Adult Beginners Crams Kroll Into a Played-Out Arc

I dread explaining man-child dramedies to the ghosts of the dead. “You see, Grandpa, after your time, a generation paralyzed by the economy and indecision stopped growing up, and started churning out indie movies justifying why.” In the ’40s, men fought wars at eighteen. In 1967, Benjamin Braddock faced accusations…

In Little Boy, Faith Trumps Everything — Even Rationality

Did you know that there’s a new family-audience feature film that implies that God nuked Japan because one plucky American moppet dared to dream? That’s no exaggeration. In the summer of 1945, the kid stands on a California dock, points his fingers magician-style out at the Pacific horizon and screams…

Ex Machina: Alex Garland’s Debut Is Clever and Fun

Ex Machina is an egghead thriller with a scary selling point: Unlike Liam Neeson shooting up half of Boston, this actually could be taking place right now. It’s a smart film about the shrinking divide between man and robot. It’s also a hoot, an anti-comedy in which all of the…

Unspeakable Beauty and Brutality in The Salt of the Earth

Even if you think you don’t know the photographs of Sebastião Salgado, you’ve probably seen them. In one of his most famous pictures, taken in the mid-1980s in Mali, a woman whose face is half-hidden by a dark, rough-textured cotton veil, her bearing as elegant as anything you’d see in…

5 to 7 Doesn’t Quite Add Up

Victor Levin’s 5 to 7 is a romantic drama about a young writer in Manhattan that could be a superhero flick if its leading man wore tights. It’s as much a triumph of boyish wish fulfillment as Peter Parker swinging on skyscrapers. Brian (Anton Yelchin) is one of those suffering…

True Story Is Less Than the Sum of Its Parts

The sequence that opens True Story tells you plenty about what you’re in for: A rumpled teddy bear drifts down from our vantage point like a puffy brown snowflake, landing with slow-motion deliberateness on the form of a PJ-clad toddler curled up in a suitcase, seemingly asleep. She’s like an…

Game of Thrones Season 5 Preview: Women Warriors Take Over Westeros

It may be hard to remember now, but there once was a time when Daenerys Targaryan was the most exciting character on Game of Thrones. Played by Emilia Clarke, the exiled royal best embodied the HBO drama’s paradoxical appeal: its mix of historical authenticity and rousing fantasy. Reduced to currency…

The Longest Ride Is Not Nicholas Sparks’s First Rodeo

The Longest Ride is Nicholas Sparks’s most ambitious novel. Instead of one couple, there’s two — and he’s even stretched out of his blond/Southern/Christian comfort zone to make the older pair Jewish. For balance in the film version of The Longest Ride, and for pandering to the powerful conservative audience…

Mad Men: What’s Left After Achieving Everything?

Mad Men has always been, among many other things, about the exit of the old guard and the entrance of the new — and the acceleration of that transition by the mood and the movements of the Sixties. The pilot, set in 1960, finds the Sterling Cooper higher-ups scrambling to…

Film Podcast: In Defense of Furious 7

Furious 7 and While We’re Young are two very different movies — one’s all synchronized driving and explosions, the other’s all sorta-depressed New Yorkers who don’t drive — but both receive generally positive reviews from Alan Scherstuhl and Stephanie Zacharek of the Village Voice, and Amy Nicholson of LA Weekly,…

The Riot Club Is at Once Predictable and Suspenseful

Clueless rich guy Tom Perkins rightly became the laughingstock of the Internet last year after comparing America’s “war on one-percenters” to the Nazi Kristallnacht. However detestably fatuous Perkins is in real life, it must be admitted that he’d make a fascinating fictional character, perhaps in a Greek tragedy about a…