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Go for the Gold: Five Free Things to Do in Denver (and Beyond) Today

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Film, TV & Streaming

Showing 397 - 418 of 6802
New <i>Jurassic World</i> Is Better Than the Last Yet Somehow Still Not Good

New Jurassic World Is Better Than the Last Yet Somehow Still Not Good

By Bilge EbiriJune 18, 2018

The calamities come with accelerating speed, and everything happens so quickly that you don’t even have time to wonder if you’re having fun or not

“Who Gets to Be a <i>Girl</i> Is Contested”: Alice Bolin Talks <i>Dead Girls</i> and Women’s Pain

“Who Gets to Be a Girl Is Contested”: Alice Bolin Talks Dead Girls and Women’s Pain

By Alan ScherstuhlJune 18, 2018

Like the shows she’s considering, Bolin soon expands out from comely corpses to survey a wider world, in this case many of her pop obsessions …

Lea Thompson on Directing (and Learning From) Her Daughters, Madelyn and Zoey Deutch

Lea Thompson on Directing (and Learning From) Her Daughters, Madelyn and Zoey Deutch

By Alan ScherstuhlJune 15, 2018

Her daughter Madelyn wrote and scored the film; Madelyn stars in it alongside Zoey, and Thompson appears with her daughters in the featured role of — you guessed it — their mother

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CinemaQ, Denver’s Queer Film Festival, Announces 2018 Lineup

CinemaQ, Denver’s Queer Film Festival, Announces 2018 Lineup

By Kyle HarrisJune 15, 2018

CinemaQ, Denver’s premier queer film festival, announced its 2018 slate of movies.

<i>2001: A Space Odyssey</i> Returns, on Screens Worth Its Full Wonder

2001: A Space Odyssey Returns, on Screens Worth Its Full Wonder

By Bilge EbiriJune 15, 2018

… The primates of the first section live in a world without tools, and thus don’t know what to make of them; the future humans of the later sections live at the mercy of their tools, and thus don’t question them — until, finally, they do

<i>Tag</i> Is Often Pretty Gloriously Dumb, So Too Bad It Also Seems to Want to Be More

Tag Is Often Pretty Gloriously Dumb, So Too Bad It Also Seems to Want to Be More

By Bilge EbiriJune 14, 2018

Several grown men have been playing the same game of tag for the last three decades, spending one month each year doing everything they can to avoid one another, while also doing everything they can to secretly find and touch one another

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The Magic of Isabelle Huppert Powers Hong Sang-soo’s <i>Claire’s Camera</i>

The Magic of Isabelle Huppert Powers Hong Sang-soo’s Claire’s Camera

By Bilge EbiriJune 14, 2018

Set in Cannes (which, big surprise, is also where it premiered), Claire’s Camera opens with three scenes depicting the firing of a young woman, Man-hee (Kim Min-hee), from her job at a Korean film sales company

Like Most Films, <i>Hearts Beat Loud</i> Should Focus More on Its Women

Like Most Films, Hearts Beat Loud Should Focus More on Its Women

By Ren JenderJune 14, 2018

The main character, this time named Frank (Nick Offerman), like (High) Fidelity‘s Rob, owns a record store and lectures women about music as if they don’t have opinions — or ears — of their own

<i>Incredibles 2</i> Blinks in the Face of Its Greatest Challenge

Incredibles 2 Blinks in the Face of Its Greatest Challenge

By Bilge EbiriJune 12, 2018

Now, a slick young billionaire (voiced by Bob Odenkirk) has a plan to make superheroes popular (and legal) again by televising their exploits, and chooses Elastigirl over Mr. Incredible as the face of this new campaign …

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For Better or Worse, <i>Pose</i> Is a Queer Story Told Straight

For Better or Worse, Pose Is a Queer Story Told Straight

By Lara ZarumJune 11, 2018

From the very first scene, Pose boasts a purposefully slick veneer of artificiality — it’s a little too art-directed, a romanticized version of poverty straight from the set of Rent

<i>Won’t You Be My Neighbor?</i> and Mr. Rogers Insist Humanity Can Be Better

Won’t You Be My Neighbor? and Mr. Rogers Insist Humanity Can Be Better

By Lara ZarumJune 11, 2018

Through archival footage of Rogers both on and off the set of his iconic show, as well as interviews with his family, friends and former crew members, Won’t You Be My Neighbor? draws a flattering yet complex portrait of its subject, who died of cancer in 2003

<i>Ocean’s 8</i> Barely Bests a Tricky Problem: How to be Familiar <i>and</i> Surprising

Ocean’s 8 Barely Bests a Tricky Problem: How to be Familiar and Surprising

By Alan ScherstuhlJune 7, 2018

Simply put, the clockwork heist that Ocean’s 8 promises (and, by its end, dazzles with) limits the film’s ability to offer what you might actually want from it: the chance to relish this cast

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Jodie Foster Rules Over the Talky, Scattered Crime Drama <i>Hotel Artemis</i>

Jodie Foster Rules Over the Talky, Scattered Crime Drama Hotel Artemis

By April WolfeJune 7, 2018

… While John Wick is all action, no talk, Artemis is the polar opposite, Pearce stretching out the will-they-won’t-they (kill each other) tension as long as possible, until every violent criminal is trapped in this hotel

<i>Boom for Real</i> finds Jean-Michel Basquiat Tagging Himself “It”

Boom for Real finds Jean-Michel Basquiat Tagging Himself “It”

By Craig D. LindseyJune 6, 2018

Boom makes Basquiat out to be an on-the-fringe Zelig-like character, attempting to get his foot into a bustling arts scene where the inner-city people were beginning to mingle with the downtown folk

Seeing the Worst Coming Only Makes <i>Hereditary</i> More Terrifying

Seeing the Worst Coming Only Makes Hereditary More Terrifying

By April WolfeJune 6, 2018

The horror of Hereditary lays not just in scary images but in creeping sense that free will is a joke, and bad luck can be as inescapable as a family curse

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André Leon Talley Perseveres as America Lets Him Down in <i>The Gospel According to André</i>

André Leon Talley Perseveres as America Lets Him Down in The Gospel According to André

By April WolfeJune 5, 2018

In both the archives and in Novack’s footage, Talley appears so fully himself in every one of his garishly fascinating caftans that it’s difficult not to admire him or the endless knowledge of history and design (specifically Russian) he can spout from on cue

<i>Filmworker</i> Shows What It Was Like to be Kubrick’s Right-Hand Man

Filmworker Shows What It Was Like to be Kubrick’s Right-Hand Man

By Bilge EbiriJune 4, 2018

Filmworker walks a fine line tonally, as it reflects both Vitali’s admiration and awe of Kubrick, while also calling into question the way the director allowed his many projects to devour the lives of those who worked for him as well

In the Infuriating <i>American Animals</i>, Dumb Criminals’ Remorse Is Their Reward

In the Infuriating American Animals, Dumb Criminals’ Remorse Is Their Reward

By Alan ScherstuhlJune 4, 2018

For all its jittery heist drama, American Animals is, above all else, an accidental study in just how much white kids can get away with and still be welcomed back into society

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<i>The Americans</i>,  <i>Barry</i> Take Aim at the Heart of the Romantic Antihero

The Americans, Barry Take Aim at the Heart of the Romantic Antihero

By Lara ZarumJune 1, 2018

Both series unfold from the perspective of the “bad guys,” and both juxtapose a life of crime with the mundane everyday — for Barry, the world of desperately aspiring Los Angeles actors, and for The Americans, the Jennings’ domestic life …

<i>Upgrade</i> Builds a Better Hyper-Violent Retro-Future Thriller

Upgrade Builds a Better Hyper-Violent Retro-Future Thriller

By Alan ScherstuhlMay 31, 2018

Teeming with abandoned buildings full of thugs to be dispatched, ruled over by shadow corporations and wicked artificial intelligence, Whannell’s film plays like the smarter-than-you’d-think 2018 version of some 1988 kill-’em-all VHS cheapie

Bill Gunn’s Revolutionary <i>Ganja & Hess</i> Gets the Restoration It Deserves

Bill Gunn’s Revolutionary Ganja & Hess Gets the Restoration It Deserves

By April WolfeMay 31, 2018

Gunn eschewed exploitation’s tendency toward empty sensation and imbued the film with an undercurrent of realistic misery

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Paul Schrader’s <i>First Reformed</i> Dares to Stare Right Into the Void

Paul Schrader’s First Reformed Dares to Stare Right Into the Void

By Alan ScherstuhlMay 30, 2018

The morality-tale obviousness of First Reformed’s plotting at times proves at odds with its sensitive detailing of its characters’ inner and spiritual lives

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