Overboard Returns With a Great Cast but That Same Horrifying Premise
At their core, both Overboards are traditional rich-person-learns-how-to-be-a-real-person farces, the kind of films Frank Capra and Preston Sturges used to direct in their sleep
At their core, both Overboards are traditional rich-person-learns-how-to-be-a-real-person farces, the kind of films Frank Capra and Preston Sturges used to direct in their sleep
Starring Rachel Weisz and Rachel McAdams, Disobedience is an adaptation of Naomi Alderman’s novel of the same name, about a tightly knit Orthodox Jewish community and the prodigal daughter who returns to poke holes in its way of life
… Diablo Cody and Jason Reitman have completed their trilogy of self-delusion with Tully, a gently sardonic look at a 40-year-old woman who finds herself in a cluttered house, with a clueless spouse, preparing to have a third child
This epic, the first of two final Avengers films, finds the Class of ‘12 — the core Avengers — getting together for one last rager, joined by select newbies and spazzes from the ranks of sophomores and freshmen
… Bad Samaritan — with its title sounding very Grisham — tells the story of a low-level thief who breaks into a fancy-schmancy house and discovers a woman being held captive in a plastic-lined, camera-surveilled room
The Academy of Motion Picture Arts and Sciences, which runs the Academy Awards, has granted $10,000 to the Denver Film Society, to support its CineLatino programming.
Told through the unique lens of this Latinx family, Vida is a statement on upward mobility and the privilege of being able to outgrow your home
The House of Tomorrow sticks to a time-tested coming-of-age template that’s as common in the indie world as the superhero origin story is in the studio world
The problem with I Feel Pretty isn’t that it’s offensive but that it’s often plodding and unfunny, almost as if its creators are afraid to have too much fun with such a loaded premise
The new season finds Maeve (Thandie Newton), the host who played madam to Westworld’s bevy of robot whores, scouring the park for the daughter she was given in a previous “narrative” … and who continues to haunt her dreams
Equal parts spooky and cheeky, this film nails its black humor and finds a bizarre but satisfying conclusion to manage all the loose ends
The film opens with a dreary series of fake-outs and fantasies, culminating in a gunfight and car chase that suggest Broken Lizard would rather be making a different kind of movie
And this year’s movies are…
(Joaquin) Phoenix plays a hammer-wielding veteran who is paid to save kidnapped children and who brings all his rage and regret and self-loathing and desire for oblivion to the job
For the young cowboys at the heart of Zhao’s film, mounting a horse and galloping across a field represents more than just freedom — it becomes a communion with the past and the future, allowing these riders to imagine and inhabit their best selves
It centers on Villanelle, a deranged assassin — Russian, of course — working on behalf of a shadowy organization, and Eve Polastri (Sandra Oh), the British-born, American-raised MI5 officer who must track her from London to Paris to Moscow
… You Were Never Really Here follows the disjointed, tormented inner journey of Joe (Joaquin Phoenix), a former soldier and law enforcement official who now works as a kind of hammer-wielding vigilante-for-hire, finding missing people (usually, it seems, kids)
Fresh ideas are rare in the horror game, so it’s not surprising that Truth or Dare quickly devolves into a riff on the Final Destination films, which had Death wittily and methodically hunting those it failed to nab in plane crashes and other disasters
… This is a movie where everyone in Johnson’s radius accuses his character of hating humanity, when the actor himself can’t help ingratiating himself to everything …
The film — which is nowhere near as interesting as LaBeouf’s performance — is hopelessly reductive about its subjects’ psychology even as it mocks the press of 1980 for being reductive about its subjects’ psychology
Brad Anderson’s talky-smartish thriller Beirut, like the first half of Million Dollar Arm, sets Hamm’s sharpie loose in a country — in this case a fractious Lebanon — where the rules aren’t his
The mode is comic frustration, the story centered on a reasonable man (played by Armie Hammer) frustrated at the eccentricities of a wild-haired genius (Geoffrey Rush, as the painter Alberto Giacometti)