For much of The Final Year, convinced of Hillary Clinton’s victory, the members of Obama’s crew insist that their successes and failures are part of a continuity – that their work will inform the work of the next administration
Versace is a puzzle the viewer puts together as it goes on, and with this approach the story seems to ripen with every episode as we move deeper and more intimately into Cunanan’s past
It’s a sad day when the cinematographer carries the full burden of storytelling, but in this instance it’s also at least a wonderful opportunity to marvel at Laustsen’s work
The film drags when Haneke pulls focus to the other, duller characters, perhaps inevitably, as it seems his intention for those people to lack interiority or thoughtfulness
Like many a Collet-Serra protagonist, Michael endures much punishment throughout The Commuter — some of it, as with one close-quarters battle involving a guitar, presented in spectacular extended-take fashion
The Insult is a little pushy, sometimes even tough to swallow, but no more than actual geopolitics
In Paddington 2, the emigre bear (again voiced by Ben Whishaw) appears to be the glue holding the Browns’ diverse, colorful neighborhood together
The Post tells the story of the late Katherine Graham (Meryl Streep), the longtime publisher of The Washington Post, who took over its operations after her husband committed suicide in the 1970s
Bradlee and Graham learn over the course of The Post to abandon the clubby congeniality that allowed politicians to lie to the press for so long without ever getting called on it
Like Reinhardt playing that party in Thonon-les-Bains, on the border between France and Switzerland, Django director Etienne Comar refuses the limitations imposed on him
Phantom Thread unfolds so quietly that the questions it’s asking about the nature of desire and attraction, and its delicately confrontational back and forth between Alma and Reynolds, may not register immediately
This surge of internal agony seems intended to pulse throughout the movie’s gruesome state-crossing trek, but Bale, in the part, is much less caricature-adjacent in the lighter beats …
Those expecting camp or catfights won’t find them in Gillespie’s movie, which instead offers thoughtful and somewhat objective critiques …
Although it goes beyond a mere stylistic device, the supernatural here often feels like a function of Thelma’s loneliness and inner turmoil
Sure, it felt like 50 centuries, and we all look like Medusa, but we’re still (kinda) standing, so holy hell. I think that calls for some TV!
… The film has three sections, and each part seems to assume a different set of genre conventions, a different set of emotional cues
… Powell and Pressburger are after something richer than the laughs of Here Comes Mr. Jordan and more expansively philosophical than It’s a Wonderful Life
The show exists in a vaguely defined future time and place — its world’s particulars seem to vary from episode to episode, although fan theories suggest they do all take place in the same universe
Knowing the real-life inspiration for On the Beach at Night Alone may help one appreciate the film’s moral trajectory a bit better
Denver’s back in the movies. Although neither Voyeur nor Our Souls at Night made our list of the “The Ten Best Movies Filmed in Colorado,” neither did a number of other reader favorites.
Over the course of the film, we go from seeing the elder Getty as a figure of great power to one of no power at all, and that is perhaps the most fascinating part of the movie …
Guadagnino adeptly captures not just physicality of a burning love but also the emotional and intellectual components, and the film is all the more salient for that careful, realistic interpretation
