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Where to Dine During the Fourth Annual Mile High Asian Food Week

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Film, TV & Streaming

Showing 419 - 440 of 6834
Daughter-Father Comedy <i>Boundaries</i> Won’t Let Vera Farmiga Catch a Break

Daughter-Father Comedy Boundaries Won’t Let Vera Farmiga Catch a Break

By April WolfeJuly 2, 2018

… It’s nice that writer/director Shana Feste’s family comic drama Boundaries shows an adult woman reluctant to let her vagabond dad back into her life — for good reason

<i>Uncle Drew</i> Scores One for All the Old Dudes

Uncle Drew Scores One for All the Old Dudes

By Craig D. LindseyJune 29, 2018

Jay Longino’s sap-filled script turns Drew into a mythological Zen master, dispensing words of wisdom after living a life of solitude and regrets when he’s not chasing after buckets

The New <i>Sicario</i> Is Violent, Moving and Implausible, But Less So Than Real Life

The New Sicario Is Violent, Moving and Implausible, But Less So Than Real Life

By April WolfeJune 27, 2018

This ultra-violent crime thriller, satirizing some of Americans’ most despicable, imperialist impulses, somehow seems as though it is from a quieter, more decent time — and that’s depressing

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Netflix’s <i>Set It Up</i> Makes a Compelling Case for Romantic-Comedy Formula

Netflix’s Set It Up Makes a Compelling Case for Romantic-Comedy Formula

By Monica CastilloJune 27, 2018

Harper and Charlie’s flirty dialogue rushes by at screwball comedy speeds, a funny affectation that’s no less effective now than it was in movies like It Happened One Night or The Lady Eve

Still Rolling: <i>Leave No Trace</i>’s Debra Granik on the Fight to Make Movies Down in the Dirt

Still Rolling: Leave No Trace’s Debra Granik on the Fight to Make Movies Down in the Dirt

By April WolfeJune 26, 2018

Granik says this about that near-decade between her narrative films: “It’s been like psycho-cardio workout on steroids the past eight years.”

<i>Mary Shelley</i> Desperately Needs the Spark of Life

Mary Shelley Desperately Needs the Spark of Life

By Alan ScherstuhlJune 25, 2018

… Much like a paper by a student who has read the wiki but not the work, Mary Shelley marshals its evidence without revealing more, without connecting to the soul of the matter.

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TNT’s Pulpy, Bloody <i>Claws</i> Tears Into an America Gone Mad

TNT’s Pulpy, Bloody Claws Tears Into an America Gone Mad

By Lara ZarumJune 20, 2018

The show’s production designers and costumers clearly revel in Claws’ setting; everything is slightly overdone, Florida-style, right down to the elaborately detailed designs that Desna’s salon specializes in

Hannah Gadsby, Cameron Esposito Seize Comedy’s New Normal

Hannah Gadsby, Cameron Esposito Seize Comedy’s New Normal

By Lara ZarumJune 19, 2018

Like Nanette, Rape Jokes is in part a deconstruction of comedy itself, particularly the debates in recent years over what should, or shouldn’t, be acceptable in a stand-up set

It’s the Sisters Who Are Spectacular in Lea Thompson’s <i>The Year of Spectacular Men</i>

It’s the Sisters Who Are Spectacular in Lea Thompson’s The Year of Spectacular Men

By Alan ScherstuhlJune 19, 2018

Thompson and screenwriter Deutch center their young women’s choices, desires, mistakes, disappointments and work in a welcome parody of Hollywood’s treatment of young women

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Ten Ice-Skating Movies From Fails to Gold (Including a New Colorado Film)

Ten Ice-Skating Movies From Fails to Gold (Including a New Colorado Film)

By Amy AntonationJune 18, 2018

Put your summer on ice.

New <i>Jurassic World</i> Is Better Than the Last Yet Somehow Still Not Good

New Jurassic World Is Better Than the Last Yet Somehow Still Not Good

By Bilge EbiriJune 18, 2018

The calamities come with accelerating speed, and everything happens so quickly that you don’t even have time to wonder if you’re having fun or not

“Who Gets to Be a <i>Girl</i> Is Contested”: Alice Bolin Talks <i>Dead Girls</i> and Women’s Pain

“Who Gets to Be a Girl Is Contested”: Alice Bolin Talks Dead Girls and Women’s Pain

By Alan ScherstuhlJune 18, 2018

Like the shows she’s considering, Bolin soon expands out from comely corpses to survey a wider world, in this case many of her pop obsessions …

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Lea Thompson on Directing (and Learning From) Her Daughters, Madelyn and Zoey Deutch

Lea Thompson on Directing (and Learning From) Her Daughters, Madelyn and Zoey Deutch

By Alan ScherstuhlJune 15, 2018

Her daughter Madelyn wrote and scored the film; Madelyn stars in it alongside Zoey, and Thompson appears with her daughters in the featured role of — you guessed it — their mother

CinemaQ, Denver’s Queer Film Festival, Announces 2018 Lineup

CinemaQ, Denver’s Queer Film Festival, Announces 2018 Lineup

By Kyle HarrisJune 15, 2018

CinemaQ, Denver’s premier queer film festival, announced its 2018 slate of movies.

<i>2001: A Space Odyssey</i> Returns, on Screens Worth Its Full Wonder

2001: A Space Odyssey Returns, on Screens Worth Its Full Wonder

By Bilge EbiriJune 15, 2018

… The primates of the first section live in a world without tools, and thus don’t know what to make of them; the future humans of the later sections live at the mercy of their tools, and thus don’t question them — until, finally, they do

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<i>Tag</i> Is Often Pretty Gloriously Dumb, So Too Bad It Also Seems to Want to Be More

Tag Is Often Pretty Gloriously Dumb, So Too Bad It Also Seems to Want to Be More

By Bilge EbiriJune 14, 2018

Several grown men have been playing the same game of tag for the last three decades, spending one month each year doing everything they can to avoid one another, while also doing everything they can to secretly find and touch one another

The Magic of Isabelle Huppert Powers Hong Sang-soo’s <i>Claire’s Camera</i>

The Magic of Isabelle Huppert Powers Hong Sang-soo’s Claire’s Camera

By Bilge EbiriJune 14, 2018

Set in Cannes (which, big surprise, is also where it premiered), Claire’s Camera opens with three scenes depicting the firing of a young woman, Man-hee (Kim Min-hee), from her job at a Korean film sales company

Like Most Films, <i>Hearts Beat Loud</i> Should Focus More on Its Women

Like Most Films, Hearts Beat Loud Should Focus More on Its Women

By Ren JenderJune 14, 2018

The main character, this time named Frank (Nick Offerman), like (High) Fidelity‘s Rob, owns a record store and lectures women about music as if they don’t have opinions — or ears — of their own

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<i>Incredibles 2</i> Blinks in the Face of Its Greatest Challenge

Incredibles 2 Blinks in the Face of Its Greatest Challenge

By Bilge EbiriJune 12, 2018

Now, a slick young billionaire (voiced by Bob Odenkirk) has a plan to make superheroes popular (and legal) again by televising their exploits, and chooses Elastigirl over Mr. Incredible as the face of this new campaign …

For Better or Worse, <i>Pose</i> Is a Queer Story Told Straight

For Better or Worse, Pose Is a Queer Story Told Straight

By Lara ZarumJune 11, 2018

From the very first scene, Pose boasts a purposefully slick veneer of artificiality — it’s a little too art-directed, a romanticized version of poverty straight from the set of Rent

<i>Won’t You Be My Neighbor?</i> and Mr. Rogers Insist Humanity Can Be Better

Won’t You Be My Neighbor? and Mr. Rogers Insist Humanity Can Be Better

By Lara ZarumJune 11, 2018

Through archival footage of Rogers both on and off the set of his iconic show, as well as interviews with his family, friends and former crew members, Won’t You Be My Neighbor? draws a flattering yet complex portrait of its subject, who died of cancer in 2003

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<i>Ocean’s 8</i> Barely Bests a Tricky Problem: How to be Familiar <i>and</i> Surprising

Ocean’s 8 Barely Bests a Tricky Problem: How to be Familiar and Surprising

By Alan ScherstuhlJune 7, 2018

Simply put, the clockwork heist that Ocean’s 8 promises (and, by its end, dazzles with) limits the film’s ability to offer what you might actually want from it: the chance to relish this cast

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