Charles Parson. This must-see sculpture solo titled Charles Parson: Personal Echoes on the Horizon, at Golden’s Foothills Art Center, begins out front with a trio of hieratically composed tubular metal sculptures — basically gongs. The viewer/participant is meant to strike the gongs with clappers that are chained to them. This…
Being a young actress in Hollywood can be a horror show even for performers who achieve something akin to stardom – a condition that’s temporary for all too many of them. Consider the case of Mischa Barton. She was a sizzling property in 2003 upon the arrival of The O.C.,…
In the lushly produced but dispiriting new comedy The Ugly Truth, Katherine Heigl stars as Abby Richter, a successful but hopelessly uptight TV producer who is also perpetually single. Ever efficient, Abby does background checks on the men she meets, and takes along on the first date a ten-point checklist…
A small mob of camels stampedes by a nomad’s tent, with something that might once have been a tractor eating the kicked-up dust. Inside, a young guy in a sailor suit sits on the rug, cheerfully recounting his death struggle with an octopus to the impassive middle-aged couple he’s hoping…
Damien Hirst. You’d have to be living under a rock — or have absolutely no interest in contemporary art — not to know that Damien Hirst is a superstar, and that everything he makes is worth millions of dollars apiece. The tight solo at MCA Denver (formerly known as the…
The astronaut drama Countdown is a curio from both a historical and filmic standpoint. The movie, co-starring James Caan and Robert Duvall, both pre-Godfather, arrived in 1968, a year before the initial moon landing, but at a point when it was clear the United States was on the verge of…
Don’t let the PG rating fool you: The dark arts are back with a vengeance in Harry Potter and the Half-Blood Prince, the generally grim, occasionally startling and altogether enthralling sixth chapter in a movie franchise that keeps managing to surprise just when one would expect it to be puttering…
Jennifer Lynch — like Sofia Coppola on occasion — has been tarred with the unfounded claim that her films get made only because of who her father is. David Lynch serves as executive producer of Surveillance, Jennifer’s first film since the near-stoning she received after her 1993 debut feature, the…
The Magafan Twins. Ethel and Jenne Magafan were identical twins born in Chicago but raised in Denver. In the 1920s, their art teacher at East High School was so impressed with their talent that he paid their tuition to attend Denver’s School of Modern Art, run by Frank Mechau; they…
The Thief of Baghdad is an enormous contradiction of the auteur theory. The 1940 release credits three directors — Ludwig Berger, Tim Whelan and Michael Powell — and only the latter assembled a filmography of any particular note. Moreover, it’s likely that producer Alexander Korda and others contributed to the…
Kathryn Bigelow’s Iraq War drama The Hurt Locker is a full-throttle body shock of a movie. It gets inside you like a virus, puts your nerves in a blender, and twists your guts into a Gordian knot. Set during the last month in the year-long rotation of a three-man U.S…
Heterosexuals can’t understand camp because everything they do is camp,” opined an associate of the old Play-House of the Ridiculous, a New York theater known for its good-natured, anarchic sexual farce. Such, more or less, is the method of the new Sacha Baron Cohen extravaganza Brüno. Communist Poland supported a…
The Psychedelic Experience. The AIGA graphics curator, Darrin Alfred, has only been on the job at the Denver Art Museum for a year, and already he’s the author of a major blockbuster, The Psychedelic Experience: Rock Posters From the San Francisco Bay Area. Alfred selected around 300 posters from a…
Eddie Adams, the late photographer at the center of An Unlikely Weapon, which opens July 2, was a romantic of an especially cantankerous sort. He’s most famous for a Vietnam-era photo of a prisoner being executed in the middle of a street — but rather than reveling in the accolades…
They’re all about where people come from. Nobody seems to wonder where somebody’s going.” So says the Depression-era bank-robber-cum-folk-hero John Dillinger upon surveying the clientele of a chic Chicago eatery in a key scene from Michael Mann’s Public Enemies. And, much like its subject, Mann’s exhilarating movie exists in a…
Character is destiny — at least for Woody Allen’s Whatever Works. Allen’s exercise in Woody Allen nostalgia opens with a snatch of Groucho Marx singing his trademark paradoxical assertion (“Hello, I must be going”) and is powered almost entirely by the presence of a single, larger-than-life — and less than…
Damien Hirst. You’d have to be living under a rock — or have absolutely no interest in contemporary art — not to know that Damien Hirst is a superstar, and that everything he makes is worth millions of dollars apiece. The tight solo at MCA Denver (formerly known as the…
Revanche defied both the odds and the standard formula in earning Austria a richly deserved Oscar nomination for best foreign film. Director Götz Spielmann’s latest deals with crime, a subject typically seen as insufficiently important for such an honor. Moreover, the main characters — a rough-hewn ex-con (Johannes Krisch), a…
Eleven-year-old Anna Fitzgerald’s parents didn’t just plan for her — they customized her in utero, with the specific end of providing spare parts and infusions for her leukemia-sick older sister, Kate. From a 2004 Jodi Picoult bestseller, My Sister’s Keeper mashes Death Be Not Proud with Irreconcilable Differences. When Kate…
Barbara Takenaga and Mary Ehrin. These two solos feature contemporary work that’s informed by the influence of nature. Barbara Takenaga: Fade Away & Radiate, comprises a nice selection of abstracts by a New York artist who lived for many years in Colorado. Mary Ehrin: Rockspace is an installation by a…
“I just want to blend in,” claims banjoist Béla Fleck early in Throw Down Your Heart, a documentary about his musical journey to Africa (where the banjo originated). A moment later, after glancing at the native performers around him, he admits, “I’m not going to blend in.” Yet he often…
Fifteen minutes after seeing The Proposal, I’d forgotten I’d seen The Proposal. Well, that’s not entirely true: By then, it had simply merged in my memory with a thousand other films just like it — those in which phony lovers bound together by dubious circumstances become honest-to-kissin’ couples in just…
