Cinema Q kicks off a weekend of queer films tonight at Denver FilmCenter

Now in its fourth year, the Cinema Q Festival at the Denver FilmCenter showcases the many sides of GLBTQ film, with movies that capture everything from social-justice issues to stunningly accurate portrayals of everyday queer life. More than a dozen films, handpicked by programming director Keith Garcia, will be shown…

Christopher Nolan’s ponderous Dark Knight saga continues

Christopher Nolan’s ponderous, pontifical action movies are written less as screenplays than as operator’s manuals, guiding an audience through assembling their important themes while scrupulously making sure you don’t miss a thing. This is as true of Inception as it is of Nolan’s superhero saga, now swollen into a trilogy…

Now Showing

Clyfford Still. For the opening of the Clyfford Still Museum, director Dean Sobel has installed a career survey of the great artist that starts with the artist’s realist self-portrait and features his remarkable post-impressionist works from the 1920s. Next are Still’s works from the ’30s, with some odd takes on…

The absorbing Neil Young Journeys is another Jonathan Demme triumph

Not to knock films as fantastic as Rachel Getting Married, The Silence of the Lambs and Something Wild, but there’s something wilder — or at least more directly stimulating and pure — about director Jonathan Demme’s live-performance docs. The 68-year-old auteur immortalized a Talking Heads show in Stop Making Sense,…

Breaking Bad‘s 10 greatest scenes (so far)

For four seasons, Breaking Bad has chronicled the journey of Walter White from “Mr Chips to Scarface,” as creator Vince Gilligan puts it. The end of the last season saw White taking out his number one adversary in spectacular fashion, marking the beginning of the final phase of his transformation…

Now Showing

Clyfford Still. For the opening of the Clyfford Still Museum, director Dean Sobel has installed a career survey of the great artist that starts with the artist’s realist self-portrait and features his remarkable post-impressionist works from the 1920s. Next are Still’s works from the ’30s, with some odd takes on…

Beasts of the Southern Wild views life through a child’s eyes

A zealous gumbo of regionalism, magical realism, post-Katrina allegory, myth and ecological parable, Beasts of the Southern Wild, the southern-Louisiana-set debut feature of 29-year-old Benh Zeitlin, rests, often cloyingly, on the tiny shoulders of Quvenzhané Wallis. Her character, Hushpuppy, the film’s six-year-old (also Wallis’s age during filming) protagonist and narrator,…

The probing Kumare chronicles a joke turned serious

Prepare to have your assumptions pitched out the window by this tense, surprisingly probing satirical documentary — and not just those about religious longing and “spirituality,” its ostensible subjects, but about how deep the genre that gave us Borat and Morgan Spurlock’s spotty oeuvre can go. Kumaré is essentially the…

Memory and emotion inform the elliptical Goodbye First Love

Writer-director Mia Hansen-Løve’s third feature, Goodbye First Love, begins in 1999, when protagonist Camille (Lola Créton), a highly emotional high school girl in love, is fifteen, and tracks her through her mid-twenties as she’s establishing a career. We first follow Camille through her all-consuming romance with Sullivan (Sebastian Urzendowsky), a…

A tour doc reveals Katy Perry’s essential Katy Perry-ness

From bubblegum-bi-curious novelty “I Kissed a Girl” on, Katy Perry has built a career on glorious brain-dead-with-a-wink odes to play-acting in a fantasy space of total acceptance and no consequences, sold to children with literal sugarcoating. Her hits are powerful stuff, coming from an artist who was raised by Pentecostal…

Savages deals a heavy hand, but skimps on soul

“Welcome to the recession, boys,” says John Travolta’s DEA-double-agent profiteer in Oliver Stone’s Savages, based on Don Winslow’s novel. Savages is a movie of its moment, though both its good guys and bad guys (if there’s really even a difference) are unquestionably the 1 percent of their industry — that…

Woody Allen presents a magical world in To Rome With Love

In Woody Allen’s new film, To Rome With Love, people — like, really young people — still talk, improbably, about “neuroses.” Horny middle-age businessmen actually stand around the water cooler and ogle the hot secretary, as in the Playboy cartoons of the ancients. In the Allen Legendarium, Freudian psychiatrists never…

Ethan Hawke cooly steers the crazy train in The Woman of the Fifth

The first film from emigré director Pawel Pawlikowski since 2004’s dreamy My Summer of Love, this thoroughly odd and brooding psycho-puzzle trains in on Ethan Hawke’s displaced American writer-academic, arrived in Paris to see his ex-wife and young daughter despite a restraining order, a recent hospital stay and a history…

Now Showing

Clyfford Still. For the opening of the Clyfford Still Museum, director Dean Sobel has installed a career survey of the great artist that starts with the artist’s realist self-portrait and features his remarkable post-impressionist works from the 1920s. Next are Still’s works from the ’30s, with some odd takes on…

Karina Longworth talks movies with Woody, Penelope and Ellen

1979. Woody Allen has just had the biggest hit of his career with Manhattan — a love letter to the titular city, a romantic celebration of its timeless urban landscape set in a nostalgic-fantastic present, culminating in the gut-punch realization that what’s past is irretrievably past. Manhattan’s $39 million take…

Now Showing

Clyfford Still. For the opening of the Clyfford Still Museum, founding director Dean Sobel has installed a career survey of the great artist. Clyfford Still: Inaugural Exhibition starts with the artist’s realist self-portrait and features his remarkable post-impressionist works from the 1920s. Next are Still’s works from the ’30s, with…

A Cat in Paris is a rather bland slice of French animation

A sketchy trifle of French animation grabbing time in theaters thanks to its recent Oscar nomination, Felicioli and Gagnol’s barely-hour-long film A Cat in Paris seeks shelf space beside Sylvain Chomet’s deft and rapturous hand-drawn cartoons (The Triplets of Belleville, The Illusionist), and the required self-conscious Frenchiness is spot-on. But…