice: Denver Film Festival

When the Alamo Drafthouse Cinema put down stakes in Colorado, it took a while for locals to warm to the theater chain's food-at-the-movies concept and intense no-talking policies. With acceptance came an awareness that the Alamo has an even more intense love for movies, operating under the notion that programming from more than a century's worth of classics is just as important as showing new popcorn pictures. New creative manager Steve Bessette spent the past year successfully planting his feet into some big programming shoes, and executive chef Seth Rexroad was given carte blanche to expand his special movie feasts, which pair great films with original menus. Clearly, it's time to get with the (Alamo) program.

Readers' choice: Alamo Drafthouse Cinema

The food-at-the-movies concept has been around since the birth of the concession stand, back in the '50s, but the idea of eating a whole meal at the movies is still a relatively young one. The Alamo Drafthouse Cinema chain has long been the leader of the pack in figuring out how to serve food to audiences while maintaining a great film-going experience — from a staff well versed in the art of ninja service to menus that cover a range of culinary tastes. And you won't soon forget the Alamo after trying one of its special-menu craft dinners or movie-influenced feasts.

In 2015, Regal Entertainment Group made a big change at the multiplex atop the Denver Pavilions: The company reduced the number of seats in the auditoriums and replaced them with ultra-plush recliners, at the same time ushering in an era of reserved seating at the theater. The new seats provide a level of comfort that you've probably never felt at a cinema before: At the push of a button, they recline to a near-lying-down position, while a little swivel table keeps your popcorn, candy and drink at a safe distance and out of your lap. Even a bad movie looks better from this angle.

Readers' choice: Alamo Drafthouse

The Black Actors Guild has been entertaining the Mile High City on stage and in classrooms since 2009, when a group of students from the Denver School of the Arts created the versatile theater company. Over the past half-decade, the troupe has produced full-length theater shows, taught youth acting classes and absolutely killed it on stage with its regular Show Ya Teef improv show, which has been running for more than two years. Recently, the Guild introduced some of its best work to date with the web series Behind the Smile. Addressing race, class, relationships and intimate connections between friends with subtle humor, Behind the Smile captures what makes the group so irresistibly watchable: its sheer amount of raw talent. The series is part reality show and part fictional behind-the-scenes look into the lives of these young comedians, actors and improv masters, who make up one of the best acting ensembles in the Denver spotlight right now.

Beginning last September, Denver's Warm Cookies of the Revolution civic health club took to the road to visit the city's neighborhoods and learn what issues people in different metro-area communities are thinking about as the region suffers through dramatic changes and growing pains. Each inroad culminates with a monthly Stompin' Ground Games neighborhood Olympics event that introduces attendees to each community's culture and concerns with a mix of performance and group problem-solving. The spirit infusing these events is strong, and each stop gets people talking. We can only hope the games will continue beyond the currently proposed yearlong stretch.

Local curator-at-large Cortney Lane Stell teamed up with RedLine founder Laura Merage to create a new model for art museums with Black Cube, billed as a nomadic museum that's ready to travel, unfettered by any adherence to place. The name refers to a shipping container that serves as the pop-up venue's gypsy caravan and portable shop, but it also refers conceptually to the museum's blank slate, where anything is possible. The nonprofit has no collection, but instead partners with artist fellows to craft personalized exhibits; in 2015, Stell collaborated with three residents to cast video-mapped imagery on the cliffs of Red Rocks during a ceremonial performance, raise a giant blow-up sculpture in Civic Center and launch a conversation-starter installation about bad architecture inside a construction site. In 2016, Black Cube is taking to the road; its first venture this year — Denver ceramic artist Stephanie Kantor's Mock Pavilion — is just ending a monthlong run in San Antonio. Visit the website to keep up with future developments.
Courtesy Clyfford Still Museum Facebook page

Art museums shouldn't be scary places, but there's something daunting about one that's been devised as a temple to one artist. Though director Dean Sobel and staff have done much to ensure that the venue's changing exhibits offer fresh perspectives on Clyfford Still's vast legacy, some people respond better to more user-friendly incentives to visit. Last year, the Still tested those waters with a pilot program that included educational and public presentations with the price of museum admission, as well as totally free entry on Friday evenings. It was so successful that the museum will continue the freebies in 2016, enticing new audiences inside its handsome doors for lectures, concerts, tours and other events.

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