Now Showing

Clyfford Still. For the opening of the Clyfford Still Museum, director Dean Sobel has installed a career survey of the great artist that starts with the artist’s realist self-portrait and features his remarkable post-impressionist works from the 1920s. Next are Still’s works from the ’30s, with some odd takes on…

The multi-faceted Red Hook Summer stumbles toward maturity

Spike Lee returns to the Brooklyn neighborhoods of his most famous works — including his celebrated debut, Do the Right Thing — with Red Hook Summer, and an early, sustained single take, tracking his protagonists as they navigate a courtyard in the projects, suggests that this trip home has reinvigorated…

For a good time, watch Jamie Travis’s chemistry-filled rom-com

Remember back when Bridesmaids was released, and Manohla Dargis referred to it as “unexpectedly funny”? It’s amazing what still survives the editorial gauntlet at the New York Times; it’s like the Whig Intelligencer-Tribune over there. And then a couple of months ago, podcast host Adam Carolla cast his douchey feelings…

Bachelorette gorges on drugs, alcohol, sex and emptiness

Weddings make such bitchin’ film scenarios because the stakes are believably high: If anything goes wrong, social opprobrium, the loss of your beloved or both can ensue, right in front of your disdainful parents, the clergy, and probably Vince Vaughn. Directors have placed every obvious symbol of holy union in…

Paul Thomas Anderson talks 70mm, Joaquin Phoenix and Scientology

“I’ve made six movies, and I feel like I’m only just finally figuring out how this business fucking works,” Paul Thomas Anderson says on an unseasonably mild August afternoon in the Astoria section of Queens, where later tonight he will preview his latest film for an invited audience at the…

Filmmaker Skip Armstrong concludes Of Souls + Water series with The Elder

Forge Motion Pictures, NRS Films, and New Belgium Brewing premiered The Elder this week, the final film in director Skip Armstrong’s five-part Of Souls + Water series. Armstrong calls the film “a dreamy, contemplative, non-literal piece” about Rob Elliot, 68, a Grand Canyon river guide with more than 200 trips…

Now Showing

Continental Drift. To create Continental Drift, MCA Denver curator Nora Burnett Abrams and Aspen Art Museum curator Jacob Proctor looked at the work of more than 300 Colorado artists who had submitted portfolios. Abrams and Proctor then winnowed the hundreds of submitters down to a mere twenty and scheduled them…

Both life and art are imperfect in 2 Days in New York

Calling back many of the same characters and more than a few of the same jokes, 2 Days in New York, Julie Delpy’s fourth film as writer-director, is a sequel to her 2007 2 Days in Paris. Itself a spinoff of sorts, Paris piggybacked on the popularity of 2004’s justly…

Neither men nor women are safe in Compliance‘s twisted plot

After its Sundance premiere, Compliance might be infamous as the film that inspired a woman to cry out “Rape is not entertainment!” However, writer/director Craig Zobel is not Daniel Tosh. Judging from the film itself, which keeps its final sexual assault entirely off-screen, Zobel seems to agree with that heckler/critic…

Colorado filmmakers clean up at Chamonix Adventure Festival

A trio of filmmakers from Carbondale won three of the four festival awards at the Chamonix Adventure Festival over the weekend in Chamonix-Mont-Blanc, France: Tyler Stableford won the Jury Prize for Shattered, his portrait of alpinist Steve House (see it in full after the jump); Skip Armstrong and Forge Motion…

Marjane Satrapi on culture, family and her new film

“I have always been against this idea of the ‘clash of cultures,'” Marjane Satrapi says. “It’s the biggest piece of bullshit I’ve ever heard.” That’s apparent from her films and graphic novels, which bridge worlds. Born in Iran, Satrapi emigrated to Europe with her family when she was a teenager…

Today’s action movies are on a whole different kick

Remember how action movies used to be? The good old-fashioned American (but often European-accented) ones from the ’80s and ’90s, the type paid tribute to (but not necessarily re-created) in the Expendables movies? No offense to your Iron Men and your Jason Bournes, but I miss movies like Die Hard,…

Now Showing

Clyfford Still. For the opening of the Clyfford Still Museum, director Dean Sobel has installed a career survey of the great artist that starts with the artist’s realist self-portrait and features his remarkable post-impressionist works from the 1920s. Next are Still’s works from the ’30s, with some odd takes on…

In Unforgivable, anti-romanticism is romantic

It might be true that we hurt the ones we love the most, but André Téchiné’s epic neo-family drama depicts offenses—attempted murder, mid-funeral beat downs, sex videos for Daddy—that no relation should have to countenance. Alain Resnais mainstay André Dussollier plays Francis, a best-selling mystery writer who travels to Venice…