Best Movie Theater — Programming 2017 | Sie FilmCenter | Best of Denver® | Best Restaurants, Bars, Clubs, Music and Stores in Denver | Westword

The Denver Film Society is turning forty years old this year; it birthed the first Denver Film Festival back in 1977. Two decades later, the organization expanded its mission to running a year-round arthouse, which would allow the audience to experience the quality offerings of a festival every single day of the year; when it moved into the SieFilm Center six years ago, the DFS really developed its daily dose of movies. With three screens, the Sie maintains a perfect balance of new and classic cinema, augmenting regular showings with popular mini fests like Women + Film, CinemaQ and CineLatino, as well as guest programmers like Theresa Mercado, with her magnificent and macabre Scream Screen series. And every November, the Sie is again home to the Denver Film Festival. This theater just keeps on spinning like a reel of film, only with no end in sight.

Readers' Choice: Alamo Drafthouse

Over the last decade, television has often stolen the limelight from filmmaking with shows like Mad Men and Breaking Bad, the rise of Netflix and all that "binge-worthy" original programming. As a result, what you find on the ol' boob tube is often better than what you see on the big screen at the multiplex. This televised revolution in storytelling caught the eyes of Randi Kleiner and Kaily Smith, who saw an opportunity to keep that momentum rolling with SeriesFest, a homegrown event that follows the film-festival model but focuses on television pilots instead of cinema, bringing the talent behind the industry out to the fans. Joining forces with the Denver Film Society, which produces the Denver Film Festival, SeriesFest proves that the best festivals can fill any size screen.

Readers' Choice: Denver Film Festival

Since 1955, First Person Cinema has brought some of the world's greatest experimental filmmakers to Boulder — and when we say "filmmakers," we mean it. The artists the group showcases often work entirely alone, sometimes painting or marking the film strip directly, other times crafting intricate, essay-style documentaries. Whatever these artists do, it's sure to be innovative. Most of the filmmakers use their own voice, as the name of the series suggests, and all are pushing the limits of what cinema can be. First Person Cinema has a couple of screenings left this spring and will resume at the start of the fall semester.

For nearly a century of filmmaking, 35mm film was the standard: a touchable and tangible material called celluloid that captures visuals at 24 frames a second and, when projected in front of a bright xenon bulb, shoots images onto a screen. Sadly, the advent of digital filmmaking has nearly put an end to this classic format, but there are still lovers of the medium — and movie houses that love to show it. At the Sie FilmCenter, the experienced projection team doesn't just show films; they love and respect the magical material on which they're made, and during screenings, they take care that every frame is in focus and the light and sound are perfect. As a result, the next time you watch something digitally, you may wish you were seeing it on film at the Sie.

Launched in 2012, Process Reversal is a nonprofit that has offered dozens of workshops in processing and developing motion-picture film by hand with chemicals, in DIY darkrooms and with hodgepodge gear. The group, which recently launched a screening series with the Sie FilmCenter, has taken equipment from now-defunct film laboratories and post-houses and has begun to use it in workshops; it hopes to ultimately open a community film lab where we can all process our own films.

Hands down, Collective Misnomer offers the best experimental film and media programming in Colorado. Screenings take place every few weeks, and despite the DIY nature of the endeavor, they're well-attended by punks and established artists alike. What makes each evening's lineup of shorts so strong is that programmer Adán De La Garza digs deep through online archives for the films he chooses, in the process creating programs that are both challenging and watchable — a coupling rarely found in experimental media circles. While other series scour familiar lists of filmmakers, De La Garza has a knack for finding up-and-coming artists and still managing to draw a crowd.

Drag is exhausting. You need to spend hours creating a look, an outfit, a number, and then even more time walking in shoes so high they'll give you nosebleeds. Anka Shayne, aka Jordan Gilbert, doesn't just display a willingness to do the work; she takes it to the next level. In or out of guise, you can see her wheels turning. What would happen if I poured this liquid latex on my face over my makeup? What would happen if my nails were five inches long? What if I came out wearing nothing but this sticker? Anka is a mover and a shaker who knows how to slay a stage.

Nina Montaldo, Denver's Grand Dame of Drag, will turn 68 this year. Back in 1968, a young James Martinez began to create Nina — borrowing her last name from a high-end department store that once graced our city — because it was the fierce thing to do at a time when being gay, much less a queen, was illegal. Nina's reign at the top of Denver drag has always stood for a few things: professionalism, beauty, glamour, joy and, most important, persistence. Today's drag babies may dismiss Miss Nina's aesthetics as "old-fashioned" — but there's nothing old-fashioned about fighting for your art for fifty years. If you see Nina Montaldo on a bill, do yourself a favor and take in the show.

For some performers, drag only runs skin deep. But for Ultimate Queen Yvie Oddly, aka Jovan Bridges, drag is about more than putting on makeup and a dress and lip-syncing to a pop hit, more than entertaining the masses. For Oddly, drag is a way of expressing your innermost personality, coloring outside the gender lines and using the platform to make a real statement. As a result, there's crackling electricity whenever Yvie takes the Drag Nation stage or leads her own Odd Hour show at Tracks: What you're about to watch is not only going to break the rules of everyday life, but the rules of what drag is supposed to be, as well.

The last few years have seen the drag population in Denver expand tenfold, which means that more and more queens are looking for a spot where they can lip-sync their hearts out. While Denver lost a few stages over the past year, it gained Blush & Blu, a cozy bar and coffeehouse that has been expanding its relationship within the gay community and offering its space for many different types of performances. And no one has embraced the place as much as this city's drag stars. Blush & Blu takes pride in its new role, and has secured a critical item any would-be drag stage needs to be legit: a spotlight to show off the faces and hard work of our fiercest performers. The future looks bright!

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